Complete Sonatas

Complete Sonatas
Author: William McGibbon
Publisher: A-R Editions, Inc.
Total Pages: 207
Release: 2018-11-30
Genre: Sonatas (Flute and continuo)
ISBN: 1987200578

Now better known for his collections of Scottish tunes with variations, William McGibbon (1696–1756) was the best-known and most popular violinist-composer in Edinburgh in the eighteenth century. His three volumes of trio sonatas—one of which survives only in fragmentary form—combine fluidity of writing with Corellian influence. The 1729 set was the first music published in Scotland for the transverse flute, and its sixth trio sonata features virtuosic violin writing as well. This edition contains twelve trio sonatas, six solo sonatas, six flute duets, and the surviving first flute part of the fragmentary third volume of trio sonatas.

A Catalogue of the Shaw-Hellier Collection

A Catalogue of the Shaw-Hellier Collection
Author: Ian Ledsham
Publisher: Routledge
Total Pages: 482
Release: 2018-08-21
Genre: Performing Arts
ISBN: 042984221X

In this compilation, first published in 1999, Ian Ledsham compiles an extensive catalogue of the Shaw-Hellier Collection, complete with diagrams regarding how we use text.

The Strad

The Strad
Author:
Publisher:
Total Pages: 724
Release: 1923
Genre: Bowed stringed instruments
ISBN:

Baroque Woodwind Instruments

Baroque Woodwind Instruments
Author: Paul Carroll
Publisher: Routledge
Total Pages: 196
Release: 2017-07-05
Genre: Music
ISBN: 1351574663

The late 17th century through to the end of the 18th century saw rapid progress in the development of woodwind instruments and the composition of a vast body of music for those instruments. During this period a large amount of music for domestic consumption was written for a growing amateur market, a market which has regrown in the latter part of the 20th century. The last 30 years has also seen the standard of performance by professionals on these instruments rise enormously. This book provides a guide to the history of the four main woodwind instruments of the Baroque, the flute, oboe, recorder and bassoon, and this is complemented by a repertoire list for each instrument. It also guides those interested towards a basic technique for playing these instruments - a certain level of musical literacy is assumed - and it can be used by students, professionals and amateurs. Advice is also given on buying a suitable reproduction instrument from a market where now virtually any Baroque instrument can be obtained as a faithful copy. This is the first book of its kind and has its origins in the wind tutors of the 18th century.