Skin Theory
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Author | : Cristina Mejia Visperas |
Publisher | : NYU Press |
Total Pages | : 256 |
Release | : 2022-07-26 |
Genre | : MEDICAL |
ISBN | : 1479810770 |
Introduction: Science in Captivity -- The Skin Apparatus: Seeing Difference -- Skin Problems: Seeing Pain -- The Skin of Architecture -- Bioethics and the Skin of Words -- Coda: War Wounds.
Author | : Cristina Mejia Visperas |
Publisher | : NYU Press |
Total Pages | : 256 |
Release | : 2022-07-26 |
Genre | : Science |
ISBN | : 1479810789 |
"During the postwar period, experiments on prison populations were standard practice among many universities, public health agencies, and major pharmaceutical manufacturers across the United States. Thus, the operative question in Skin Theory is: What was it about the US prison that made it so amenable to medical science research? A visual study for critically understanding entwined sites of imprisonment and scientific knowledge production, Skin Theory speaks directly to the crucial moments immediately before two large American industries, one carceral and the other pharmaceutical, saw their fantastic rise and dominance, honing in on when their interests and operations came together in explicit ways. It revisits the notorious dermatological experiments conducted between 1952 and 1974 at Holmesburg Prison, Philadelphia, analyzing skin in its technological, spatial, and discursive dimensions to illustrate a profound antagonism between knowledge and freedom made visible through the body of the captive test subject, a racialized subject whose boundless availability to scientific and cultural representation complicates the very notion of skin. This study offers an important reframing of critical approaches to race in histories of science, medicine, and technology, redefining science as already a fundamentally racial project. A visual analysis of how medical science and incarceration together formed a race-making technology and geography reconfiguring the nation's long history of captivity, from slavery to mass incarceration, Skin Theory shifts from issues of scientific racism to the scientific rationality of racism itself"--
Author | : Bernadette Wegenstein |
Publisher | : Mit Press |
Total Pages | : 244 |
Release | : 2006 |
Genre | : Computers |
ISBN | : |
Tracing the evolution of contemporary body discourse, this book analyses the tension between a fragmented and holistic body concept in performance art, popular culture, media arts, and architecture. It covers contemporary body discourse in philosophy and cultural studies to its roots in twentieth-century thought.
Author | : Glen Sean Coulthard |
Publisher | : U of Minnesota Press |
Total Pages | : 289 |
Release | : 2014-08-15 |
Genre | : Social Science |
ISBN | : 1452942439 |
WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.
Author | : Nassim Nicholas Taleb |
Publisher | : Random House |
Total Pages | : 305 |
Release | : 2018-02-27 |
Genre | : Philosophy |
ISBN | : 0425284638 |
#1 NEW YORK TIMES BESTSELLER • A bold work from the author of The Black Swan that challenges many of our long-held beliefs about risk and reward, politics and religion, finance and personal responsibility In his most provocative and practical book yet, one of the foremost thinkers of our time redefines what it means to understand the world, succeed in a profession, contribute to a fair and just society, detect nonsense, and influence others. Citing examples ranging from Hammurabi to Seneca, Antaeus the Giant to Donald Trump, Nassim Nicholas Taleb shows how the willingness to accept one’s own risks is an essential attribute of heroes, saints, and flourishing people in all walks of life. As always both accessible and iconoclastic, Taleb challenges long-held beliefs about the values of those who spearhead military interventions, make financial investments, and propagate religious faiths. Among his insights: • For social justice, focus on symmetry and risk sharing. You cannot make profits and transfer the risks to others, as bankers and large corporations do. You cannot get rich without owning your own risk and paying for your own losses. Forcing skin in the game corrects this asymmetry better than thousands of laws and regulations. • Ethical rules aren’t universal. You’re part of a group larger than you, but it’s still smaller than humanity in general. • Minorities, not majorities, run the world. The world is not run by consensus but by stubborn minorities imposing their tastes and ethics on others. • You can be an intellectual yet still be an idiot. “Educated philistines” have been wrong on everything from Stalinism to Iraq to low-carb diets. • Beware of complicated solutions (that someone was paid to find). A simple barbell can build muscle better than expensive new machines. • True religion is commitment, not just faith. How much you believe in something is manifested only by what you’re willing to risk for it. The phrase “skin in the game” is one we have often heard but rarely stopped to truly dissect. It is the backbone of risk management, but it’s also an astonishingly rich worldview that, as Taleb shows in this book, applies to all aspects of our lives. As Taleb says, “The symmetry of skin in the game is a simple rule that’s necessary for fairness and justice, and the ultimate BS-buster,” and “Never trust anyone who doesn’t have skin in the game. Without it, fools and crooks will benefit, and their mistakes will never come back to haunt them.”
Author | : Agnes Arber |
Publisher | : Cambridge University Press |
Total Pages | : 284 |
Release | : 2010-10-31 |
Genre | : Medical |
ISBN | : 1108013201 |
An anatomical and comparative study of the monocotyledonous group of flowering plants, first published in 1925.
Author | : National Academy of Sciences |
Publisher | : |
Total Pages | : 388 |
Release | : 2007 |
Genre | : Science |
ISBN | : |
The Arthur M. Sackler Colloquia of the National Academy of Sciences address scientific topics of broad and current interest, cutting across the boundaries of traditional disciplines. Each year, four or five such colloquia are scheduled, typically two days in length and international in scope. Colloquia are organized by a member of the Academy, often with the assistance of an organizing committee, and feature presentations by leading scientists in the field and discussions with a hundred or more researchers with an interest in the topic. Colloquia presentations are recorded and posted on the National Academy of Sciences Sackler colloquia website and published on CD-ROM. These Colloquia are made possible by a generous gift from Mrs. Jill Sackler, in memory of her husband, Arthur M. Sackler.
Author | : R. Albanese |
Publisher | : IOS Press |
Total Pages | : 362 |
Release | : 1998 |
Genre | : Medical |
ISBN | : 9789051993752 |
Europe's place in the world throughout the narrative and in the primary source feature, 'The Global Record.' The seventh edition has been carefully revised and edited for greater accessibility, and features a streamlined design that incorporates pedagogical features such as focus questions, key terms, and section summaries to better support students of western civilization. The reconceived narrative and restructured organization, featuring smaller, more cohesive learning units, lend to greater ease of use for both students and instructors. History CourseMate, a set of media-rich study tools with interactive eBook that gives students access to quizzes, flashcards, primary sources, videos and more, are available for this new edition. (CourseMate may be bundled with the text or purchased separately.) Available in the following split options: WESTERN CIVILIZATION: BEYOND BOUNDARIES, Seventh Edition Complete, Volume I: To 1715, Volume II: Since 1560, Volume A: To 1500, Volume B: 1300-1815, and Volume C: Since 1789. Available with InfoTrac Student Collections http://gocengage.com/infotrac.
Author | : Laura U. Marks |
Publisher | : Duke University Press |
Total Pages | : 320 |
Release | : 2000-01-19 |
Genre | : Performing Arts |
ISBN | : 0822381370 |
Memories that evoke the physical awareness of touch, smell, and bodily presence can be vital links to home for people living in diaspora from their culture of origin. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? In The Skin of the Film Laura U. Marks offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world. Much of intercultural cinema, Marks argues, has its origin in silence, in the gaps left by recorded history. Filmmakers seeking to represent their native cultures have had to develop new forms of cinematic expression. Marks offers a theory of “haptic visuality”—a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste—to explain the newfound ways in which intercultural cinema engages the viewer bodily to convey cultural experience and memory. Using close to two hundred examples of intercultural film and video, she shows how the image allows viewers to experience cinema as a physical and multisensory embodiment of culture, not just as a visual representation of experience. Finally, this book offers a guide to many hard-to-find works of independent film and video made by Third World diasporic filmmakers now living in the United States, Great Britain, and Canada. The Skin of the Film draws on phenomenology, postcolonial and feminist theory, anthropology, and cognitive science. It will be essential reading for those interested in film theory, experimental cinema, the experience of diaspora, and the role of the sensuous in culture.
Author | : Frantz Fanon |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Black race |
ISBN | : 9780745399546 |
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.