Shirley Lim Collection
Author | : Shirley Lim |
Publisher | : Marshall Cavendish International Asia Pte Ltd |
Total Pages | : 362 |
Release | : 2011-06-15 |
Genre | : |
ISBN | : 9814484377 |
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Author | : Shirley Lim |
Publisher | : Marshall Cavendish International Asia Pte Ltd |
Total Pages | : 362 |
Release | : 2011-06-15 |
Genre | : |
ISBN | : 9814484377 |
Author | : Shirley Geok-lin Lim |
Publisher | : Marshall Cavendish International Asia Pte Ltd |
Total Pages | : 374 |
Release | : 2011-05-15 |
Genre | : Fiction |
ISBN | : 9814484423 |
The first woman and Asian to win the Commonwealth Prize, Among the White Moon Faces is an autobiography that chronicles the confusion of personal identity—linguistically, culturally, and sexually. The English-educated child of a Chinese father and a Peranakan mother, Lim grew up in post-colonial Malaysia with a tangle of names, languages and roles. The deep-seated, cross-cultural ironies of this fragmented identity also echo throughout this memoir; from the love-hate relationship she shares with a neglectful father and an estranged mother, the pain of hunger suffered during childhood, to her Anglophile education and the loneliness of cultural displacement. Lim eventually finds reconciliation in her perpetual exile, using the solace of writing to create a sense of place and to counter the pull of ancient ghosts.
Author | : Shirley Geok-lin Lim |
Publisher | : Marshall Cavendish International Asia Pte Ltd |
Total Pages | : 326 |
Release | : 2011-04-15 |
Genre | : Fiction |
ISBN | : 9814484431 |
The novel is set in 1969 Kuala Lumpur, against a backdrop of political turmoil and social changes. Married to wealthy, conservative Henry, English literature graduate Li An is torn between the comforting lull of a secure world and the seductive erotism of the unknown, foreign spaces. When tragedy strikes on the personal and societal levels, Li An and her young friends find their lives turned upside down, and each must make decisions that will have far-reaching repercussions. Masterfully evoking the passions and struggles across three nations and decades, this book weaves a poignant fabric from the complex threads of human identity, friendships, and gender relations, all of which are utterly inextricable from the others.
Author | : Shirley Jennifer Lim |
Publisher | : NYU Press |
Total Pages | : 252 |
Release | : 2006 |
Genre | : History |
ISBN | : 0814751938 |
When we imagine the activities of Asian American women in the mid-twentieth century, our first thoughts are not of skiing, beauty pageants, magazine reading, and sororities. Yet, Shirley Jennifer Lim argues, these are precisely the sorts of leisure practices many second generation Chinese, Filipina, and Japanese American women engaged in during this time. In A Feeling of Belonging, Lim highlights the cultural activities of young, predominantly unmarried Asian American women from 1930 to 1960. This period marks a crucial generation—the first in which American-born Asians formed a critical mass and began to make their presence felt in the United States. Though they were distinguished from previous generations by their American citizenship, it was only through these seemingly mundane “American”activities that they were able to overcome two-dimensional stereotypes of themselves as kimono-clad “Orientals.” Lim traces the diverse ways in which these young women sought claim to cultural citizenship, exploring such topics as the nation's first Asian American sorority, Chi Alpha Delta; the cultural work of Chinese American actress Anna May Wong; Asian American youth culture and beauty pageants; and the achievement of fame of three foreign-born Asian women in the late 1950s. By wearing poodle skirts, going to the beach, and producing magazines, she argues, they asserted not just their American-ness, but their humanity: a feeling of belonging.
Author | : Shirley Lim |
Publisher | : |
Total Pages | : 115 |
Release | : 2008 |
Genre | : Children's stories, English |
ISBN | : 9789832737438 |
Author | : Shirley Lim |
Publisher | : Temple University Press |
Total Pages | : 398 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 9781439901212 |
A unique collection of essays explores the diversity of Asian American literature from the 19th century to the present.
Author | : Shirley Lim |
Publisher | : Cengage Learning |
Total Pages | : 0 |
Release | : 1993 |
Genre | : Edebiyat- koleksiyonlar |
ISBN | : 9780395588802 |
One World of Literature addresses students' concerns about social relevance in their reading, and their growing interest in the literature of other cultures. This provocative anthology brings together fiction, poetry, and drama by twentieth-century authors from around the world.
Author | : Shirley Geok-lin Lim |
Publisher | : NUS Press |
Total Pages | : 705 |
Release | : 2009-01-01 |
Genre | : Fiction |
ISBN | : 9971694581 |
A comprehensive historical anthology of English-language literary works from Singapore. It attempts to place the texts that have imagined the territory and the people who are now recognizably Singaporean in a historical narrative, to be read, studied, critiqued and treasured.
Author | : Shirley Lim |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Poetry |
ISBN | : 9780982696804 |
Poems.
Author | : Shirley Jennifer Lim |
Publisher | : Temple University Press |
Total Pages | : 262 |
Release | : 2019-04-09 |
Genre | : Social Science |
ISBN | : 1439918341 |
Finalist for the 2020 Organization of American Historians Mary Nickliss Prize Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation. Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.