Great British Watercolors

Great British Watercolors
Author: Matthew Hargraves
Publisher: Yale University Press
Total Pages: 244
Release: 2007-01-01
Genre: Art
ISBN: 0300116586

Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.

The Pilot

The Pilot
Author: James Fenimore Cooper
Publisher: SUNY Press
Total Pages: 560
Release: 1986-01-01
Genre: Fiction
ISBN: 9780873954150

Epic story an aircraft carrier under attack in the Pacific Ocean--the attackers leave none alive. Except one. Tony Chappel manages to survive the horrific event and becomes stranded on a deserted island alone, without any hope of rescue. He fights for survival and has to live with what he fears most. Not only does Tony struggle with the death of his friends but also the struggle within himself to live for a greater purpose.

Sarah Bowdich Lee (1791-1856) and Pioneering Perspectives on Natural History

Sarah Bowdich Lee (1791-1856) and Pioneering Perspectives on Natural History
Author: Mary Orr
Publisher: Anthem Press
Total Pages: 251
Release: 2024-09-17
Genre: Science
ISBN: 1839986107

History from below uncovers overlooked protagonists contributing to (inter)national endeavour often against considerable odds. Mrs T. Edward Bowdich then Mrs R. Lee (1791–1856) is indicative. When women allegedly cannot participate in early nineteenth-century scientific exploration, discovery and publication, Sarah’s multiple specialist contributions to French and British natural history have attracted no book-length study. This first appraisal of Sarah’s unbroken production of discipline-changing scientific work over three decades – in modern ichthyology, in historical geography of West Africa and in the next-generational dissemination of expert scientific knowledge – does more than fill this gap. The book also pivotally investigates the intercultural, interdisciplinary and multi-genre reach of Sarah’s pioneering perspectives and contributions, and how she could achieve her work independently in her own name(s) over three decades. Sarah’s larger significance is then to provide a very different narrative for women at work in expert nineteenth-century natural history-making. By everywhere challenging the secondary, minor and domestic frames for women’s contributions of the period, the pioneering perspectives of Sarah’s story also provide alternative paradigms to the ‘leaky-pipeline’ modelstill informing women’s careers and work in STEM(M) today.