Sonata, for the Piano-forte or Harpsichord ... Op. 3
Author | : Cecilia Maria Barthélemon |
Publisher | : |
Total Pages | : 8 |
Release | : 1794 |
Genre | : Sonatas (Harpsichord) |
ISBN | : |
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Author | : Cecilia Maria Barthélemon |
Publisher | : |
Total Pages | : 8 |
Release | : 1794 |
Genre | : Sonatas (Harpsichord) |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 788 |
Release | : 1912 |
Genre | : Music |
ISBN | : |
Author | : John Caldwell |
Publisher | : Courier Corporation |
Total Pages | : 376 |
Release | : 1985-01-01 |
Genre | : Music |
ISBN | : 9780486248516 |
English keyboard art from Robertsbridge Codex (c. 1325) to John Field. Illuminating coverage of organ, harpsichord, pianoforte, other instruments; works of Tallis, Byrd, Gibbons, Tomkins, many others. Bibliography.
Author | : David Griffiths (M.A.) |
Publisher | : Borthwick Publications |
Total Pages | : 44 |
Release | : 2010 |
Genre | : Composers |
ISBN | : 9781904497516 |
David Griffiths sketches the musical history of one of the important musical families of York. John Camidge (1734-1803), Matthew Camidge (1764-1844) and John Camidge (1790-1859) were successive organists of York Minster, prominent players in York concerts and composers. The paper also deals with Thomas Simpson Camidge who was organist at Hexham, Swindon and Swansea, and his son, John Henry Camidge who was organist at Beverely Minster for many years. The work of a hitherto unnoticed member of the family, Elizabeth Margaret Camidge, is also dealt with. A appendix of musical works is included.
Author | : William S. Newman |
Publisher | : UNC Press Books |
Total Pages | : 924 |
Release | : 2018-01-01 |
Genre | : Music |
ISBN | : 1469643731 |
This definitive volume, the second, largest, and most central in Newman's History of the Sonata Idea, covers the period from the first sample Italian sonatas using the new techniques of the Alberti bass about 1735 to the succession of masterpieces by Haydn, Mozart, and Beethoven which extended until about 1820. It is one of the few books to deal exclusively with the classical era in music. Originally published in 1963. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author | : Barbara Garvey Jackson |
Publisher | : University of Arkansas Press |
Total Pages | : 520 |
Release | : 1994-01-01 |
Genre | : Reference |
ISBN | : 9781557283030 |
Jackson has culminated her lifelong research in producing this bibliographically arranged guide. "Say Can You Deny Me" lists the locations of the printed and manuscript sources of Renaissance, baroque, classic, and some early romantic women composers. With listings from over 400 libraries worldwide, the guide is the definitive work documenting a substantial contribution to the world of music by women.
Author | : Maurice Hinson |
Publisher | : Indiana University Press |
Total Pages | : 986 |
Release | : 2001-05-22 |
Genre | : Music |
ISBN | : 9780253109088 |
"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.
Author | : C. R. F. Maunder |
Publisher | : Oxford University Press |
Total Pages | : 298 |
Release | : 1998 |
Genre | : Music |
ISBN | : 9780198166375 |
Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers.