The Silence of the Sirens
Author | : Adelaida García Morales |
Publisher | : HarperCollins |
Total Pages | : 184 |
Release | : 1988 |
Genre | : Fiction |
ISBN | : |
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Author | : Adelaida García Morales |
Publisher | : HarperCollins |
Total Pages | : 184 |
Release | : 1988 |
Genre | : Fiction |
ISBN | : |
Author | : Aditi Dasgupta |
Publisher | : Partridge Publishing |
Total Pages | : 123 |
Release | : 2015-06-02 |
Genre | : Literary Collections |
ISBN | : 1482848686 |
After identifying the misconceptions attached to the figure of the Mughal Courtesan and then defining it in terms of the dual-component structure of adaa, in the face of a dearth of literature that exists on the culture and the agency of the courtesan, this analysis would reinterpret the status of the courtesan figure within the domain of feminist theories and self-assertion. The female desire for autonomy, according to Elaine Showalter, defines a female exclusivity in terms of the dynamic phase, which is a combination of the feminine conflict between self-fulfillment and duty, the feminist political consciousness, and the female desire for autonomy. If one operates the courtesan figure in the Showalter domain, then the means to resist gender hierarchies through literary practices lie in a combination of both demand for exclusivity and real struggle into a truly subversive aesthetic which would have allowed the courtesan to have walked the corridors of power. Juliet Mitchells argument states that the gendered treatment of women came into existence through the ideological form of the novel, with females constructing themselves as the women they are under bourgeois norms by reading and writing novels. Rereading the Silencing of the Sirens would uncover another such exclusive female tradition studying the female consciousness from the courtesans point of view.
Author | : Silvia Montiglio |
Publisher | : Princeton University Press |
Total Pages | : 327 |
Release | : 2010-05-17 |
Genre | : History |
ISBN | : 1400823765 |
In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.
Author | : Clayton Koelb |
Publisher | : Cornell University Press |
Total Pages | : 396 |
Release | : 2019-06-30 |
Genre | : Literary Criticism |
ISBN | : 1501743988 |
Few would deny that comparative literature is rapidly moving from the periphery toward the center of literary studies in North America, but many are still unsure just what it is. The Comparative Perspective on Literature shows by means of twenty-two exemplary essays by many of the most distinguished scholars in the field how comparative literature as a discipline is conceived of and practiced in the 1980s. Nearly all of them published here for the first time, the essays discuss and themselves reflect significant changes at the core of the field as well as evolving notions as to what comparative literature is and should be. The volume editors, Clayton Koelb and Susan Noakes, have included essays that address the scope and concerns of comparative literature today, historical and international contexts of the field, and the relationship of literary criticism to other disciplines, as well as affording comparative perspectives on current critical issues.
Author | : Nick Rumens |
Publisher | : Rodopi |
Total Pages | : 300 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9042022396 |
Designed for students, academics and the general reader alike, Sexual Politics of Desire and Belonging provides theoretical and empirical insights into the linkages between sexualities and forms of desire, and ways of belonging and relating to others in specific contexts and moments in time. Opening with a substantial introduction by one of the editors, this collection of thirteen essays is organised into three parts, each section making important contributions to contemporary debates regarding the sexual politics of citizenship, marriage, friendship, pornography, intimacies, eroticism and desire. As such, the essays introduce fresh perspectives for thinking about how individuals construct senses of belonging and modes of relating to others in their everyday lives, within the disciplinary frameworks of sociology, organisational analysis and cultural studies. As well, the volume analyses representations of desire and eroticism in British Pop Art, trauma and feminist fiction, polyamory self-help literature, Hollywood films, and sociological and psychoanalytic theory. Analytical insights offered within these essays will do much to stimulate debate about aspects of the socially and historically constituted relationship between desire and sexuality. Because of the diverse approaches and conclusions it contains, the volume will be essential reading for anyone interested in engaging with inter- and multidisciplinary perspectives in order to understand the dynamics between constructions of desire and belonging, and discourses of gender, sex and sexuality.
Author | : John Mowitt |
Publisher | : Univ of California Press |
Total Pages | : 178 |
Release | : 2015-06-09 |
Genre | : Social Science |
ISBN | : 0520284623 |
This is not a book about sound. It is a study of sounds that aims to write the resonance and response they call for. John Mowitt seeks to critique existing models in the expanding field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds, not just readily classified examples such as speech, music, industrial sounds, or codified signals. Mowitt is particularly interested in the fact that beyond hearing and listening we ÒauditÓ sounds and do so by drawing on paradigms of thought not easily accommodated within the concept of "sound studies." To draw attention to the ways in which sounds often are not perceived for the social and political functions they serve, each chapter presents a culturally resonant soundÑincluding a whistle, an echo, a gasp, and silenceÑto show how sounds enable critical social and political concepts such as dialogue, privacy, memory, social order, and art-making. Sounds: The Ambient Humanities significantly engages, provokes, and contributes to the dynamic field and inquiry of sound studies.
Author | : Michael Bull |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 145 |
Release | : 2020-02-06 |
Genre | : Music |
ISBN | : 150130500X |
Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds – from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand 'siren sounds' in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture.
Author | : David S. Ferris |
Publisher | : Stanford University Press |
Total Pages | : 276 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 9780804738484 |
The study of Greece as an icon of culture appears to be as old as Greece itself, as if its cultural significance had attained full maturity at birth. In Silent Urns, the author reveals how Greece attained such significance as the result of the attempt to reconcile individuality, freedom, history, and modernity in 18th-century aesthetics.
Author | : Jeffrey Miller |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 255 |
Release | : 2013 |
Genre | : Law |
ISBN | : 0773541632 |
A ground-breaking study of the gap between law and justice, establishing - at last - a truly substantive connection between law and literature.
Author | : Linda Clifton |
Publisher | : Routledge |
Total Pages | : 197 |
Release | : 2021-09-30 |
Genre | : Psychology |
ISBN | : 1000451674 |
This volume gathers together the recent writings of the analysts and members of the Freudian School of Melbourne and the Belgian analyst Christian Fierens, displaying the ongoing interrogation by the School of Lacanian psychoanalysis into its history, theories and practices. Within the framework of Lacan’s interventions in Freudian psychoanalysis, the book in particular highlights Lacan’s inventions in theoretical discourse and clinical practice, including the no-sexual relation, the discursive structures of language, the school, the cartel and the pass. Theoretical shibboleths such as the Oedipus complex are questioned, while the historical writings of Sabina Spielrein are read and interpreted anew. Chapters also engage with the psychoanalysis of children, the questions posed by the psychoses to psychoanalysis and the intersection of creativity and the arts in new and original ways. Bringing together a range of expert contributions, this text will be an illuminating resource for scholars and practitioners of psychoanalysis.