Simon Boccanegra Opera In A Prologue And Three Acts
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Author | : Giuseppe Verdi |
Publisher | : Alma Books |
Total Pages | : 249 |
Release | : 2018-01-01 |
Genre | : Music |
ISBN | : 0714544744 |
Verdi's Simon Boccanegra exists in two versions: that of the 1857 original and that of the 1881 revision. The texts of the libretto of both versions are included in this guide, with a number of essays which focus on the differences between the two. Rodolfo Celleti provides the story's historical context, setting the events of the real life of Simon Boccanegra against the unification of Italy, which formed the political backdrop to the composition of both versions of Verdi's opera. James A. Hepokoski gives a detailed synopsis of the 1881 score, and indicates the ways in which Verdi radically revised the original and reworked it to fit his late style. Lastly, Desmond Shawe-Taylor discusses Verdi's attitude to his singers, and the critical reception that performances of both versions of the opera received.This edition contains over twenty illustrations, a thematic guide and the texts of the libretti in the original with literal translations. There is also a bibilography, discography and DVD guide, together with a list of websites that will allow the reader to explore the opera further.Contains:A Historical Perspective, Rodolfo CellettiAn Introduction to the 1881 Score, James HepokoskiVerdi and His Singers: The vocal character of the two versions of Simon Boccanegra in relation to the original casts, Desmond Shawe-TaylorA Performance and Reception History, George HallSimon Boccanegra: Libretto by Francesco Maria Piave, with additions by Giuseppe Montanelli. Further additions and alterations for the revised version by Arrigo BoitoSimon Boccanegra: English translation of the 1881 libretto by Lionel SalterSimon Boccanegra: English translation of the 1857 libretto by Emanuela Guastella
Author | : Giuseppe Verdi |
Publisher | : |
Total Pages | : 47 |
Release | : 1958 |
Genre | : Operas |
ISBN | : |
Author | : Leslie Dunton-Downer |
Publisher | : Penguin |
Total Pages | : 436 |
Release | : 2006-10-30 |
Genre | : Music |
ISBN | : 0756643902 |
Spanning 400 years of musical drama, Eyewitness Companions: Opera is your guide to the musical world. Explore operas and composers from the late Renaissance on, including such classical masters as Verdi, Puccini, and Bizet. Eyewitness Companions: Opera is the complete visual guidebook to the great operas, their composers and performance history. Eyewitness Companions: Opera includes more than 160 operas by 66 composers around the world. This richly illustrated eBook includes act-by-act plot synopses and storyline highlights, plus detailed profiles cover composers, Librettists, singers, and more.
Author | : Charles Osborne |
Publisher | : Yale University Press |
Total Pages | : 648 |
Release | : 2007-01-01 |
Genre | : Music |
ISBN | : 9780300123739 |
Written by a well-known authority, this book consists of 175 entries that set some of the most popular operas within the context of their composer's career, outline the plot, discuss the music, and more.
Author | : Roger Parker |
Publisher | : Oxford University Press |
Total Pages | : 273 |
Release | : 2007-02-26 |
Genre | : Music |
ISBN | : 0195313135 |
Based on articles in the New Grove dictionary of opera.
Author | : Robin Healey |
Publisher | : University of Toronto Press |
Total Pages | : 1185 |
Release | : 2011-01-01 |
Genre | : Literary Criticism |
ISBN | : 1442642696 |
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.
Author | : Albert Ellery Bergh |
Publisher | : |
Total Pages | : 386 |
Release | : 1909 |
Genre | : Opera |
ISBN | : |
Author | : David J. Levin |
Publisher | : Stanford University Press |
Total Pages | : 292 |
Release | : 1993 |
Genre | : Performing Arts |
ISBN | : 9780804722407 |
This collection of 8 essays introduces literary and cultural theorists into the domain of operatic textual analysis, long the exclusive preserve of musicologists. The contributors include some of the most distinguished critics of the past 30 years, most of them writing about opera for the first time.
Author | : William Rothstein |
Publisher | : Oxford University Press |
Total Pages | : 601 |
Release | : 2022-11-15 |
Genre | : |
ISBN | : 0197609686 |
Though studying opera often requires attention to aesthetics, libretti, staging, singers, compositional history, and performance history, the music itself is central. This book examines operatic music by five Italian composers--Rossini, Bellini, Mercadante, Donizetti, and Verdi--and one non-Italian, Meyerbeer, during the period from Rossini's first international successes to Italian unification. Detailed analyses of form, rhythm, melody, and harmony reveal concepts of musical structure different from those usually discussed by music theorists, calling into question the notion of a common practice. Taking an eclectic analytical approach, author William Rothstein uses ideas originating in several centuries, from the sixteenth to the twenty-first, to argue that operatic music can be heard not only as passionate vocality but also in terms of musical forms, pitch structures, and rhythmic patterns--that is, as carefully crafted music worth theoretical attention. Although no single theory accounts for everything, Rothstein's analysis shows how certain recurring principles define a distinctively Italian practice, one that left its mark on the German repertoire more familiar to music theorists.
Author | : Gundula Kreuzer |
Publisher | : Cambridge University Press |
Total Pages | : 383 |
Release | : 2010-08-26 |
Genre | : Music |
ISBN | : 0521519195 |
This book explores how the reception of Italian opera, epitomised by Verdi, influenced changing ideas of German musical and national identity.