Dare to Sketch

Dare to Sketch
Author: Felix Scheinberger
Publisher: Watson-Guptill
Total Pages: 160
Release: 2017-09-19
Genre: Art
ISBN: 0399579567

An inspirational, instructional, and visually stimulating guide to sketching and drawing. Dare to Sketch is filled with practical tips about which materials to use, a variety of subject matter ranging from easy to more challenging, and wisdom about overcoming creative blocks and fear of making mistakes. A whimsical beginner's guide to sketching, covering all of the important basics: what kind of notebook to buy, what drawing materials to use, ideas for subject matter, and daily exercises. Includes inviting, inspirational, and idiosyncratic tips (don't start on the first page of your sketchbook!), Dare to Sketch is gorgeously illustrated with the author's unique and contemporary art style.

The Clamorgans

The Clamorgans
Author: Julie Winch
Publisher: Hill and Wang
Total Pages: 434
Release: 2011-05-24
Genre: Biography & Autobiography
ISBN: 1429961376

The Damning, Absurd, and Revelatory History of Race in America Told through the History of a Single Family Historian Julie Winch uses her sweeping, multigenerational history of the unforgettable Clamorgans to chronicle how one family navigated race in America from the 1780s through the 1950s. What she discovers overturns decades of received academic wisdom. Far from an impermeable wall fixed by whites, race opened up a moral gray zone that enterprising blacks manipulated to whatever advantage they could obtain. The Clamorgan clan traces to the family patriarch Jacques Clamorgan, a French adventurer of questionable ethics who bought up, or at least claimed to have bought up, huge tracts of land around St. Louis. On his death, he bequeathed his holdings to his mixed-race, illegitimate heirs, setting off nearly two centuries of litigation. The result is a window on a remarkable family that by the early twentieth century variously claimed to be black, Creole, French, Spanish, Brazilian, Jewish, and white. The Clamorgans is a remarkable counterpoint to the central claim of whiteness studies, namely that race as a social construct was manipulated by whites to justify discrimination. Winch finds in the Clamorgans generations upon generations of men and women who studiously negotiated the very fluid notion of race to further their own interests. Winch's remarkable achievement is to capture in the vivid lives of this unforgettable family the degree to which race was open to manipulation by Americans on both sides of the racial divide.