English Keyboard Music Before the Nineteenth Century

English Keyboard Music Before the Nineteenth Century
Author: John Caldwell
Publisher: Courier Corporation
Total Pages: 376
Release: 1985-01-01
Genre: Music
ISBN: 9780486248516

English keyboard art from Robertsbridge Codex (c. 1325) to John Field. Illuminating coverage of organ, harpsichord, pianoforte, other instruments; works of Tallis, Byrd, Gibbons, Tomkins, many others. Bibliography.

Beethoven and the Construction of Genius

Beethoven and the Construction of Genius
Author: Tia DeNora
Publisher: Univ of California Press
Total Pages: 254
Release: 2023-04-28
Genre: Biography & Autobiography
ISBN: 0520920155

In this provocative account Tia DeNora reconceptualizes the notion of genius by placing the life and career of Ludwig van Beethoven in its social context. She explores the changing musical world of late eighteenth-century Vienna and follows the activities of the small circle of aristocratic patrons who paved the way for the composer's success. DeNora reconstructs the development of Beethoven's reputation as she recreates Vienna's robust musical scene through contemporary accounts, letters, magazines, and myths—a colorful picture of changing times. She explores the ways Beethoven was seen by his contemporaries and the image crafted by his supporters. Comparing Beethoven to contemporary rivals now largely forgotten, DeNora reveals a figure musically innovative and complex, as well as a keen self-promoter who adroitly managed his own celebrity. DeNora contends that the recognition Beethoven received was as much a social achievement as it was the result of his personal gifts. In contemplating the political and social implications of culture, DeNora casts many aspects of Beethoven's biography in a new and different light, enriching our understanding of his success as a performer and composer.

A Descriptive Catalogue of the Music Collection at Burghley House, Stamford

A Descriptive Catalogue of the Music Collection at Burghley House, Stamford
Author: Gerald Gifford
Publisher: Routledge
Total Pages: 394
Release: 2017-11-01
Genre: Social Science
ISBN: 1351786121

This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.

Votaries of Apollo

Votaries of Apollo
Author: Nicholas Michael Butler
Publisher: Univ of South Carolina Press
Total Pages: 412
Release: 2007
Genre: History
ISBN: 9781570037054

A comprehensive account of the musical culture of Charlestons golden age

Music by Subscription

Music by Subscription
Author: Simon D.I. Fleming
Publisher: Routledge
Total Pages: 310
Release: 2021-12-30
Genre: Music
ISBN: 1000519988

This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.