Sherlock Holmes And The Battersea Fetishists
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Author | : John A. Little |
Publisher | : Andrews UK Limited |
Total Pages | : 38 |
Release | : 2017-02-06 |
Genre | : Fiction |
ISBN | : 1787050815 |
In this compelling short story a secret society is hiding some truly murderous rituals. Watson's membership of the organisation enables him and his long-standing partner to identify a killer; a killer who happens to be a well-known politician who has risen to the rank of Sovereign Inspector-General within the arcane society... This Sherlockian gem was first published in 2016 in the third collection of the Final Tales of Sherlock Holmes.
Author | : John A. Little |
Publisher | : Andrews UK Limited |
Total Pages | : 36 |
Release | : 2017-02-06 |
Genre | : Fiction |
ISBN | : 1787050807 |
In this compelling short story a secret society is hiding some truly murderous rituals. Watson's membership of the organisation enables him and his long-standing partner to identify a killer; a killer who happens to be a well-known politician who has risen to the rank of Sovereign Inspector-General within the arcane society... This Sherlockian gem was first published in 2016 in the third collection of the Final Tales of Sherlock Holmes.
Author | : John A. Little |
Publisher | : Andrews UK Limited |
Total Pages | : 159 |
Release | : 2016-09-13 |
Genre | : Fiction |
ISBN | : 1780929595 |
In this series of five short stories, Holmes and Watson continue their late investigations into dark crimes in 1920s London, joined by their excitable housekeeper at 221B Baker Street, the brilliant, buxom Miss Lily Hudson, and by Jasper Lestrade of Scotland Yard, the ambitious, respectful son of the late George Lestrade. Thanks to Royal Jelly, Holmes is a fit 72-year-old, who has lost his interest in bees and returned to detecting, joining forces again with his colleague and friend, Dr. John Hamish Watson, a 74-year-old unfit twice-widower, who hankers after the good old days of derring-do. Together they explore the case of the Shepherds Bushman, when a dying aborigine finds his way to 221B Baker Street; the Acton Body-Snatchers and the disappearing boy sopranos; the Notting Hill Rapist and the stripping of pregnant women; the Clapham Witch, who casts her voodoo spells on sad old men; and the Battersea Fetishists, a secret brotherhood with some truly murderous rituals.
Author | : Andrew Smith |
Publisher | : University of Westminster Press |
Total Pages | : 266 |
Release | : 2019-05-21 |
Genre | : Biography & Autobiography |
ISBN | : 1912656272 |
London is one of the world’s most popular destinations and visitors contribute approximately £14.9 billion of expenditure to the city every year. Its tourism and events sectors are growing and over the last few years London has received more visitors than ever before. However, detailed accounts of the city’s visitor economy are conspicuously absent. This book analyses how the capital is developing as a destination through the expansion of tourism and events into new urban spaces. The book outlines how parts of London not previously regarded as tourist territory are now subject to the visitor gaze with tourism spreading beyond established central zones into peripheral, suburban and residential areas – in part propelled by a big rise in peer to peer accommodation use. Simultaneously, London’s airports and sports stadiums and their surrounds are becoming destinations in their own right. New vantage points have been created, allowing tourists to explore the city: from above, at night-time or through tours given by the homeless; via the opening up of the River Thames; or through the transformation of local parks into eventscapes. The book explores these trends and shows how urban destinations expand. In doing so, it enhances our understanding of London and highlights the growing significance of tourism and events in global cities.
Author | : Caroline Reitz |
Publisher | : Ohio State University Press |
Total Pages | : 150 |
Release | : 2004 |
Genre | : Fiction |
ISBN | : 0814209823 |
In Detecting the Nation, Reitz argues that detective fiction was essential both to public acceptance of the newly organized police force in early Victorian Britain and to acclimating the population to the larger venture of the British Empire. In doing so, Reitz challenges literary-historical assumptions that detective fiction is a minor domestic genre that reinforces a distinction between metropolitan center and imperial periphery. Rather, Reitz argues, nineteenth-century detective fiction helped transform the concept of an island kingdom to that of a sprawling empire; detective fiction placed imperialism at the center of English identity by recasting what had been the suspiciously un-English figure of the turn-of-the-century detective as the very embodiment of both English principles and imperial authority. She supports this claim through reading such masters of the genre as Godwin, Dickens, Collins, and Doyle in relation to narratives of crime and empire such as James Mill's History of British India, narratives about Thuggee, and selected writings of Kipling and Buchan. Detective fiction and writings more specifically related to the imperial project, such as political tracts and adventure stories, were inextricably interrelated during this time.
Author | : S. Groes |
Publisher | : Springer |
Total Pages | : 332 |
Release | : 2015-12-04 |
Genre | : Literary Criticism |
ISBN | : 0230306012 |
London has become the focus of a ferocious imaginative energy since the rise of Thatcher. The Making of London analyses the body of work by writers who have committed their writing to the many lives of a city undergoing complex transformations, tracing a major shift in the representation of the capital city.
Author | : Andrew Marr |
Publisher | : Pan Macmillan |
Total Pages | : 708 |
Release | : 2009-07-03 |
Genre | : History |
ISBN | : 033051329X |
A History of Modern Britain by Andrew Marr confronts head-on the victory of shopping over politics. This edition also includes an extra chapter charting the course from Blair to Brexit. It tells the story of how the great political visions of New Jerusalem or a second Elizabethan Age, rival idealisms, came to be defeated by a culture of consumerism, celebrity and self-gratification. In each decade, political leaders think they know what they are doing, but find themselves confounded. Every time, the British people turn out to be stroppier and harder to herd than predicted. Throughout, Britain is a country on the edge – first of invasion, then of bankruptcy, then on the vulnerable front line of the Cold War and later in the forefront of the great opening up of capital and migration now reshaping the world. This history follows all the political and economic stories, but deals too with comedy, cars, the war against homosexuals, Sixties anarchists, oil-men and punks, Margaret Thatcher's wonderful good luck, political lies and the true heroes of British theatre.
Author | : Bob Wingate |
Publisher | : |
Total Pages | : |
Release | : 2020-11 |
Genre | : |
ISBN | : 9781951322168 |
Author | : Simon Gikandi |
Publisher | : Columbia University Press |
Total Pages | : 298 |
Release | : 1996 |
Genre | : Education |
ISBN | : 9780231105996 |
Gikandi explores the politics of identity to analyze how the colonial experience inspired narrative forms that changed the nature of the English identity by surveying the British imperial tradition since the nineteenth century. He provides detailed readings of the works of Trollope, Carlyle, and others; through the narratives of imperial women travelers such as Mary Kingsley and Mary Seacole; and through Africanist texts by Joseph Conrad, Graham Greene and postcolonialists such as Salman Rushdie and Joan Riley.
Author | : Ashley Thorpe |
Publisher | : Springer |
Total Pages | : 281 |
Release | : 2018-09-18 |
Genre | : Social Science |
ISBN | : 3319711598 |
This is the first text to address British Chinese culture. It explores British Chinese cultural politics in terms of national and international debates on the Chinese diaspora, race, multiculture, identity and belonging, and transnational ‘Chineseness’. Collectively, the essays look at how notions of ‘British Chinese culture’ have been constructed and challenged in the visual arts, theatre and performance, and film, since the mid-1980s. They contest British Chinese invisibility, showing how practice is not only heterogeneous, but is forged through shifting historical and political contexts; continued racialization, the currency of Orientalist stereotypes and the possibility of their subversion; the policies of institutions and their funding strategies; and dynamic relationships with transnationalisms. The book brings a fresh perspective that makes both an empirical and theoretical contribution to the study of race and cultural production, whilst critically interrogating the very notion of British Chineseness.