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| Author | : David Stuart Davies |
| Publisher | : Wordsworth Editions |
| Total Pages | : 244 |
| Release | : 2000 |
| Genre | : Fiction |
| ISBN | : 9781840224078 |
A collection of classic featuring tales by Charles Dickens, Arthur Conan Doyle, RL Stevenson, Bram Stoker, Anthony Trollope and many others.
| Author | : Harriet Devine Jump |
| Publisher | : Routledge |
| Total Pages | : 468 |
| Release | : 2002-01-04 |
| Genre | : Literary Collections |
| ISBN | : 1134704658 |
This anthology brings together twenty-eight lively and readable short stories by nineteenth-century women writers, including gothic tales to romances, detective fiction and ghost stories. Containing short fiction by well-known authors such as: * Maria Edgeworth * Mary Shelley * Elizabeth Gaskell * Margaret Oliphant Nineteenth-Century Short Stories by Women also includes: * a scholarly introduction * biographies for each of the authors * full explanatory notes and suggestions for further reading * a critical commentary, publication details and historical context * a full and wide-ranging bibliography The bibliography of resources and further reading will enable those interested in pursuing research on any author or topic to do so with ease, and a thematic index will enable teachers to select material best suited to their courses.
| Author | : Alice Munro |
| Publisher | : Random House |
| Total Pages | : 422 |
| Release | : 2010 |
| Genre | : Classical fiction |
| ISBN | : 0099541092 |
Short Stories. This first-ever selection of Alice Munro's stories sums up her genius. Her territory is the secrets that cackle beneath the facade of everyday lives, the pain and promises, loves and fears of apparently ordinary men and women whom she renders extraordinary and unforgettable.
| Author | : Elaine Showalter |
| Publisher | : Rutgers University Press |
| Total Pages | : 566 |
| Release | : 1997 |
| Genre | : Fiction |
| ISBN | : 9780813523934 |
From the Publisher: A new mother longing to write is judged "hysterical" and confined to her bedroom where she slowly loses herself in horrific fantasy. A young girl stirred by two beings--a handsome young man and an ethereal white heron--is forced to make a choice between them. A love affair quashed by convention ignites during a sudden storm. These tales of remarkable and ordinary lives in nineteenth-century America are told throughout women's voices that call out from the kitchen hearth, the solitary room, the prison cell. Stories by Louisa May Alcott, Willa Cather, Kate Chopin, and Edith Wharton, as well as by others less familiar, reveal a universe of emotions hidden beneath parochial scenes. American writers claimed the short story as their national genre in the nineteenth century, and women writers made it the most important outlet for their particular experiences. A unique selection, with an introduction, notes, selected criticism, and a chronology of the authors' lives and times.
| Author | : Tim Killick |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2016-05-23 |
| Genre | : Literary Criticism |
| ISBN | : 1317171462 |
In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.
| Author | : Allan H. Pasco |
| Publisher | : Routledge |
| Total Pages | : 226 |
| Release | : 2019-07-03 |
| Genre | : Literary Collections |
| ISBN | : 1000134741 |
The 19th-Century French Short Story, by eminent scholar, Allan H. Pasco, seeks to offer a more comprehensive view of the definition, capabilities, and aims of short stories. The book examines general instances of the genre specifically in 19th-century France by recognizing their cultural context, demonstrating how close analysis of texts effectively communicates their artistry, and arguing for a distinction between middling and great short stories. Where previous studies have examined the writers of short stories individually, The 19th-Century French Short Story takes a broader lens to the subject, and looks at short story writers as they grapple with the artistic, ethical, and social concerns of their day. Making use of French short story masterpieces, with reinforcing comparisons to works from other traditions, this book offers the possibility of a more adequate appreciation of the under-valued short story genre.
| Author | : Wallace Fowlie |
| Publisher | : Courier Corporation |
| Total Pages | : 351 |
| Release | : 2012-07-31 |
| Genre | : Foreign Language Study |
| ISBN | : 0486120279 |
Ten unusual stories: "Micromégas" by Voltaire; "The Atheist's Mass" by Balzac; "The Legend of St. Julian the Hospitaler" by Flaubert; "Spleen of Paris" by Baudelaire; and more. English translations appear on facing pages.
| Author | : Charles L. Crow |
| Publisher | : Anthem Press |
| Total Pages | : 238 |
| Release | : 2020-08-17 |
| Genre | : Literary Collections |
| ISBN | : 1785273884 |
The twelve Gothic tales of this collection span the nineteenth-century South and are from some of the most famous writers of the age, such as Edgar Allan Poe, to more recently rediscovered and now celebrated writers such as Kate Chopin and Charles Chesnutt, to the completely and unfairly obscure E. Levi Brown. Companion readings—some themselves quite chilling—are by celebrated writers and well-known historical figures, such as Thomas Jefferson, Charles Brockden Brown, Jacques Dessalines, and W. E. B DuBois. These readings place the fiction in the context of the South and the Caribbean: the revolution in Haiti, Nat Turner’s rebellion, the realities of slavery and the myths spun by its apologists, the aftermath of the Civil War, and the brutalities of Jim Crow laws.
| Author | : Howard Bruce Franklin |
| Publisher | : Rutgers University Press |
| Total Pages | : 412 |
| Release | : 1995 |
| Genre | : Fiction |
| ISBN | : 9780813521527 |
Critics, science fiction writers, scientists, and scholars throughout the world hailed the original publication of Future Perfect in 1966 as a book that would transform our evaluation of science fiction and our understanding of American culture. The praise has proved well founded, for Future Perfect has been more responsible than any other single work for the recognition of the value and significance of science fiction.
| Author | : Florence Goyet |
| Publisher | : Open Book Publishers |
| Total Pages | : 199 |
| Release | : 2014-01-13 |
| Genre | : Fiction |
| ISBN | : 1909254754 |
The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.
