Shredding The Tapestry Of Meaning
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| Author | : John Solt |
| Publisher | : Harvard Univ Asia Center |
| Total Pages | : 428 |
| Release | : 1999 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780674807334 |
Kitasono Katue was a leading avant-garde literary figure, first in Japan and then throughout the world, from the 1920s to the 1970s. In his long career, Kitasono was instrumental in creating Japanese-language work influenced by futurism, dadaism, and surrealism before World War II and in contributing a Japanese voice to the international avant-garde movement after the war. This critical biography of Kitasono examines the life, poetry, and poetics of this controversial and flamboyant figure, including his wartime support of the Japanese state. Using Kitasono as a window on Japanese literature in the twentieth century, John Solt analyzes the relationship of Japanese writers to foreign literary movements and the influence of Japanese writers on world literature.
| Author | : Chinghsin Wu |
| Publisher | : University of California Press |
| Total Pages | : 247 |
| Release | : 2019-11-12 |
| Genre | : Art |
| ISBN | : 0520299825 |
This significant historical study recasts modern art in Japan as a “parallel modernism” that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895–1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist’s major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals.
| Author | : Miryam Sas |
| Publisher | : Stanford University Press |
| Total Pages | : 276 |
| Release | : 1999 |
| Genre | : Literary Collections |
| ISBN | : 9780804736497 |
How can a movement like Surrealism be transferred, transplanted, or transported from one culture to another, one language to another? This book traces the creative dialogue between France and Japan in the early 20th century, focusing on Surrealist and avant-garde writings that challenge and break apart clear and bounded conceptions of language, poetry, and meaning.
| Author | : Satoru Saito |
| Publisher | : BRILL |
| Total Pages | : 333 |
| Release | : 2020-03-17 |
| Genre | : Fiction |
| ISBN | : 1684175216 |
In Detective Fiction and the Rise of the Japanese Novel, Satoru Saito sheds light on the deep structural and conceptual similarities between detective fiction and the novel in prewar Japan. Arguing that the interactions between the two genres were not marginal occurrences but instead critical moments of literary engagement, Saito demonstrates how detective fiction provided Japanese authors with the necessary frameworks through which to examine and critique the nature and implications of Japan’s literary formations and its modernizing society. Through a series of close readings of literary texts by canonical writers of Japanese literature and detective fiction, including Tsubouchi Shoyo, Natsume Soseki, Shimazaki Toson, Sato Haruo, Kuroiwa Ruiko, and Edogawa Ranpo, Saito explores how the detective story functioned to mediate the tenuous relationships between literature and society as well as between subject and authority that made literary texts significant as political acts. By foregrounding the often implicit and contradictory strategies of literary texts—choice of narrative forms, symbolic mappings, and intertextual evocations among others—this study examines in detail the intricate interactions between detective fiction and the novel that shaped the development of modern Japanese literature.
| Author | : Haruo Iguchi |
| Publisher | : Harvard Univ Asia Center |
| Total Pages | : 396 |
| Release | : 2003 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780674003743 |
Ayukawa Yoshisuke (1880-1967) was the founder of the Nissan conglomerate and the leader of the Manchuria Industrial Development Corporation, one of the linchpins of Imperial Japan's efforts to economically exploit its overseas dependencies. Despite his close association with the Japanese government from the 1920s to the 1950s, Ayukawa was a proponent of free trade and global economic interdependence. He sought to lessen state control of Japan's economy by trying to attract foreign--especially American--capital and technology in the years surrounding World War II. In the postwar era in particular, Ayukawa actively pushed the growth of small- and medium-sized firms, yet his efforts were ultimately unsuccessful. In Unfinished Business, through exploring the reasons for Ayukawa's failure, Iguchi illuminates many of the economic problems of today's Japan.
| Author | : William C. Kirby |
| Publisher | : BRILL |
| Total Pages | : 410 |
| Release | : 2020-03-17 |
| Genre | : History |
| ISBN | : 1684174201 |
"Relations between China and the United States have been of central importance to both countries over the past half-century, as well as to all states affected by that relationship—Taiwan and the Soviet Union foremost among them. Only recently, however, has the opening of archives made it possible to research this history dispassionately. The eight chapters in this volume offer the first multinational, multi-archival review of the history of Chinese–American conflict and cooperation in the 1970s. On the Chinese side, normalization of relations was instrumental to Beijing’s effort to enhance its security vis-à-vis the Soviet Union and was seen as a tactical necessity to promote Chinese military and economic interests. The United States was equally motivated by national security concerns. In the wake of Vietnam, policymakers saw normalization as a means of forestalling Soviet power. As the essays in this volume show, normalization was far from a foregone conclusion."
| Author | : Stephen Owen |
| Publisher | : BRILL |
| Total Pages | : 381 |
| Release | : 2020-05-11 |
| Genre | : Literary Criticism |
| ISBN | : 1684174287 |
"Over the centuries, early Chinese classical poetry became embedded in a chronological account with great cultural resonance and came to be transmitted in versions accepted as authoritative. But modern scholarship has questioned components of the account and cast doubt on the accuracy of received texts. The result has destabilized the study of early Chinese poetry. This study adopts a double approach to the poetry composed between the end of the first century B.C.E. and the third century C.E. First, it examines extant material from this period synchronically, as if it were not historically arranged, with some poems attached to authors and some not. By setting aside putative differences of author and genre, Stephen Owen argues, we can see that this was “one poetry,” created from a shared poetic repertoire and compositional practices. Second, it considers how the scholars of the late fifth and early sixth centuries selected this material and reshaped it to produce the standard account of classical poetry. As Owen shows, early poetry comes to us through reproduction—reproduction by those who knew the poem and transmitted it, by musicians who performed it, and by scribes and anthologists—all of whom changed texts to suit their needs."
| Author | : John Makeham |
| Publisher | : BRILL |
| Total Pages | : 483 |
| Release | : 2020-03-23 |
| Genre | : Literary Criticism |
| ISBN | : 1684173906 |
"The Analects (Lunyu) is one of the most influential texts in human history. As a putative record of Confucius’s (551–479 B.C.E.) teachings and a foundational text in scriptural Confucianism, this classic was instrumental in shaping intellectual traditions in China and East Asia until the early twentieth century. But no premodern reader read only the text of the Analects itself. Rather, the Analects was embedded in a web of interpretation that mediated its meaning. Modern interpreters of the Analects only rarely acknowledge this legacy of two thousand years of commentaries. How well do we understand prominent or key commentaries from this tradition? How often do we read such commentaries as we might read the text on which they comment? Many commentaries do more than simply comment on a text. Not only do they shape the reading of the text, but passages of text serve as pretexts for the commentator to develop and expound his own body of thought. This book attempts to redress our neglect of commentaries by analyzing four key works dating from the late second century to the mid-nineteenth century (a period substantially contemporaneous with the rise and decline of scriptural Confucianism): the commentaries of He Yan (ca. 190–249); Huang Kan (488–545); Zhu Xi (1130–1200); and Liu Baonan (1791–1855) and Liu Gongmian (1821–1880)."
| Author | : Haun Saussy |
| Publisher | : Harvard Univ Asia Center |
| Total Pages | : 332 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780674008595 |
In six interpretive studies of China, the author examines the ways in which the networks of assumption and consensus that make communication possible within a discipline affect collective thinking about the object of study.
| Author | : Joyce A. Madancy |
| Publisher | : BRILL |
| Total Pages | : 457 |
| Release | : 2020-03-23 |
| Genre | : History |
| ISBN | : 1684173892 |
"In 1908, a very public crusade against opium was in full swing throughout China, and the provincial capital and treaty port of Fuzhou was a central stage for the campaign. This, the most successful attempt undertaken by the Chinese state before 1949 to eliminate opium, came at a time when, according to many historians, China’s central state was virtually powerless. This volume attempts to reconcile that apparent contradiction. The remarkable, albeit temporary, success of the anti-opium campaign between 1906 and 1920 is as yet largely unexplained. How these results were achieved, how that progress was squandered, and why China’s opium problem proved so tenacious are the questions that inspired this volume. The attack on this social problem was led by China’s central and provincial authorities, aided by reformist elites, and seemingly supported by most Chinese. The anti-opium movement relied on the control and oversight provided by a multilayered state bureaucracy, the activism and support of unofficial elite-led reform groups, the broad nationalistic and humanitarian appeal of the campaign, and the cooperation of the British government. The extent to which the Chinese state was able to control the pace and direction of the anti-opium campaign and the evolving nature of the political space in which elite reformers publicized and enforced that campaign are the guiding themes of this analysis."
