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| Author | : Edward Klorman |
| Publisher | : Cambridge University Press |
| Total Pages | : 359 |
| Release | : 2016-04-21 |
| Genre | : Art |
| ISBN | : 1107093651 |
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
| Author | : Cyrille Rose |
| Publisher | : Independently Published |
| Total Pages | : 33 |
| Release | : 2019-03-12 |
| Genre | : |
| ISBN | : 9781728849546 |
Beloved for his 32 Rose Etudes for Clarinet book, C. Rose -- full name Chrysogone Cyrille Rose was an important French clarinetist, and served as principal clarinet at the Paris Opera. He was a teacher and composer of pedagogical material for the clarinet, much of which (like this 32 Etudes) is still widely in use today. Cyrille Rose was taught by Hyacinthe Klosé. He studied under Klosé at the Paris Conservatoire, winning the First Prize in 1847. He taught many famous clarinet players, such as: Louis Cahuzac, Paul Jean, Manuel Gomez, Francisco Gomez, Henri Lefèbvre, Henri Paradis, Henri Selmer, and Alexandre Selmer.
| Author | : Margaret Notley |
| Publisher | : Oxford University Press |
| Total Pages | : 254 |
| Release | : 2007 |
| Genre | : Music |
| ISBN | : 0195305477 |
Lateness and Brahms takes up the fascinating, yet understudied problem of how Brahms fits into the culture of turn-of-the-century Vienna. Brahms's conspicuous and puzzling absence in previous scholarly accounts of the time and place raises important questions, and as Margaret Notley demonstrates, the tendency to view him in neutralized, ahistorical terms has made his music seem far less interesting than it truly is.In pursuit of an historical Brahms, Notley focuses on the later chamber music, drawing on various documents and perspectives, but with particular emphasis on the relevance of Western Marxist critical traditions.
| Author | : Library of Congress. Copyright Office |
| Publisher | : |
| Total Pages | : 1484 |
| Release | : 1968 |
| Genre | : Copyright |
| ISBN | : |
| Author | : Ryan McClelland |
| Publisher | : Routledge |
| Total Pages | : 337 |
| Release | : 2016-04-15 |
| Genre | : Music |
| ISBN | : 1317172841 |
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
| Author | : Michael Musgrave |
| Publisher | : Oxford University Press |
| Total Pages | : 354 |
| Release | : 1994 |
| Genre | : Music |
| ISBN | : 9780198164012 |
Michael Musgrave presents a contemporary view of Brahms 150 years after his birth, seeing him not simply as the "conservative" figure so often stressed in the past, but as one who creatively reinterpreted a wider range of historical elements than any composer of his time. Brahms absorbed his studies directly into his music making and composition and in so doing helped to evolve not merely a personal language which was regarded as progressive and sometimes difficult by a range of contemporaries and successors, but also helped to establish an ethos of historical reference which anticipates the twentieth century. The Music of Brahms concentrates on the music, with Brahms's life discussed briefly in the introduction. The works are considered in four phases according to genre, with an emphasis on connection and on the development and elaboration of a unified language. The list of works includes recent discoveries and a calendar outlines the pattern of his musical life, including relevant information concerning performances.
| Author | : Stephen Hefling |
| Publisher | : Routledge |
| Total Pages | : 404 |
| Release | : 2004-03-01 |
| Genre | : Music |
| ISBN | : 1135887624 |
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
| Author | : David Dubal |
| Publisher | : Macmillan |
| Total Pages | : 796 |
| Release | : 2003-10-24 |
| Genre | : Music |
| ISBN | : 9780865476646 |
Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.
| Author | : Reinhold Brinkmann |
| Publisher | : Harvard University Press |
| Total Pages | : 260 |
| Release | : 1995 |
| Genre | : History |
| ISBN | : 9780674511767 |
In this elegant book, premier musicologist Reinhold Brinkmann guides us through Brahms's "Second Symphony," examining musical ideas in all their compositional facets and placing them in the context of major trends in the intellectual history of late nineteenth-century Europe.
| Author | : University of Michigan. School of Music |
| Publisher | : |
| Total Pages | : 718 |
| Release | : 1981 |
| Genre | : Concert programs |
| ISBN | : |
