Singapore Arts Festival Ephemera
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Total Pages | : |
Release | : 19?? |
Genre | : Art festivals |
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Folder contains a collection of souvenir publications, programmes and brochures relating to the Singapore Arts Festival, over the years.
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Total Pages | : |
Release | : 19?? |
Genre | : Art festivals |
ISBN | : |
Folder contains a collection of souvenir publications, programmes and brochures relating to the Singapore Arts Festival, over the years.
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Total Pages | : |
Release | : 1978 |
Genre | : Art festivals |
ISBN | : |
Folder contains a collection of souvenir programmes and brochures.
Author | : Venka Purushothaman |
Publisher | : |
Total Pages | : 256 |
Release | : 2007 |
Genre | : Art and state |
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Author | : Art Stage Singapore (Festival) |
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Total Pages | : 0 |
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Total Pages | : |
Release | : 19?? |
Genre | : Jazz festivals |
ISBN | : |
Contains a collection of brochures and pamphlets pertaining to the Singapore International Jazz Festival.
Author | : Marilyn Ekdahl Ravicz |
Publisher | : Xlibris Corporation |
Total Pages | : 873 |
Release | : 2020-02-07 |
Genre | : Social Science |
ISBN | : 1796073032 |
From archaic ochre marks on stones and Paleolithic cave murals of animals and hunters to modern art museums, humans have created many styles and forms of visual art. Some were created to enjoy, and others to enhance social occasions, after which they were discarded or destroyed. Ephemeral art or durable, it never mattered if it was aesthetic. This is the first comprehensive study of ephemeral visual art - an heir of the human evolutionary background that made it possible for us to create and appreciate art. Ephemeral artworks still permeate life, and this study honors their heritage.
Author | : Gunalan Nadarajan |
Publisher | : |
Total Pages | : 186 |
Release | : 2007 |
Genre | : Art, Modern |
ISBN | : |
Author | : Melanie Wagenaar |
Publisher | : GRIN Verlag |
Total Pages | : 21 |
Release | : 2016-05-09 |
Genre | : Business & Economics |
ISBN | : 366821302X |
Essay from the year 2014 in the subject Economics - Case Scenarios, grade: 73, London Metropolitan University, course: Master of International Events Management, language: English, abstract: Nowadays, events and festivals are an essential part of city life due to the fact that events signify as a way of selling the city as a product by attracting tourists, investments and industries, which could be done by hosting different kind of events on national or city levels. The events have the ability to promote city status as well as uniting communities. Yet the need to distinct a city of other cities is strongly related to the rapid changes and developments in the global economy and increase of global competition. Nevertheless, there are different approaches cities could integrate depending on the use of events in cities and its strategic vision: the entrepreneurial city, the eventful city, and the creative city, which are the key concepts to the case of Singapore. So, in what way does Singapore utilise events to become an eventful city, the entrepreneurial city and/or the creative city? Also, how did Singapore integrate the events strategy and its delivery? Lastly, did the implementation of the events strategy and its delivery leave an impact or legacy for Singapore?
Author | : Terence Chong |
Publisher | : World Scientific |
Total Pages | : 566 |
Release | : 2018-08-13 |
Genre | : Political Science |
ISBN | : 9813236906 |
This book covers Singapore's key arts policies and art institutions which have shaped the cultural landscape of the country from the 1950s to the present.The scholars and experts in this volume critically assess arts policies and arts institutions to collectively provide an overview of how arts and culture have been deployed by the state. The chapters are arranged chronologically to cover milestone events from the forging of 'Malayan culture'; the government's 'anti-yellow culture' campaign; the use of 'culture' for tourism; the setting up of the Advisory Council on Arts and Culture, the Renaissance City Report, the setting up of the School of the Arts, and others.Putting to rest the notion that Singapore is a 'cultural desert', this volume is valuable reading for students of cultural policy, policy makers who seek an understanding of Singapore's cultural trajectory, and for international readers interested in Singapore's arts and cultural policy.