Slight Exaggeration
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Author | : Adam Zagajewski |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 289 |
Release | : 2017-04-04 |
Genre | : Literary Collections |
ISBN | : 0374709637 |
A new essay collection by the noted Polish poet For Adam Zagajewski—one of Poland’s great poets—the project of writing, whether it be poetry or prose, is an occasion to advance what David Wojahn has characterized as his “restless and quizzical quest for self-knowledge.” Slight Exaggeration is an autobiographical portrait of the poet, arranged not chronologically but with that same luminous quality that distinguishes Zagajewski’s spellbinding poetry—an affinity for the invisible. In a mosaic-like blend of criticism, reflections, European history, and aphoristic musings, Zagajewski tells the stories of his life in glimpses and reveries—from the Second World War and the occupation of Poland that left his family dispossessed to Joseph Brodsky’s funeral on the Venetian island of San Michele—interspersed with intellectual interrogations of the writers and poets (D. H. Lawrence, Giorgos Seferis, Zbigniew Herbert, Paul Valéry), composers and painters (Brahms, Rembrandt), and modern heroes (Helmuth James Graf von Moltke) who have influenced his work. A wry and philosophical defense of mystery, Slight Exaggeration recalls Zagajewski’s poetry in its delicate negotiation between the earthbound and the ethereal, “between brief explosions of meaning and patient wandering through the plains of ordinary days.” With an enduring inclination to marvel, Zagajewski restores the world to us—necessarily incomplete and utterly astonishing.
Author | : Adam Zagajewski |
Publisher | : |
Total Pages | : 289 |
Release | : 2017-04-04 |
Genre | : Literary Collections |
ISBN | : 0374265879 |
A new essay collection by the noted Polish poet For Adam Zagajewski—one of Poland’s great poets—the project of writing, whether it be poetry or prose, is an occasion to advance what David Wojahn has characterized as his “restless and quizzical quest for self-knowledge.” Slight Exaggeration is an autobiographical portrait of the poet, arranged not chronologically but with that same luminous quality that distinguishes Zagajewski’s spellbinding poetry—an affinity for the invisible. In a mosaic-like blend of criticism, reflections, European history, and aphoristic musings, Zagajewski tells the stories of his life in glimpses and reveries—from the Second World War and the occupation of Poland that left his family dispossessed to Joseph Brodsky’s funeral on the Venetian island of San Michele—interspersed with intellectual interrogations of the writers and poets (D. H. Lawrence, Giorgos Seferis, Zbigniew Herbert, Paul Valéry), composers and painters (Brahms, Rembrandt), and modern heroes (Helmuth James Graf von Moltke) who have influenced his work. A wry and philosophical defense of mystery, Slight Exaggeration recalls Zagajewski’s poetry in its delicate negotiation between the earthbound and the ethereal, “between brief explosions of meaning and patient wandering through the plains of ordinary days.” With an enduring inclination to marvel, Zagajewski restores the world to us—necessarily incomplete and utterly astonishing.
Author | : Interstate Postgraduate Medical Association of North America |
Publisher | : |
Total Pages | : 616 |
Release | : 1927 |
Genre | : Medicine |
ISBN | : |
Author | : Inter-state post graduate medical association of North America |
Publisher | : |
Total Pages | : 620 |
Release | : 1927 |
Genre | : Medicine |
ISBN | : |
Author | : Susan R. Fussell |
Publisher | : Psychology Press |
Total Pages | : 301 |
Release | : 2014-02-25 |
Genre | : Language Arts & Disciplines |
ISBN | : 1317778960 |
Historically, the social aspects of language use have been considered the domain of social psychology, while the underlying psycholinguistic mechanisms have been the purview of cognitive psychology. Recently, it has become increasingly clear that these two dimensions are highly interrelated: cognitive mechanisms underlying speech production and comprehension interact with social psychological factors, such as beliefs about one's interlocutors and politeness norms, and with the dynamics of the conversation itself, to produce shared meaning. This realization has led to an exciting body of research integrating the social and cognitive dimensions which has greatly increased our understanding of human language use. Each chapter in this volume demonstrates how the theoretical approaches and research methods of social and cognitive psychology can be successfully interwoven to provide insight into one or more fundamental questions about the process of interpersonal communication. The topics under investigation include the nature and role of speaker intentions in the communicative process, the production and comprehension of indirect speech and figurative language, perspective-taking and conversational collaboration, and the relationships between language, cognition, culture, and social interaction. The book will be of interest to all those who study interpersonal language use: social and cognitive psychologists, theoretical and applied linguists, and communication researchers.
Author | : |
Publisher | : |
Total Pages | : 714 |
Release | : 1914 |
Genre | : Neurology |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1907 |
Genre | : |
ISBN | : |
Author | : Alexander Bruce |
Publisher | : |
Total Pages | : 722 |
Release | : 1914 |
Genre | : Nervous system |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 608 |
Release | : 1883 |
Genre | : Brain |
ISBN | : |
Aimed at researchers and clinicians, this journal of neurology balances studies in neurological science with practical clinical articles.
Author | : Hillary Haft Bucs |
Publisher | : Routledge |
Total Pages | : 240 |
Release | : 2019-11-27 |
Genre | : Performing Arts |
ISBN | : 0429812000 |
Objectives, Obstacles, and Tactics in Practice is the first book that compiles practical approaches of the best practices from a range of practitioners on the subject of working with Stanislavski's "objectives," "obstacles," and "tactics." The book offers instructors and directors a variety of tools from leading acting teachers, who bring their own individual perspectives to the challenge of working with Stanislavski's principles for today's actors, in one volume. Each essay addresses its own theoretical and practical approach and offers concrete instructions for implementing new explorations both in the classroom and in the rehearsal studio. An excellent resource for acting and directing instructors at the university level, directing and theatre pedagogy students, high school/secondary theatre teachers, and community theatre leaders, Objectives, Obstacles, and Tactics in Practice serves as a resource for lesson planning and exploration, and provides an encyclopedia of the best practices in the field today.