Sketchbooks 1946 1949
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| Author | : Olaf Berwald |
| Publisher | : Boydell & Brewer |
| Total Pages | : 251 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 1571134182 |
A comprehensive advanced introduction to and scholarly commentary on the work of the Swiss writer Max Frisch, one of the leading German-language dramatists and novelists of the late twentieth century. One of the most influential German-language writers of the late twentieth century, Max Frisch (1911-1991) not only has canonical status in Europe, but has also been well received in the English-speaking world. English translationsof his works are available in multiple recent editions. Frisch was a recipient of both the Büchner Award (1958), and the Peace Prize of the German Book Trade (1976); his body of work explores questions of identity, alienation, and ethics in modern society. He is best known for the plays Andorra (1961), a seminal drama that examines indifference and mass psychology in the context of the Shoah and continues to be produced by theaters around the world, and Biedermann und die Brandstifter (1958), another worldwide success and one of the most frequently used texts in advanced undergraduate German courses in the United States, as well as for his novels Stiller (1954), Homo Faber (1957), and Mein Name sei Gantenbein (1964). Yet Frisch has only recently begun to receive the sustained scholarly attention he deserves: neither a comprehensive introductory volume to nor a collaborative handbook on the works of Frisch is available in English, a situation that this volume redresses. Contributors: Régine Battiston, Klaus van den Berg, Olaf Berwald, Amanda Charitina Boyd, Céline Letawe, Walter Obschlager, John D. Pizer, Beatrice Sandberg, Caroline Schaumann, Frank Schaumann, Walter Schmitz, Margit Unser, Daniel de Vin, Ruth Vogel-Klein, Paul A. Youngman. Olaf Berwald is Professor of German and Chair of the Departmentof Foreign Languages at Kennesaw State University.
| Author | : Werner Sollors |
| Publisher | : Harvard University Press |
| Total Pages | : 401 |
| Release | : 2014-04-28 |
| Genre | : Art |
| ISBN | : 0674052439 |
In Germany the end of World War II calls forth images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. Drawing on diaries, photographs, essays, reports, fiction and film, Werner Sollors makes visceral the sorrow and anger, guilt and pride, despondency and resilience of a defeated people--and the paradoxes of occupation.
| Author | : Christa Wolf |
| Publisher | : University of Chicago Press |
| Total Pages | : 332 |
| Release | : 1998-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780226905037 |
Documenting four painful years in the life of German writer Christa Wolf, this volume of essays, letters and diary entries portrays the cultural and political situation in the former German Democratic Republic. An admired writer, Wolf was reviled after the publication of her novel "What Remains"
| Author | : Donna West Brett |
| Publisher | : Routledge |
| Total Pages | : 239 |
| Release | : 2015-12-07 |
| Genre | : Photography |
| ISBN | : 1317565649 |
As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.
| Author | : George Stade |
| Publisher | : |
| Total Pages | : 370 |
| Release | : 2007 |
| Genre | : Literary Collections |
| ISBN | : 8890196092 |
| Author | : Michael Pye |
| Publisher | : Vintage |
| Total Pages | : 347 |
| Release | : 2007-12-18 |
| Genre | : Fiction |
| ISBN | : 0307429180 |
In the great disorder of wartime Berlin, Lucia Muller-Rossi was an unofficial star: mistress to an Ambassador, the whole world to her young son, and guardian of all the lovely things her Jewish friends were forced to leave behind as they took the trains tothe death camps. Sixty years later, one of those fine pieces sits for sale in the window of Lucia's antiques shop-- and its true owner happens to pass by. In that moment, a whole lifetime of silence cracks open and Lucia's family face the wrenching duty of examining a past almost too horrifying to remember.
| Author | : Jeff Corey |
| Publisher | : University Press of Kentucky |
| Total Pages | : 321 |
| Release | : 2017-05-16 |
| Genre | : Performing Arts |
| ISBN | : 0813169844 |
Jeff Corey (1914–2002) made a name for himself in the 1940s as a character actor in films like Superman and the Mole Men (1951), Joan of Arc (1948), and The Killers (1946). Everything changed in 1951, when he was summoned before the House Un-American Activities Committee. Corey refused to name names and was promptly blacklisted, which forced him to walk away from a vibrant livelihood as an actor and embark on a career as one of the industry's most revered acting instructors. In Improvising Out Loud: My Life Teaching Hollywood How to Act, Corey recounts his extraordinary story. Among the actors who would soon fill his classes were James Dean, Kirk Douglas, Jane Fonda, Rob Reiner, Jack Nicholson, and Leonard Nimoy. In 1962, when the blacklist ended, Corey was one of the industry's first trailblazers to seamlessly reboot his acting career and secure roles in some of the classic films of the era, including Butch Cassidy and the Sundance Kid (1969), True Grit (1969), and Little Big Man (1970), in which he starred as the infamous Wild Bill Hickok. Throughout his life, Corey sought to capture the human heart: in conflict, in terror, in love, and in all of its small triumphs. His memoir, which he wrote with his daughter Emily Corey, provides a unique and personal perspective on the man whose teaching inspired some of Hollywood's biggest names to star in the roles that made them famous.
| Author | : John Russell |
| Publisher | : University of Georgia Press |
| Total Pages | : 262 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9780820322025 |
Nonfiction novels have usually been associated with the "new journalism" writers of the 1960s such as Tom Wolfe, Norman Mailer, and Truman Capote. Yet this form has long commanded a key position in the literary canon, as John Russell now reveals. Russell identifies eleven major works not usually thought of as nonfiction novels, such as Isak Dinesen's Out of Africa and E. E. Cummings's The Enormous Room, to create a new definition of the genre. He shows that journalistic writing is characterized by a reporter's proprietary stance, which undermines reciprocity with subjects, while true nonfiction novels feature greater reciprocity and also employ such techniques as circular narrative and bricolage.Reciprocities in the Nonfiction Novel contributes to ongoing explorations of literary forms and offers wise commentary on how writing about real life can become art.
| Author | : Max Frisch |
| Publisher | : Dalkey Archive Press |
| Total Pages | : 130 |
| Release | : 2007 |
| Genre | : Fiction |
| ISBN | : 9781564784667 |
"A luminous parable . . . A masterpiece." The New York Times
| Author | : Georgina Paul |
| Publisher | : Camden House |
| Total Pages | : 270 |
| Release | : 2009 |
| Genre | : Biography & Autobiography |
| ISBN | : 1571134239 |
Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics -- conscious subjective agency, rational control and self-containment, the subjugation of nature -- and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations -- nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and "phallocentric," in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel Malina (1971) and Max Frisch's Mein Name sei Gantenbein (1964); Frisch's Homo Faber (1957) and Christa Wolf's St rfall (1987); Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre (both 1983); and Heiner M ller's Die Hamletmaschine (1977) and Christa Wolf's Kassandra (1983). Finally, Barbara K hler's eight-poem cycle "Elektra. Spiegelungen" (written 1984-85; published 1991) is considered as offering a way past the "impasse" of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College.
