Sinfonia Concertante
Download Sinfonia Concertante full books in PDF, epub, and Kindle. Read online free Sinfonia Concertante ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Barbara Barber |
| Publisher | : Alfred Music |
| Total Pages | : 48 |
| Release | : |
| Genre | : Music |
| ISBN | : 9781457413902 |
Solos for Young Violists is a five-volume series of music books featuring 34 works for viola and piano. Many of the pieces in this collection have long been recognized as stepping stones to the major viola repertoire, while others are newly discovered, arranged, and published for this series. Compiled, edited and recorded by violist Barbara Barber, Solos for Young Violists is a graded series of works ranging from elementary to advanced levels and represents an exciting variety of styles and techniques for violists. The collection has become a valuable resource for teachers and students of all ages.
| Author | : Michael Steinberg |
| Publisher | : Oxford University Press |
| Total Pages | : 523 |
| Release | : 2000-10-26 |
| Genre | : Music |
| ISBN | : 019802634X |
Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
| Author | : Don Michael Randel |
| Publisher | : Harvard University Press |
| Total Pages | : 1020 |
| Release | : 2003-11-28 |
| Genre | : Music |
| ISBN | : 9780674011632 |
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
| Author | : Michael Crump |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 514 |
| Release | : 2010 |
| Genre | : Music |
| ISBN | : 0907689655 |
The first systematic assessment of the symphonic style of the Czech composer Bohuslav Martinu [1890-1959], tracing the evolution of his musical language and including detailed analyses of all six symphonies. Over the past few decades the music of the Czech composer Bohuslav Martinu (1890-1959) has enjoyed a slow but steady rise in popularity, and his six symphonies, written between 1942 and 1953, have now been recorded many times; concert performances are on the increase, too. But Martinu and the Symphony is not only the first book in English intended to help the music-lover to a deeper understanding of these glorious works - it is by far the most comprehensive work on the subject in any language. Each Symphony is examined in turn, the analyses revealing what makes each creation so individual yet also so clearly part of a close-knit family of works and identifying the elements of his melodic, harmonic and instrumental style which produce Martinu's very personal vibrant and organic symphonic manner. Martinu and the Symphony is illustrated with almost 200 musical examples, taken not only fromthe Symphonies but also from his other works for large orchestra. His path to symphonic mastery is examined in unprecedented detail: attention is at last paid to the early orchestral works which, although largely unperformed andunpublished even now, afford fascinating glimpses of the composer to come. A study of the late triptychs The Frescoes of Piero della Francesca and The Parables rounds out this appraisal of Martinus enthralling symphonic and orchestral legacy.
| Author | : Roye E. Wates |
| Publisher | : Amadeus Press |
| Total Pages | : 338 |
| Release | : 2010 |
| Genre | : Performing Arts |
| ISBN | : 1574671898 |
(Amadeus). Mozart: An Introduction to the Music, the Man, and the Myths explores in detail 20 of the composer's major works in the context of his tragically brief life and the turbulent times in which he lived. Addressed to non-musicians seeking to deepen their technical appreciation for his music while learning more about Mozart the man than the caricature portrayed in the 1986 movie Amadeus , this book offers extensive biographical and historical background debunking many well-established Mozart myths along with guided study of compositions representing every genre of 18th-century music: opera, concerto, symphony, church music, divertimento and serenade, sonata, and string quartet. Author Roye E. Wates, a Mozart specialist, has taught music history to thousands of non-musicians, both undergraduates and adults, as a Professor of Music at Boston University and from 2002-2004 as director of Boston University's Adult Music Seminar at Tanglewood, summer residence of the Boston Symphony Orchestra. Mozart: An Introduction to the Music, the Man, and the Myths provides a unique combination of biographical detail, up-to-date research, detailed musical analyses, and clear definitions of terms. Amateurs as well as more advanced musicians will gain a greater understanding of Mozart's encyclopedic mastery.
| Author | : Conrad Wilson |
| Publisher | : Wm. B. Eerdmans Publishing |
| Total Pages | : 146 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 9780802829290 |
This work reveals that Mozart enjoyed a good middle-class income in Vienna, his begging letters were less heart-rending than they seem, the myth of the mystery about Mozart's Requiem, and why Mozart's grave was not a pauper's grave as is commonly believed.
| Author | : Leo Black |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 258 |
| Release | : 2014 |
| Genre | : Biography & Autobiography |
| ISBN | : 1843839334 |
Leo Black, a pupil of Rubbra in the 1950s, presents a full-scale study of his symphonies (the first for twenty years). A biographical sketch throws light on legends about the BBC and Rubbra; there are full programme notes on eachsymphony, with accounts of important non-symphonic works. The music of Edmund Rubbra (1901-1986) has been unjustly neglected - arguably because its wide-ranging nature makes it difficult to categorise. He is perhaps best known as a symphonist; his eleven symphonies covered a period of musical and political upheaval [1934 - 1980], the first four reflecting the uneasy later 1930s, with a second global conflict no longer avoidable. The immediately-post-war ones document new emotional depths and his conversion, whilethe final symphonies show a man still in search of peace and reconciliation, overlooked by the world but certain he was on the right path. Leo Black, a pupil of Rubbra at Oxford in the 1950s, here presents a sympatheticfull-scale study of these works (the first for some twenty years). A succinct biographical sketch throws light on legends about the BBC and Rubbra; there are full programme notes on each symphony, with shorter accounts of important non-symphonic works, in particular a 'triptych' of concertos from the 1950s and major liturgical pieces composed around the time of the Second Vatican Council, after Rubbra's conversion to Catholicism. He also deals with the vexed question of Rubbra's mysticism. LEO BLACK is a former BBC chief producer for music and author of the highly-acclaimed Franz Schubert: Music and Belief [2003].
| Author | : Stephan D. Lindeman |
| Publisher | : Pendragon Press |
| Total Pages | : 368 |
| Release | : 1999 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9781576470008 |
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : David Daniels |
| Publisher | : Scarecrow Press |
| Total Pages | : 634 |
| Release | : 2005-10-13 |
| Genre | : Music |
| ISBN | : 146166425X |
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
| Author | : Abraham Veinus |
| Publisher | : Courier Corporation |
| Total Pages | : 337 |
| Release | : 1964-01-01 |
| Genre | : Music |
| ISBN | : 0486211789 |
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
