British Social Realism

British Social Realism
Author: Samantha Lay
Publisher: Columbia University Press
Total Pages: 159
Release: 2019-07-25
Genre: Performing Arts
ISBN: 0231501617

British Social Realism details and explores the rich tradition of social realism in British cinema from its beginnings in the documentary movement of the 1930s to its more stylistically eclectic and generically hybrid contemporary forms. Samantha Lay examines the movements, moments and cycles of British social realist texts through a detailed consideration of practice, politics, form, style and content, using case studies of key texts including Listen to Britain, Saturday Night and Sunday Morning, Letter to Brezhnev, and Nil by Mouth. In discussing the work of many prominent realist filmmakers, the book considers the challenges for social realist film practice and production in Britain, now and in the future.

Realism and Popular Cinema

Realism and Popular Cinema
Author: Julia Hallam
Publisher: Manchester University Press
Total Pages: 302
Release: 2000-08-05
Genre: Performing Arts
ISBN: 9780719052514

Compares Once were warriors with other films that have similar themes.

Soviet Socialist Realism and Art in the Asia-Pacific

Soviet Socialist Realism and Art in the Asia-Pacific
Author: Alison Carroll
Publisher: Taylor & Francis
Total Pages: 298
Release: 2024-10-08
Genre: Art
ISBN: 1040149421

This study evaluates how the ideology of Socialist Realism, developed by the Soviets in policies and the practices of art, has been influential in the Asia-Pacific region from 1917 until today. Focusing primarily on Russia, then China, Vietnam, Korea, Singapore, Indonesia, the Philippines and Australia, this book demonstrates how each society adopted and adapted the Soviet example to make some of the most important imagery of recent history. Included is an examination of how the practice of Western art history, the nature of art history in Asia and the forces of the Cold War have led to this influence being inadequately acknowledged across Asia and more widely. The book will be relevant to those interested in art history, Asian studies, political history and cultural history.

Liberalism and the Postcolony

Liberalism and the Postcolony
Author: Lisandro E. Claudio
Publisher: NUS Press
Total Pages: 243
Release: 2017-03-24
Genre: History
ISBN: 9814722529

Extricating liberalism from the haze of anti-modernist and anti-European caricature, this book traces the role of liberal philosophy in the building of a new nation. It examines the role of toleration, rights, and mediation in the postcolony. Through the biographies of four Filipino scholar-bureaucrats—Camilo Osias, Salvador Araneta, Carlos P. Romulo, and Salvador P. Lopez—Lisandro E. Claudio argues that liberal thought served as the grammar of Filipino democracy in the 20th century. By looking at various articulations of liberalism in pedagogy, international affairs, economics, and literature, Claudio not only narrates an obscured history of the Philippine state, he also argues for a new liberalism rooted in the postcolonial experience, a timely intervention considering current developments in politics in Southeast Asia.

The Philippine Temptation

The Philippine Temptation
Author: Epifanio San Juan
Publisher: Temple University Press
Total Pages: 324
Release: 1996
Genre: History
ISBN: 9781566394185

In this incisive and polemical book, E. San Juan, Jr., the leading authority on Philippines-U.S. literary studies, goes beyond fashionable postcolonial theory to bring to our attention the complex history of Philippines-U.S. literary interactions. In sharp contrast to other works on the subject, the author presents Filipino literary production within the context of a long and sustained tradition of anti-imperialist insurgency, and foregrounds the strong presence of oppositional writing in the Philippines. After establishing the historical context of U.S. intervention and Filipino resistance, San Juan examines the work of two very significant writers. The first, Carlos Bulosan, a journalist and union activist, became in the author's words a "tribune" of the people. Bulosan's writings which combine critique and prophecy do not allow us to forget the atrocities inflicted on the Filipino people. The other, José Garcia Villa, lapsed into premature obscurity on account of the complexity of his writings about the Filipino predicament. Read through San Juan's eyes, these writers are revealed as multifaceted thinkers and activists, not stereotypical ethnic artists. San Juan goes beyond literary studies and contemporary debates about nationalism and politics to point the way to a new direction in radical transformative writing. He uncovers hidden agendas in many previous accounts of U.S.-Philippine relations, and this book exemplifies how best to combine activist scholarship with historically grounded cultural commentary. Author note:E. San Juan, Jr.is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books areBeyond Postcolonial Theory,From Exile to Diaspora,After Postcolonialism, andRacism and Cultural Studies.

Protest/revolutionary Art in the Philippines, 1970-1990

Protest/revolutionary Art in the Philippines, 1970-1990
Author: Alice Guillermo
Publisher: University of Philippines Press
Total Pages: 276
Release: 2001
Genre: Art
ISBN:

A valuable resource for students of art and art history, this book is the fruit of two decades of research and association with social realists and other protest and in revolutionary artists. Guillermo goes back to the origins of protest art in the 19th century and pursues it to its full flourishing in the Marcos regime and its variations during the Aquino administration. It also projects the trajectory of art into the future as new issues emerge to engage the political artist.