Solid Objects
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Author | : Douglas Mao |
Publisher | : Princeton University Press |
Total Pages | : 321 |
Release | : 1998-09-28 |
Genre | : Literary Criticism |
ISBN | : 140082270X |
In this provocative and wide-ranging study, Douglas Mao argues that a profound tension between veneration of human production and anxiety about production's dangers lay at the heart of literary modernism. Focusing on the work of Virginia Woolf, Wyndham Lewis, Ezra Pound, and Wallace Stevens, Mao shows that modernists were captivated by physical objects, which, regarded as objects, seemed to partake of a utopian serenity beyond the reach of human ideological conflicts. Under a variety of historical pressures, Mao observes, these writers came to revere the making of such things, and especially the crafting of the work of art, as the surest guarantee of meaning for an individual life. Yet they also found troubling contradictions here, since any kind of making, be it handicraft or mass production, could also be understood as a violation of the nonhuman world by an increasingly predatory and imperialistic subjectivity. If modernists began by embracing production as a test of meaning, then they frequently ended by testing production itself and finding it wanting. To make this case, Mao interweaves social and political history with readings in literature, the visual arts, philosophy, and economics. He explores modernism's relation to aestheticism, existentialism, and the culture of consumption, joining current debates on the politics of engagement and the social meanings of art. And he shows conclusively, in this elegantly written and consistently surprising work, that we cannot understand the theories and practices of modernism without addressing the question of the object and production's ambivalent allure.
Author | : Virginia Woolf |
Publisher | : |
Total Pages | : 31 |
Release | : 2021-07-13 |
Genre | : |
ISBN | : |
In "Solid Objects" by Virginia Woolf, John seeks to escape from the realities of life by seeking purpose in the collection of esoteric objects. Woolf's condemnation of John's deeds is reflected in the destruction of his political career and his social life. Despite Charles's best efforts to serve as John's voice of reason, John continues to pursue unrealistic goals in a bid to achieve freedom and happiness.
Author | : Christine Hume |
Publisher | : |
Total Pages | : 192 |
Release | : 2021-01-11 |
Genre | : |
ISBN | : 9781733232319 |
Literary Nonfiction. "The genre-defying genius of SATURATION PROJECT brings memoir and essay to the land of myth. Here, the wildness of what we experience, that which cannot be controlled but controls nonetheless, finds expression through etherealizing and visceral saturations of the body: a feral, humming, windswept girlhood mapped with uncharted brilliance."--Claudia Rankine "Christine Hume tells of that hum neither utterance nor song that is so inside us and that hum that is everywhere in crowds, in industry, in nature. She tells of wind, unconstrained force, in which we exist, stand and advance. A child, lost or abandoned, is nurtured by a bear in Greece, in India, in Azerbaijan, in Champagne, in Kansas. Christine Hume tells her daughter she is that child, and she sees her daughter being nurtured by another species. So many profound and surface things Christine Hume brings close to us with her so crystal words so luminous with thought."--Alphonso Lingis
Author | : Julie Carr |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : |
ISBN | : 9780984414291 |
Poetry. 'It's still dark / Then, a door, ' begins Julie Carr's beautiful THINK TANK. We are invited to step through it, into a space both interstitial and marked, always, with the parts that don't adhere: 'streaks of water between panes of glass, ' 'shores... [like] garnets, as vital as they are coarse, ' a '[p]inching and elliptical grammar... slightly tipped at the horizon.' This is where pleasure lies--in its tilted reality and luminous curiosity that resembles, so much, childhood imaginaries of loss, landscape and becoming. In connecting to these other qualities of consciousness, Carr opens apertures and seams of different kinds, in a complex, delicate, durational writing that could be both things: the mouth that releases its load of blood when it opens to speak, or something else--a way to get to the next part of life. 'At the doorway: endlessness, ' Carr writes. And we follow her gaze until it breaks: 'glinting and wet.'--Bhanu Kapil
Author | : Glenn Adamson |
Publisher | : The Monacelli Press, LLC |
Total Pages | : 232 |
Release | : 2020-10-27 |
Genre | : Art |
ISBN | : 1580935737 |
Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.
Author | : Pierre-Gilles de Gennes |
Publisher | : Springer Science & Business Media |
Total Pages | : 197 |
Release | : 2012-12-06 |
Genre | : Science |
ISBN | : 1461224101 |
Written by 1991 Nobel laureate Pierre Gilles de Gennes, this fascinating book addresses topics ranging from soft-matter physics to the activities of science: the role of individual or team work, the relation of discovery to correction, and the interplay of conscience and knowledge. "Reading this book can be compared to strolling through a magnificent garden of fragile objects...I highly recommend it to any reader who is interested in condensed matter physics and science at large."-PHYSICS TODAY
Author | : Laura Mullen |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Poetry |
ISBN | : 9780984414284 |
Poetry. "From the internet, I learn that 'complicated grief' designates a bereavement disorder in which, instead of fading with time, the pain of loss remains as acute as it was in the beginning. But from Laura Mullen's book I learn that complicated grief also names something else: not a sufferer's excruciating condition, but a writer's exhilarating achievement. Here, the incapacity to move on from 'old' psychic scenarios has been itself complicated by a formidable prose that not only refuses to get over them but even works to revive them in all their undying (Mullen would say: undead) vigor. To these unstintingly reimagined ancient histories ranging from fairy tale and yesteryear's news item to childhood trauma and grownup broken heart Mullen gives all the hyperrealist precision of a dream: every turn and phrase starts at you. And not the least of this book's disconcerting, but strangely salutary, powers is that, under its stimulus, you can't help starting back." D.A. Miller In a way (the way I'm taking it) Laura Mullen's COMPLICATED GRIEF follows (with giant dropouts) everything she knows about being a monster. Her aegis covers women (young ones and aging), un-natural disasters and literature. If something packed could wander like Julianne Moore's mind, to the benefit of everyone, but more like a whole department store or a library feeling snarky, shuffled itself and somehow it was wise. Eileen Myles One of the deep pleasures of this book is to be in the presence of a mind fully alive to the contradictions of what it is to be a sentient being, thinking and feeling while simultaneously thinking of feeling. I found myself marveling word-by-word, page after page. One thought: How often are we offered the opportunity to watch a mind form the mental construct we call "a thought," and why is it so rare? The world is here, seeping brilliantly through the seams, made utterly new. Nick Flynn"
Author | : Miranda Mellis |
Publisher | : |
Total Pages | : 128 |
Release | : 2021-06 |
Genre | : |
ISBN | : 9780986235542 |
Poetry. "DEMYSTIFICATIONS is a circle of keys, a florilegium, a circle of voices engaged in a public conversation whose subject is the transformation of knowledge into a collective organ. Mellis uses aphorism to bring us back to basics--what is the best way to proceed, starting from here? How should we inhabit the present? By excavation, by error, by exaggeration, by gesture, by revolt, by contradiction, by voice, by tone. Fanny Howe and Edward Said, Etel Adnan, Karl Marx and Muriel Rukeyser--Miranda Mellis hosts the living and the dead in a grand conference on the value and practice of wisdom."--Robert Gluck "With humor and grace, bite and tenderness, these ninety-nine poems structure an archive of a Miranda Mellis mind map. I loved being there with her! 'DEMYSTIFICATIONS is a key ring,' each page a passkey. From Orange Is the New Black to Etel Adnan, from Revital and Tuur's albino goldfish via Marx to Blessing Ngobeni with several visits to Walter Benjamin; the good enough mother; and the public school down the block, Mellis expands the visible--not to hide the cracks, but 'to see the fissure in the fix.' She also gives us the possibility of 'a forgiveness cloak'--a one-size-fits-all-garment--to help us see through other minds besides our own in these darkest of times."--Lynn Marie Kirby
Author | : Marjorie Shelley |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 223 |
Release | : 2019-06-25 |
Genre | : Art |
ISBN | : 1588397122 |
The Metropolitan Museum of Art houses one of the world’s largest and most comprehensive collections of works of art from antiquities to modern and contemporary material. Their preservation is a responsibility shared by the many individuals employed at the Museum who oversee and have direct contact with the collection on a daily basis. The Care and Handing of Art Objects—first published in the 1940s and continually updated—offers a guide to the best practices in handling and preserving works of art while on display, in storage and in transit. It explains many of the fundamental principles of conservation that underlie these methods. One of its goals is to make the complexities of caring for a collection readily accessible. The first part offers basic guidelines for the preservation of the diverse types of materials and art objects found in the Met. Each chapter addresses the physical characteristics specific to the particular category, and the environmental, handling and housing factors to which one should be alert to prevent damage and ensure their preservation. Written by experts in the respective specialty, it addresses the Museum’s vast holdings summarizing the most critical preservation issues, many of which are amplified by photographs. As the table of contents makes evident these range from paintings on canvas and works on paper and photographs to furniture and objects made of stone, wood and metals to arms and armor, upholstery, ethnographic materials and many others. Part II succinctly describes factors that affect the collection as a whole: among them, current environmental standards for temperature, relative humidity, light exposure, storage and art in transit. Based on Museum protocols it addresses emergency preparedness and response, and integrated pest management. For easy reference, it includes charts on storage and display conditions, on factors contributing to deterioration, and a glossary of conservation terms, principles, and housing materials referenced in the individual chapters. Drawing upon the knowledge of conservators, scientists, and curators from many different departments, as well as technicians and engineers whose expertise crosses boundaries of culture, chronology, medium and condition, The Care and Handing of Art Objects is primarily directed to staff at the Met. It is, no less, an invaluable resource for students, collectors, small museums, museum study programs, art dealers, and members of the public who want to enhance their understanding of how works of art are safeguarded and the role environment, handling and materials play in making this possible.
Author | : Donald K. Yeomans |
Publisher | : Princeton University Press |
Total Pages | : 192 |
Release | : 2016-11-08 |
Genre | : Science |
ISBN | : 0691173338 |
An insider's look at the science of near-Earth comets and asteroids Of all the natural disasters that could befall us, only an Earth impact by a large comet or asteroid has the potential to end civilization in a single blow. Yet these near-Earth objects also offer tantalizing clues to our solar system's origins, and someday could even serve as stepping-stones for space exploration. In this book, Donald Yeomans introduces readers to the science of near-Earth objects—its history, applications, and ongoing quest to find near-Earth objects before they find us. In its course around the sun, the Earth passes through a veritable shooting gallery of millions of nearby comets and asteroids. One such asteroid is thought to have plunged into our planet sixty-five million years ago, triggering a global catastrophe that killed off the dinosaurs. Yeomans provides an up-to-date and accessible guide for understanding the threats posed by near-Earth objects, and also explains how early collisions with them delivered the ingredients that made life on Earth possible. He shows how later impacts spurred evolution, allowing only the most adaptable species to thrive—in fact, we humans may owe our very existence to objects that struck our planet. Yeomans takes readers behind the scenes of today’s efforts to find, track, and study near-Earth objects. He shows how the same comets and asteroids most likely to collide with us could also be mined for precious natural resources like water and oxygen, and used as watering holes and fueling stations for expeditions to Mars and the outermost reaches of our solar system.