Music for a Mixed Taste

Music for a Mixed Taste
Author: Steven David Zohn
Publisher: Oxford University Press
Total Pages: 721
Release: 2015
Genre: Music
ISBN: 0190247851

This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.

Telemann Studies

Telemann Studies
Author: Wolfgang Hirschmann
Publisher: Cambridge University Press
Total Pages: 377
Release: 2022-08-04
Genre: Music
ISBN: 1108493831

This first multi-author book on Telemann in English examines the composer's life and works from a wide range of perspectives.

Twelve Sonatas

Twelve Sonatas
Author: Johann Mattheson
Publisher: Alfred Music
Total Pages: 120
Release: 1999-01-15
Genre: Music
ISBN: 9781457469749

Kalmus proudly presents this complete collection of the flute sonatas of Johann Matheson. Included are the piano accompaniment and a separate solo flute part in this new cleanly printed edition.

Two Sonatas, Opus 40, Nos. 1 & 2

Two Sonatas, Opus 40, Nos. 1 & 2
Author: Max Reger
Publisher: Alfred Music
Total Pages: 92
Release:
Genre: Music
ISBN: 9781457470523

A new Kalmus edition including Reger's two clarinet sonatas. Separate parts included for the clarinet and piano.

Bach Perspectives, Volume 14

Bach Perspectives, Volume 14
Author: Paul Corneilson
Publisher: University of Illinois Press
Total Pages: 218
Release: 2022-11-22
Genre: Music
ISBN: 0252053680

Today, the names Bach and Mozart are mostly associated with Johann Sebastian Bach and Wolfgang Amadeus Mozart. But this volume of Bach Perspectives offers essays on the lesser-known musical figures who share those illustrious names alongside new research on the legendary composers themselves. Topics include the keyboard transcriptions of J. S. Bach and Johann Gottfried Walther; J. S. Bach and W. A. Mozart's freelance work; the sonatas of C. P. E. Bach and Leopold Mozart; the early musical training given J. C. Bach by his father and half-brother; the surprising musical similarities between J. C. Bach and W. A. Mozart; and the latest documentary research on Mozart’s 1789 visit to the Thomasschule in Leipzig. An official publication of the American Bach Society, Bach Perspectives, Volume 14 draws on a variety of approaches and a broad range of subject matter in presenting a new wave of innovative classical musical scholarship. Contributors: Eleanor Selfridge-Field, Yoel Greenberg, Noelle M. Heber, Michael Maul, Stephen Roe, and David Schulenberg

Six Duets, Opus 137

Six Duets, Opus 137
Author: Anton Bernhard Fürstenau
Publisher: Alfred Music
Total Pages: 76
Release: 1999-12-23
Genre: Music
ISBN: 9781457469244

Expertly arranged duets for two flutes.

Seven trio sonatas

Seven trio sonatas
Author: Johann Joachim Quantz
Publisher: A-R Editions, Inc.
Total Pages: 146
Release: 2001-01-01
Genre: Music
ISBN: 0895794810

Baroque Woodwind Instruments

Baroque Woodwind Instruments
Author: Paul Carroll
Publisher: Routledge
Total Pages: 196
Release: 2017-07-05
Genre: Music
ISBN: 1351574663

The late 17th century through to the end of the 18th century saw rapid progress in the development of woodwind instruments and the composition of a vast body of music for those instruments. During this period a large amount of music for domestic consumption was written for a growing amateur market, a market which has regrown in the latter part of the 20th century. The last 30 years has also seen the standard of performance by professionals on these instruments rise enormously. This book provides a guide to the history of the four main woodwind instruments of the Baroque, the flute, oboe, recorder and bassoon, and this is complemented by a repertoire list for each instrument. It also guides those interested towards a basic technique for playing these instruments - a certain level of musical literacy is assumed - and it can be used by students, professionals and amateurs. Advice is also given on buying a suitable reproduction instrument from a market where now virtually any Baroque instrument can be obtained as a faithful copy. This is the first book of its kind and has its origins in the wind tutors of the 18th century.