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| Author | : Mark Perry |
| Publisher | : Sanctuary Publishing |
| Total Pages | : 362 |
| Release | : 2000 |
| Genre | : Music |
| ISBN | : |
In 1976 when Punk Rock was born, "Sniffin' Glue" magazine was the genre's very own magazine. Now the original "Sniffin' Glue" team returns with a retrospective of the Punk era, featuring hundreds of original photos and original text.
| Author | : Mark Perry |
| Publisher | : Omnibus Press |
| Total Pages | : 940 |
| Release | : 2011-08-01 |
| Genre | : Music |
| ISBN | : 0857125907 |
“1977 is the Queen's jubilee year, well let's make it our year as well. Let's get out and do something. Chuck away the f•••••g stupid safety-pins, think about people's ideas instead of their clothes. This "scene" is not just a thing to do in the evening. It's the only thing around that's honest...” Omnibus Press presents the definitive collection of Sniffin' Glue… And Other Rock ‘n’ Roll Habits, the most vital and cutting edge punk fanzine of its time. This book features both a digital recreation of every issue and all the original prints in their entirety. Danny Baker, who wrote for the original fanzine over four decades ago, provides a full-length interview on its impact. During its brief existence Sniffin' Glue… chronicled the birth, rise and demise of punk rock in the UK. Starting with a print run of a mere 50 copies, by Issue 3 the circulation was into the thousands. Interviews and reviews of all the key punk artists - The Damned, The Ramones, The Sex Pistols, Generation X, Chelsea, Blondie, The Jam, Iggy Pop and more - alongside news, editorials and gig reviews depict the grassroots punk scene from the inside. Its authentic voice made it a cult classic of its time and a much sought-after historical artefact to this day. On the 40th anniversary of the magazine’s final publication, Omnibus Press are providing the definitive edition of Sniffin Glue…. This is the best possible way to experience the counter-cultural revolution of the ‘70s that spread anarchy throughout the UK.
| Author | : Hugh Hodges |
| Publisher | : PM Press |
| Total Pages | : 273 |
| Release | : 2023-02-21 |
| Genre | : Music |
| ISBN | : 162963946X |
This is the late 1970s and ’80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher’s Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. “Tell us the truth,” Sham 69 demanded, and pop music, however improbably, did. It’s a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher’s fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing presents an original and polemical account of the era.
| Author | : Eddie Piller |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : Fan magazines |
| ISBN | : 9781913172138 |
"Along with its long-lasting influence on music, art, fashion and culture, the punk explosion in the late 1970s also fuelled a thriving underground press. A physical representation of punk's DIY attitude, fanzines rebelled against establish forms of expression surviving outside of the mainstream media and providing a voice for a generation. Punkzines features interviews with leading figures from the scene, including fanzine editors, bands, DJs, promoters and journalists, to provide exclusive anecdotes from this momentous period."--From back cover.
| Author | : Matthew Worley |
| Publisher | : Cambridge University Press |
| Total Pages | : 419 |
| Release | : 2017-09-21 |
| Genre | : History |
| ISBN | : 1316828484 |
'No Feelings', 'No Fun', 'No Future'. The years 1976–84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi! and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent.
| Author | : Steve Waksman |
| Publisher | : Univ of California Press |
| Total Pages | : 406 |
| Release | : 2009-02-04 |
| Genre | : Music |
| ISBN | : 0520257170 |
"Waksman brings a new understanding to familiar material by treating it in an original and stimulating manner. This book tells 'the other side of the story.'"—Philip Auslander, author of Performing Glam Rock: Gender and Theatricality in Popular Music "While there are a number of histories of punk and metal and numerous biographies of important bands within each genre, there is no comparable book to This Ain't the Summer of Love. The ultimate contribution the book makes is to provoke the reader into rethinking the ongoing fluid relationship between punk, a music that enjoyed considerable critical support, and metal, a music that has been systematically denigrated by critics. This book is the product of superior scholarship; it truly breaks fresh ground and as such it is an important book that will be regularly cited in future work."—Rob Bowman, Professor of Music at York University and author of Soulsville USA: The Story of Stax Records "Debunking simplistic assumptions that punk rebelled and heavy metal conformed, Steve Waksman demonstrates with precisely chosen examples that for decades the two shared strategies and concerns. As a result, this important volume is among the first to extend to rock history the same much-needed revisionism that elsewhere has transformed our understanding of minstrelsy, blues, country music, and pop."—Eric Weisbard, author of Use Your Illusion I & II
| Author | : Anthony Sargent |
| Publisher | : AuthorHouse |
| Total Pages | : 236 |
| Release | : 2021-06-29 |
| Genre | : Fiction |
| ISBN | : 1665528923 |
This Is All I Got, looks back on a short period of time in a young boy’s life when the world seems to be spinning out of control. The years of innocents that shape our aspirations and excite our minds with dream of something better. As we live each day in the cold stark reality of struggle and rejection. What propels one to fulfill a dream. When does innocence end? Join Willy as he navigates the street of Queens, New York in the turbulence of the late 60’s. As the world around Willy shifts and leaves his childhood behind.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2015-08-01 |
| Genre | : |
| ISBN | : 9780990673712 |
Don't Sniff the Glue: A Teacher's Misadventures in Education Reform is the humorous and heartwarming story of one teacher working through idealism and red tape to teach the teens who will soon run the world.
| Author | : Keith Gildart |
| Publisher | : |
| Total Pages | : 320 |
| Release | : 2019-06-17 |
| Genre | : Music |
| ISBN | : 9781526139078 |
Ripped, torn and cut offers a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976. Sniffin' Glue (1976-77), Mark Perry's iconic punk fanzine, was but the first of many, paving the way for hundreds of home-made magazines to be cut and pasted in bedrooms across the UK. From these, glimpses into provincial cultures, teenage style wars and formative political ideas may be gleaned. An alternative history, away from the often-condescending glare of London's media and music industry, can be formulated, drawn from such titles as Ripped & Torn, Brass Lip, City Fun, Vague, Kill Your Pet Puppy, Toxic Grafity, Hungry Beat and Hard as Nails. The first book of its kind, this collection reveals the contested nature of punk's cultural politics by turning the pages of a vibrant underground press.
