Sonata No 2 In F Major Opus 99 For Cello And Piano
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Author | : Heinrich Schenker |
Publisher | : Pendragon Press |
Total Pages | : 196 |
Release | : 2001 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781576470749 |
The first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.
Author | : |
Publisher | : |
Total Pages | : 314 |
Release | : 1889 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1226 |
Release | : 1897 |
Genre | : Drama |
ISBN | : |
Author | : Stephen Hefling |
Publisher | : Routledge |
Total Pages | : 454 |
Release | : 2004-03-01 |
Genre | : Music |
ISBN | : 1135887616 |
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Author | : Christopher A. Reynolds |
Publisher | : Harvard University Press |
Total Pages | : 264 |
Release | : 2003 |
Genre | : Music |
ISBN | : 9780674010376 |
Definitions -- Transformations -- Assimilative allusions -- Contrastive allusions -- Texting -- Inspiration -- Naming -- Allusive traditions and audiences -- Motives for allusion.
Author | : Domenico Scarlatti |
Publisher | : |
Total Pages | : 40 |
Release | : 1922 |
Genre | : Sonatas (Piano) |
ISBN | : |
Author | : Gabrielle Kaufman |
Publisher | : Taylor & Francis |
Total Pages | : 299 |
Release | : 2016-12-08 |
Genre | : Music |
ISBN | : 1317130960 |
Barcelonian Gaspar Cassadó (1897-1966) was one of the greatest cello virtuosi of the twentieth century and a notable composer and arranger, leaving a vast and heterogeneous legacy. In this book, Gabrielle Kaufman provides the first full-length scholarly work dedicated to Cassadó, containing the results of seven years of research into his life and legacy, after following the cellist’s steps through Spain, France, Italy and Japan. The study presents in-depth descriptions of the three main parts of Cassadó’s creative output: composition, transcription and performance, especially focusing on Cassadó’s plural and multi-facetted creativity, which is examined from both cultural and historical perspectives. Cassadó’s role within the evolution of twentieth-century cello performance is thoroughly examined, including a discussion regarding the musical and technical aspects of performing Cassadó’s works, aimed directly at performers. The study presents the first attempt at a comprehensive catalogue of Cassadó’s works, both original and transcribed, as well as his recordings, using a number of new archival sources and testimonies. In addition, the composer’s significance within Spanish twentieth-century music is treated in detail through a number of case studies, sustained by examples from recovered score manuscripts. Illuminated by extraordinary source material Gaspar Cassadó: Cellist, Composer and Transcriber expands and deepens our knowledge of this complex figure, and will be of crucial importance to students and scholars in the fields of Performance Practice and Spanish Music, as well as to professional cellists and advanced cello students.
Author | : Publications Division (India), New Delhi |
Publisher | : Publications Division (India),New Delhi |
Total Pages | : 64 |
Release | : 1962-11-11 |
Genre | : Antiques & Collectibles |
ISBN | : |
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 11 NOVEMBER, 1962 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 64 VOLUME NUMBER: Vol. XXVII. No. 45 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 9-55 ARTICLE: 1. My Seven Wonders of the world 2. The Public Servant and the Public 3. The Electronic Age AUTHOR: 1. J. T. M Gibson 2. Richard Auty 3. Prof. S. Sampath KEYWORDS : 1.More wonderful than ever,unchanging human nature,difficult to choose 2.Mistaken criticism,occupational disease,critcism, his lot 3.Need to communicate Document ID : APE-1962 (N-D) Vol-V-02 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Author | : University of Michigan. School of Music |
Publisher | : |
Total Pages | : 904 |
Release | : 1978 |
Genre | : Concert programs |
ISBN | : |
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 522 |
Release | : 1975 |
Genre | : Copyright |
ISBN | : |