Shes So Fine Reflections On Whiteness Femininity Adolescence And Class In 1960s Music
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Author | : Laurie Stras |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 296 |
Release | : 2011 |
Genre | : Music |
ISBN | : 9781409436652 |
She's So Fine explores the music, reception and cultural significance of 1960s girl singers and girl groups in the US and the UK. Using approaches from the fields of musicology, women's studies, film and media studies, and cultural studies, this volume is the first interdisciplinary work to link close musical readings with rigorous cultural analysis in the treatment of artists such as Martha and the Vandellas, The Crystals, The Blossoms, Brenda Lee, Dusty Springfield, Lulu, Tina Turner, and Marianne Faithfull.
Author | : Laurie Stras |
Publisher | : Routledge |
Total Pages | : 285 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351548743 |
She's So Fine explores the music, reception and cultural significance of 1960s girl singers and girl groups in the US and the UK. Using approaches from the fields of musicology, women's studies, film and media studies, and cultural studies, this volume is the first interdisciplinary work to link close musical readings with rigorous cultural analysis in the treatment of artists such as Martha and the Vandellas, The Crystals, The Blossoms, Brenda Lee, Dusty Springfield, Lulu, Tina Turner, and Marianne Faithfull. Currently available studies of 1960s girl groups/girl singers fall into one of three categories: industry-generated accounts of the music's production and sales, sociological commentaries, or omnibus chronologies/discographies. She's So Fine, by contrast, focuses on clearly defined themes via case studies of selected artists. Within this analytical rather than historically comprehensive framework, this book presents new research and original observations on the 60s girl group/girl singer phenomenon.
Author | : Stephanie Vander Wel |
Publisher | : University of Illinois Press |
Total Pages | : 400 |
Release | : 2020-03-23 |
Genre | : Music |
ISBN | : 0252051947 |
A PopMatters Best Non-Fiction Book of 2020 From the 1930s to the 1960s, the booming popularity of country music threw a spotlight on a new generation of innovative women artists. These individuals blazed trails as singers, musicians, and performers even as the industry hemmed in their potential popularity with labels like woman hillbilly, singing cowgirl, and honky-tonk angel. Stephanie Vander Wel looks at the careers of artists like Patsy Montana, Rose Maddox, and Kitty Wells against the backdrop of country music's golden age. Analyzing recordings and appearances on radio, film, and television, she connects performances to real and imagined places and examines how the music sparked new ways for women listeners to imagine the open range, the honky-tonk, and the home. The music also captured the tensions felt by women facing geographic disruption and economic uncertainty. While classic songs and heartfelt performances might ease anxieties, the subject matter underlined women's ambivalent relationships to industrialism, middle-class security, and established notions of femininity.
Author | : Paula J. Bishop |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 173 |
Release | : 2023-05-18 |
Genre | : Music |
ISBN | : 1496845420 |
Contributions by Christina Baade, Candace Bailey, Paula J. Bishop, Maribeth Clark, Brittany Greening, Tammy Kernodle, Kendra Preston Leonard, April L. Prince, Travis D. Stimeling, and Kristen M. Turner For every star, there are hundreds of less-recognized women who contribute to musical communities, influencing their aesthetics and expanding opportunities available to women. Hidden Harmonies: Women and Music in Popular Entertainment focuses not on those whose names are best known nor most celebrated but on the women who had power in collective or subversive ways hidden from standard histories. Contributors to Hidden Harmonies reexamine primary sources using feminist and queer methodologies as well as critical race theory in order to overcome previous, biased readings. The scholarship that results from such reexaminations explores topics from songwriters to the music of the civil rights movement and from whistling schools to musical influencers. These wide-ranging essays create a diverse and novel view of women's contribution to music and its production. With intelligence and care, Hidden Harmonies uncovers the fascinating figures behind decades of popular music.
Author | : Marcus Collins |
Publisher | : Cambridge University Press |
Total Pages | : 385 |
Release | : 2020-03-05 |
Genre | : History |
ISBN | : 1108477240 |
In this rigorous study, Marcus Collins reconceives the Beatles' social, cultural and political impact on sixties Britain.
Author | : Sarah Baker |
Publisher | : Routledge |
Total Pages | : 242 |
Release | : 2013 |
Genre | : Music |
ISBN | : 0415807808 |
Mainstream as metaphor: imagining dominant culture - Teenybop and the extraordinary particularities of mainstream practice - Historicizing mainstream mythology: the industrial organization of archives - Lesbian musicalities, queer strains and celesbian pop: the poetics and polemics of women-loving women in mainstream popular music - The positioning of the mainstream in punk - Kill the static: temporality and change in the hip-hop mainstream - The contraditions of the mainstream: Australian views of grunge and commercial success - Elvis goes to Hollywood: authenticity, resistance, commodification and the mainstream - Walking in Memphis?: Elvis heritage between fan fantasy and built environment - 'Following in mother's silent footsteps': revisiting the construction of femininities in 1960s popular music - Music from abroad: the internationalization of the US mainstream music market, 1940-90 - 'Sounds like an official mix': the mainstream aesthetics of mash-up production - Chasing an aesthetic tail: latent technological imperialism in mainstream production - The hobbyist majority and the mainstream fringe: the pathways of independent music-making in Brisbane, Australia - Off the beaten track: the vernacular and the mainstream in New Zealand tramping club songs - Musical listening at work: mainstream musical listening practices in the office - Cheesy listening: popular music and ironic listening practices.
Author | : Travis D. Stimeling |
Publisher | : Oxford University Press |
Total Pages | : 593 |
Release | : 2017-06-01 |
Genre | : Music |
ISBN | : 0190248181 |
Now in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.
Author | : Michael J. Kramer |
Publisher | : Oxford University Press, USA |
Total Pages | : 305 |
Release | : 2013-06-27 |
Genre | : History |
ISBN | : 0195384865 |
Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to "boost morale" in Vietnam, and the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love and war-torn Southeast Asia were crucial to the making of the sixties counterculture. The book also illustrates how and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today. --from publisher description
Author | : Alexandra M. Apolloni |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2021 |
Genre | : Femininity in music |
ISBN | : 0190879890 |
"This introduction positions the history of girl and young women singers in the 1960s in the context of broader histories of vocal training; ideas about voice, respectability, and expressivity; and the models of youthful femininity that were emergent in 1960s Britain. It connects this study to the emerging field of Voice Studies and provide an overview of the book's chapters"--
Author | : Jacqueline Warwick |
Publisher | : Routledge |
Total Pages | : 311 |
Release | : 2016-06-10 |
Genre | : Music |
ISBN | : 1317424611 |
This interdisciplinary volume explores the girl’s voice and the construction of girlhood in contemporary popular music, visiting girls as musicians, activists, and performers through topics that range from female vocal development during adolescence to girls’ online media culture. While girls’ voices are more prominent than ever in popular music culture, the specific sonic character of the young female voice is routinely denied authority. Decades old clichés of girls as frivolous, silly, and deserving of contempt prevail in mainstream popular image and sound. Nevertheless, girls find ways to raise their voices and make themselves heard. This volume explores the contemporary girl’s voice to illuminate the way ideals of girlhood are historically specific, and the way adults frame and construct girlhood to both valorize and vilify girls and women. Interrogating popular music, childhood, and gender, it analyzes the history of the all-girl band from the Runaways to the present; the changing anatomy of a girl’s voice throughout adolescence; girl’s participatory culture via youtube and rock camps, and representations of the girl’s voice in other media like audiobooks, film, and television. Essays consider girl performers like Jackie Evancho and Lorde, and all-girl bands like Sleater Kinney, The Slits and Warpaint, as well as performative 'girlishness' in the voices of female vocalists like Joni Mitchell, Beyoncé, Miley Cyrus, Taylor Swift, Kathleen Hanna, and Rebecca Black. Participating in girl studies within and beyond the field of music, this book unites scholarly perspectives from disciplines such as musicology, ethnomusicology, comparative literature, women’s and gender studies, media studies, and education to investigate the importance of girls’ voices in popular music, and to help unravel the complexities bound up in music and girlhood in the contemporary contexts of North America and the United Kingdom.