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| Author | : Marco Caracciolo |
| Publisher | : U of Nebraska Press |
| Total Pages | : 258 |
| Release | : 2022-03 |
| Genre | : Literary Criticism |
| ISBN | : 1496229096 |
Marco Caracciolo investigates how the experience of slowness in contemporary narrative practices can create a vision of interconnectedness between human communities and the nonhuman world in an era marked by dramatically shifting climate patterns.
| Author | : Linda Pillière |
| Publisher | : Springer Nature |
| Total Pages | : 311 |
| Release | : |
| Genre | : |
| ISBN | : 3031548841 |
| Author | : Marie-Laure Ryan |
| Publisher | : U of Nebraska Press |
| Total Pages | : 332 |
| Release | : 2024-06 |
| Genre | : Literary Criticism |
| ISBN | : 1496239237 |
Object-Oriented Narratology explores the representation of objects from a narratological point of view, combining an object-centered approach with specific text studies and arguing for the cultural meanings of objects and their power and influence on the behavior of characters, while acknowledging the independence of their existence from human perception.
| Author | : Marco Caracciolo |
| Publisher | : U of Nebraska Press |
| Total Pages | : 333 |
| Release | : 2022-03 |
| Genre | : Literary Criticism |
| ISBN | : 1496230876 |
Slow Narrative and Nonhuman Materialities investigates how the experience of slowness in contemporary narrative practices can create a vision of interconnectedness between human communities and the nonhuman world. Here, slowness is not a matter of measurable time but a transformative experience for audiences of contemporary narratives engaging with the ecological crisis. While climate change is a scientific abstraction, the imagination of slowness turns it into a deeply embodied and affective experience. Marco Caracciolo explores the value of slowness in dialogue with a wide range of narratives in various media, from prose fiction to comic books to video games. He argues that we need patience and an eye for complex patterns in order to recognize the multiple threads that link human communities and the slow-moving processes of climate and geological history. Decelerating attention offers important insight into human societies' relations with the nonhuman materialities of Earth's physical landscapes, ecosystems, and atmosphere. Caracciolo centers the experiential effects of narrative and offers a range of theoretically grounded readings that complement the formal language of narrative theory. These close readings demonstrate that slowness is not a matter of measurable time but a "thickening" of attention that reveals the deeply multithreaded nature of reality. The importance of this realization cannot be overstated: through an investment in the here and now of experience, slow narrative can help us manage the uncertainty of living in an era marked by dramatically shifting climate patterns.
| Author | : Alison Gibbons |
| Publisher | : U of Nebraska Press |
| Total Pages | : 291 |
| Release | : 2023-12 |
| Genre | : Literary Criticism |
| ISBN | : 149623815X |
Readers, literary critics, and theorists alike have long demonstrated an abiding fascination with the author, both as a real person—an artist and creator—and as a theoretical concept that shapes the way we read literary works. Whether anonymous, pseudonymous, or trending on social media, authors continue to be an object of critical and readerly interest. Yet theories surrounding authorship have yet to be satisfactorily updated to register the changes wrought on the literary sphere by the advent of the digital age, the recent turn to autofiction, and the current literary climate more generally. In Reading the Contemporary Author the contributors look back on the long history of theorizing the author and offer innovative new approaches for understanding this elusive figure. Mapping the contours of the vast territory that is contemporary authorship, this collection investigates authorship in the context of narrative genres ranging from memoir and autobiographically informed texts to biofiction and novels featuring novelist narrators and characters. Bringing together the perspectives of leading scholars in narratology, cultural theory, literary criticism, stylistics, comparative literature, and autobiography studies, Reading the Contemporary Author demonstrates that a variety of interdisciplinary viewpoints and critical stances are necessary to capture the multifaceted nature of contemporary authorship.
| Author | : Barbara Leckie |
| Publisher | : Stanford University Press |
| Total Pages | : 293 |
| Release | : 2022-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1503633993 |
In this moment of climate precarity, Victorian studies scholar Barbara Leckie considers the climate crisis as a problem of time. Spanning the long nineteenth century through our current moment, her interdisciplinary treatment of climate change at once rethinks time and illustrates that the time for climate action is now. Climate Change, Interrupted argues that linear, progress-inflected temporalities are not adequate to a crisis that defies their terms. Instead, this book advances a theory and practice of interruption to rethink prevailing temporal frameworks. At the same time, it models the anachronistic, time-blending, and time-layering temporality it advances. In a series of experimental chapters informed by the unlikely trio of Walter Benjamin, Donna Haraway, and Virginia Woolf, Leckie reinflects and cowrites the traditions and knowledges of the long nineteenth century and the current period in the spirit of climate action collaboration. The current moment demands as many approaches as possible, invites us to take risks, and asks scholars and activists adept at storytelling to participate in the conversation. Climate Change, Interrupted, accordingly, invests in interruption to tell a different story of the climate crisis.
| Author | : Nilgun Bayraktar |
| Publisher | : Springer Nature |
| Total Pages | : 305 |
| Release | : |
| Genre | : |
| ISBN | : 3031608593 |
| Author | : Jane Simon |
| Publisher | : Taylor & Francis |
| Total Pages | : 195 |
| Release | : 2023-09-18 |
| Genre | : Art |
| ISBN | : 1000954382 |
By carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical. Exploring the idea that self-representation need not equate to self-portraiture or involve the human form, artists from around the globe are examined, including Rinko Kawauchi, Catherine Opie, Dayanita Singh, Moyra Davey, and Elina Brotherus, who maintain a personal gaze at domestic detail. By treating the representation of interiors, domestic objects, and the very practice of photographic seeing and framing as autobiographical gestures, this book reframes the relationship between interiors and exteriors, public and private, and insists on the importance of domestic interiors to understandings of the self and photography. The book will be of interest to scholars working in photographic history and theory, art history, and visual studies.
| Author | : Sibylle Baumbach |
| Publisher | : Taylor & Francis |
| Total Pages | : 234 |
| Release | : 2023-08-08 |
| Genre | : Literary Criticism |
| ISBN | : 1000922979 |
Literary works play a crucial role in modelling and conceptualising temporalities. This becomes particularly apparent in times of crises, which put conventionalised temporal patterns and routines under pressure. During crises, past, present, and future appear to collapse into each other and give way to temporal disjunction and rupture. Offering pluralised and context-sensitive approaches to temporalities in and of crises, this volume explores how literature’s engagement with crises suggests both the need for and possibility of rethinking ‘time’. The volume is committed to examining the affordances of specific genres and their potential in pointing beyond temporalities of crises to facilitate a sense of futurity. Individual essays are grounded in recent theories of temporality and literary form, which are related to novel advancements in ecocriticism, queer studies, affect theory, and postcolonial studies. The chapters cover a broad range of examples from different literary genres to reveal the knowledge of literature about temporalities in and of crises.
| Author | : Kenneth Mølbjerg Jørgensen |
| Publisher | : Taylor & Francis |
| Total Pages | : 172 |
| Release | : 2023-12-13 |
| Genre | : Business & Economics |
| ISBN | : 100382319X |
Organizational storytelling has been taught for many years in many different places as part of organizational development, organizational change, organizational learning, and business ethics. There has not been any comprehensive framework that addresses sustainability in organizations and so this book develops a new ethics of sustainability for management and organizations. A terrestrial ethics of storymaking is proposed, which responds to Latour’s claim that the Terrestrial has become a new decisive political actor in politics. The Terrestrial is born from Gaia, a metaphor for a new look on life on Earth. Gaia situates life in the thin layer of matter that is the surface of the Earth. It entails the view that nature is a process that humans are part of. Storymaking is constructed from Arendt’s political philosophy, which is rooted ontologically in the principle of natality: rebirth of life. The term ‘storymaking’ is developed from Arendt’s understanding of storytelling as political action to emphasize not only that stories are spatial, embodied and material practices that are tied to a specific time and space but also that technology is an important dimension in making stories. Stories are thus human practices that apart from meaning making and politics involve the use and manipulation of material and objects, and which are crucial for how a human world is shaped. This human world is furthermore shaped by the rhythms of life embedded in the complex landscapes that humans move through. Storymaking is developed through rethinking the links between the central categories of labor, work, action, and thinking in Arendt’s writings. Implications for business ethics are drawn out and a comprehensive ethics framework is constructed that connects the biological and physical with the social, economic, and political regarding how organizations work. Finally, a storymaking philosophy of management is constructed, making this book especially relevant to researchers, academics, managers, and students in the fields of business ethics, management studies, leadership, organizational studies, and international business.
