Singers Typewriter And Mine
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| Author | : Ilan Stavans |
| Publisher | : U of Nebraska Press |
| Total Pages | : 370 |
| Release | : 2012-11-01 |
| Genre | : Social Science |
| ISBN | : 0803271468 |
A cultural critic of extraordinary erudition, encyclopedic knowledge, and boundless curiosity, Ilan Stavans, an Ashkenazic Jew who grew up in Mexico, negotiates wildly varied topics as effortlessly and deftly as he manages the multiple perspectives of a dual national, religious, and ethnic identity. In Singer’s Typewriter and Mine, a follow-up to The Inveterate Dreamer (Nebraska, 2001), Stavans interweaves his own experience with that of other Jewish writers and thinkers, past and present, to explore modern Jewish culture across the boundaries of language and nation. Juxtaposing the personal and the analytical, these essays and conversations take up the oeuvres of Isaac Bashevis Singer and Mario Vargas Llosa, translation and God’s language, storytelling as midrash, anti-Semitism in Hispanic America, Yiddish and Sephardic literatures, the connection between humor and terror, impostors as cultural agents, the creators of the King James Bible, and the encounter between Jewish and Latino civilizations, to name but a few of Stavans’s topics here. Funny, engaging, and provocative, this collection continues Stavans’s project of opening new vistas in our cross-cultural understanding of language, literature, and life.
| Author | : Ilan Stavans |
| Publisher | : Duke University Press |
| Total Pages | : 118 |
| Release | : 2015-05-09 |
| Genre | : Travel |
| ISBN | : 0822375591 |
Based on a controversial opinion piece originally published in the New York Times, Reclaiming Travel is a provocative meditation on the meaning of travel from ancient times to the twenty-first century. Ilan Stavans and Joshua Ellison seek to understand why we travel and what has come to be missing from our contemporary understanding of travel. Engaging with canonical and contemporary texts, they explore the differences between travel and tourism, the relationship between travel and memory, the genre of travel writing, and the power of mapmaking, Stavans and Ellison call for a rethinking of the art of travel, which they define as a transformative quest that gives us deeper access to ourselves. Tourism, Stavans and Ellison argue, is inauthentic, choreographed, sterile, shallow, and rooted in colonialism. They critique theme parks and kitsch tourism, such as the shantytown hotels in South Africa where guests stay in shacks made of corrugated metal and cardboard yet have plenty of food, water and space. Tourists, they assert, are merely content with escapism, thrill seeking, or obsessively snapping photographs. Resisting simple moralizing, the authors also remind us that people don’t divide neatly into crude categories like travelers and tourists. They provoke us to reflect on the opportunities and perils in our own habits. In this powerful manifesto, Stavans and Ellison argue that travel should be an art through which our restlessness finds expression—a search for meaning not only in our own lives but also in the lives of others. It is not about the destination; rather, travel is about loss, disorientation, and discovering our place in the universe.
| Author | : Ilan Stavans |
| Publisher | : UNM Press |
| Total Pages | : 224 |
| Release | : 2012 |
| Genre | : Kitsch |
| ISBN | : 0826352561 |
Ilan Stavans's collection of essays on kitsch and high art in the Americas makes a return with thirteen new colorful conversations that deliver Stavans's trademark wit and provocative analysis. "A Dream Act Deferred" discusses an issue that is at once and always topical in the dialogue of Hispanic popular culture: immigration. This essay generated a vociferous response when first published in The Chronicle of Higher Education as the issue of immigration was contested in states like Arizona, and is included here as a new addition that adds a rich layer to Stavans's vibrant discourse. Fitting in this reconfiguration of his analytical conversations on Hispanic popular culture is Stavans's "Arrival: Notes from an Interloper," which recounts his origins as a social critic and provides the reader with interactive insight into the mind behind the matter. Once again delightfully humorous and perceptive, Stavans delivers an expanded collection that has the power to go even further beyond common assumptions and helps us understand Mexican popular culture and its counterparts in the United States.
| Author | : Nora Glickman |
| Publisher | : University of Texas Press |
| Total Pages | : 265 |
| Release | : 2017-12-20 |
| Genre | : Performing Arts |
| ISBN | : 1477314288 |
Jews have always played an important role in the generation of culture in Latin America, despite their relatively small numbers in the overall population. In the early days of cinema, they served as directors, producers, screenwriters, composers, and broadcasters. As Latin American societies became more religiously open in the later twentieth century, Jewish characters and themes began appearing in Latin American films and eventually achieved full inclusion. Landmark films by Jewish directors in Argentina, Mexico, and Brazil, which are home to the largest and most influential Jewish communities in Latin America, have enjoyed critical and popular acclaim. Evolving Images is the first volume devoted to Jewish Latin American cinema, with fifteen critical essays by leading scholars from Latin America, the United States, Europe, and Israel. The contributors address transnational and transcultural issues of Jewish life in Latin America, such as assimilation, integration, identity, and other aspects of life in the Diaspora. Their discussions of films with Jewish themes and characters show the rich diversity of Jewish cultures in Latin America, as well as how Jews, both real and fictional, interact among themselves and with other groups, raising the question of how much their ethnicity may be adulterated when adopting a combined identity as Jewish and Latin American. The book closes with a groundbreaking section on the affinities between Jewish themes in Hollywood and Latin American films, as well as a comprehensive filmography.
| Author | : Steven G. Kellman |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 192 |
| Release | : 2019-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 0822986841 |
This is the first book-length study of one of the most prominent and prolific Latino academics, Ilan Stavans. He has written extensively on Latino culture, Jewish culture, dictionaries, immigration, language, Spanglish, soccer, translation, travel, selfies, and God. The Restless Ilan Stavans surveys his interests, achievements, and flaws while he is still in the midst of an extraordinarily productive career. A native of Mexico who became a U.S. citizen, he is an outsider to both the Chicano community that often resents him as an interloper and the American Jewish community that he, who grew up speaking Yiddish in Mexico City, often chides. The book examines his unlikely rise to prominence within the context of the spread of multiculturalism as a seminal principle within American culture. A self-proclaimed cosmopolitan who rejects borders, Stavans is both insider and outsider to the myriad of subjects he approaches.
| Author | : Ilan Stavans |
| Publisher | : Oxford University Press |
| Total Pages | : 173 |
| Release | : 2021 |
| Genre | : Jewish literature |
| ISBN | : 0190076976 |
"An in-depth, thorough exploration of modern Jewish literature from 1492 to the 21st century, rotating around the concept of "aterritoriality" to appreciate the diasporic journey Jews have embarked on across geographic and linguistic spheres from 1492 to the present. At the centre of it are canonical figures like Franz Kafka, Isaac Babel, Bruno Schulz, Anne Frank, Martin Buber, Hannah Arendt, Isaac Bashevis Singer, Saul Bellow, Philip Roth, Grace Paley, Jacobo Timerman, Moacyr Scliar, and Susan Sontag. Unlike the output of other national literatures, Jewish literature doesn't have a fixed address. As a result, its practitioners are at once insiders and outsiders"--
| Author | : Bridget Kevane |
| Publisher | : Academic Studies PRess |
| Total Pages | : 399 |
| Release | : 2019-08-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 164469235X |
Twenty-five years ago, Ilan Stavans published his first book, Imagining Columbus: The Literary Voyage (1993). Since then, Stavans has become a polarizing figure, dismissed and praised in equal measure, a commanding if contested intellectual whose work as a cultural critic has been influential in the fields of Latino and Jewish studies, politics, immigration, religion, language, and identity. He can be credited for bringing attention to Jewish Latin America and issues like Spanglish, he has been instrumental in shaping a certain view of Latino Studies in universities across the United States as well abroad, he has anthologized much of Latino and Latin American Jewish literature and he has engaged in contemporary pop culture via the graphic novel. He was the host of a PBS show called Conversations with Ilan Stavans, and has had his fiction adapted into the stage and the big screen. The man, as one critic stated, clearly has energy to burn and it does not appear to be abating. This collection celebrates twenty-five years of Stavans’s work with essays that describe the good and the bad, the inspired and the pedestrian, the worthwhile and the questionable.
| Author | : Helene Meyers |
| Publisher | : Rutgers University Press |
| Total Pages | : 237 |
| Release | : 2021-09-17 |
| Genre | : Social Science |
| ISBN | : 1978821905 |
Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.
| Author | : Ilan Stavans |
| Publisher | : University of New Mexico Press |
| Total Pages | : 345 |
| Release | : 2016-09-01 |
| Genre | : Fiction |
| ISBN | : 0826354963 |
“Writers from Argentina, Brazil, Peru, Venezuela, Guatemala, Mexico, and other countries represent an ethnically diverse culture with roots in eastern Europe as well as Spain. . . . The anthology includes tales by such masters as Alberto Gerchunoff, . . . a large number of innovative women writers, and some authors more familiar to English-speaking readers.”—Library Journal “Reminds us that society south of the border is just as multicultural as in the US, and that Jews have played an important role in it since the time of the Spanish conquest.”—Publishers Weekly Jewish identity and magical realism are the themes of the tales of adventure and cultural alienation collected here by the leading authority on Jewish Latin American literature. First published in 1994 as Tropical Synagogues: Short Stories by Jewish-Latin American Writers, Ilan Stavans’s classic anthology is expanded and updated in this new edition.
| Author | : Ilan Stavans |
| Publisher | : Duke University Press |
| Total Pages | : 195 |
| Release | : 2017-05-04 |
| Genre | : Photography |
| ISBN | : 0822373173 |
What explains our current obsession with selfies? In I Love My Selfie noted cultural critic Ilan Stavans explores the selfie's historical and cultural roots by discussing everything from Greek mythology and Shakespeare to Andy Warhol, James Franco, and Pope Francis. He sees selfies as tools people use to disguise or present themselves as spontaneous and casual. This collaboration includes a portfolio of fifty autoportraits by the artist ADÁL; he and Stavans use them as a way to question the notion of the self and to engage with artists, celebrities, technology, identity, and politics. Provocative and engaging, I Love My Selfie will change the way readers think about this unavoidable phenomenon of twenty-first-century life.
