Sonata No. 2, Opus 99 in F Major
Author | : Johannes Brahms |
Publisher | : Alfred Music |
Total Pages | : 48 |
Release | : 1999-08-26 |
Genre | : Music |
ISBN | : 9781457485305 |
A Cello solo with Piano Accompaniment composed by Johannes Brahms.
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Author | : Johannes Brahms |
Publisher | : Alfred Music |
Total Pages | : 48 |
Release | : 1999-08-26 |
Genre | : Music |
ISBN | : 9781457485305 |
A Cello solo with Piano Accompaniment composed by Johannes Brahms.
Author | : |
Publisher | : Alfred Music Publishing |
Total Pages | : 0 |
Release | : 1985-03 |
Genre | : Music |
ISBN | : 9780769286105 |
A Cello solo with Piano Accompaniment composed by Johannes Brahms.
Author | : Johannes Brahms |
Publisher | : |
Total Pages | : 44 |
Release | : 1956 |
Genre | : Sonatas (Cello and piano) |
ISBN | : |
Author | : Johannes Brahms |
Publisher | : |
Total Pages | : 44 |
Release | : 2005 |
Genre | : Cello and piano music |
ISBN | : |
Author | : James Hepokoski |
Publisher | : Oxford University Press, USA |
Total Pages | : 353 |
Release | : 2020-12-15 |
Genre | : Music |
ISBN | : 0197536816 |
This book is a highly accessible and up-to-date introduction to the key ideas of Sonata Theory, one of the most influential methods for analyzing the sonata form. Teaching the method primarily by example, it features close readings of masterpieces by Haydn, Mozart, Beethoven, Schubert, and Brahms.
Author | : Timothy Cutler |
Publisher | : Routledge |
Total Pages | : 314 |
Release | : 2019-02-04 |
Genre | : Music |
ISBN | : 1351069152 |
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Author | : Bruno Monsaingeon |
Publisher | : Princeton University Press |
Total Pages | : 465 |
Release | : 2002-09-15 |
Genre | : Biography & Autobiography |
ISBN | : 0691095493 |
"Sviatoslav Richter was a dazzling performer but an intensely private man. Though world famous and revered by classical music lovers everywhere, he guarded himself and his thoughts as carefully as his talent. Fascinated, author and filmmaker Bruno Monsaingeon tried vainly for years to interview the enigmatic pianist. Richter eventually yielded, granting Monsaingeon hours of taped conversation, unlimited access to his diaries and notebooks, and, ultimately his friendship. This book is the product of that friendship. It offers readers the sizable pleasure of lingering in the thoughts and words of one of the most important pianists of the twentieth century. Sviatoslav Richter belongs on the shelves of everyone with a classical music collection and will also appeal to lovers of autobiography and admirers of Russian musical culture." -- Back cover
Author | : Louis Spohr |
Publisher | : Alfred Music |
Total Pages | : 48 |
Release | : |
Genre | : Music |
ISBN | : 9781457470981 |
One of the leading composers of instrumental music of the early Romantic period, Louis Spohr was a violinist, composer, and conductor. In addition to symphonic works, string quartets, and other solo and chamber music, he composed operas, operettas, and songs. Of the fifteen violin concerti he composed, his Violin Concerto no. 7 in c minor was written in 1814. There has been a trend, starting in the late 20th century, to revive his instrumental works and songs.
Author | : Michael Talbot |
Publisher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.