Shedding Silence
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Author | : Janice Mirikitani |
Publisher | : University of Washington Press |
Total Pages | : 274 |
Release | : 2022-02-23 |
Genre | : Poetry |
ISBN | : 0295749598 |
Groundbreaking poems in Asian American feminist literature Fierce, raw, and unapologetic, Janice Mirikitani’s poetry and prose are as vibrant and resonant today as when these two collections were first published in 1978 and 1987. Now back in print in one volume, Awake in the River and Shedding Silence epitomizes Mirikitani’s singular voice—one that is brash, sexual, politically outspoken, and unconcerned with pandering to mainstream audiences. An influential artist and activist, Mirikitani has advanced the causes of women of color feminisms, global anti-imperialism, and Afro-Asian solidarity for more than fifty years. Her writings confront sexualized violence, anti-Asian racism, the intergenerational trauma of incarceration, the dangers of passivity, and internalized oppression, while also illuminating the power of awakening from silence and fighting for justice. Connecting Japanese American discrimination with broader struggles from the local to the global, Awake in the River and Shedding Silence showcases how the renowned poet found power in speaking out.
Author | : Janice Mirikitani |
Publisher | : |
Total Pages | : 184 |
Release | : 1987 |
Genre | : Poetry |
ISBN | : |
Poetry and prose explores the author's experiences growing up as an Asian-American and examines the themes of love, war, and family.
Author | : Mona Oikawa |
Publisher | : University of Toronto Press |
Total Pages | : 493 |
Release | : 2012-01-01 |
Genre | : History |
ISBN | : 0802096018 |
"In 1942, the federal government expelled more than 22,000 Japanese Canadians from their homes in British Columbia. From 1942 to 1949, they were dispossessed, sent to incarceration sites, and dispersed across Canada. Over 4,000 were deported to Japan. Cartographies of Violence analyses the effects of these processes for some Japanese Canadian women. Using critical race, feminist, anti-colonial, and cultural geographic theory, Mona Oikawa deconstructs prevalent images, stereotypes, and language used to describe the 'internment' in ways that masks its inherent violence. Through interviews with women survivors and their daughters, Oikawa analyses recurring themes of racism and resistance, as well as the struggle to communicate what happened. Disturbing and provocative, Cartographies of Violence explores women's memories in order to map the effects of forced displacements, incarcerations, and the separations of family, friends, and communities"--Publisher's website.
Author | : Maaret Koskinen |
Publisher | : University of Washington Press |
Total Pages | : 260 |
Release | : 2010 |
Genre | : Biography & Autobiography |
ISBN | : 0295989432 |
When The Silence was released in 1963, Bergman's stature allowed the film's depiction of sexuality to challenge the boundaries of the censorship boards in Sweden and the U.S. Yet, Swedish film critic Maaret Koskinen - one of the first scholars given access to Bergman's private papers - found his notebooks revealed his tendency to self-censorship, as well as the difficulties he experienced in writing for the medium of moving images. She draws a picture of Berman that reveals his attempts to make his work relevant to a new generation of filmgoers.
Author | : Davina Quinlivan |
Publisher | : Edinburgh University Press |
Total Pages | : 197 |
Release | : 2014-02-11 |
Genre | : Performing Arts |
ISBN | : 0748664742 |
This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship.
Author | : Janice Mirikitani |
Publisher | : |
Total Pages | : 180 |
Release | : 1995 |
Genre | : Poetry |
ISBN | : |
Author | : Trinity Juan-Carlos |
Publisher | : Christian Faith Publishing, Inc. |
Total Pages | : 135 |
Release | : 2019-02-28 |
Genre | : Religion |
ISBN | : 1642992534 |
Shedding Cocoons is a story about Ashley, a teenage girl's fascination with the glitz and glamour of city life that seemed to peel off the glossy pages of a teen magazine, which frankly and outrightly consumed her. To Ashley's amazement this magazine promoted and encouraged her fantasies about a life of luxury, vanity, and extreme materialism. Ashley soon became, at least to her best friend, Taylor a loyal disciple and a victim of materialism and other cultural ideologies that she adopted prematurely in the absence of personal vetting and research. Ashley's journey through adulthood would be ripe with adversities on a scale of unimaginable proportion. Yet her resolve to overcome these circumstances as she recognized was her decision to leave her hometown after high school to attend university in another place. This move afforded her the opportunity not only to achieve a degree but a lifelong education. Ashley eventually falls for her classmate Mark despite her cynical attitude and suspicion about love. She credits her survival to the expert advice from her mentor Dr. Maxwell and his guidance which she says allowed her to navigate all the experiences she had lived through during this period. Dr. Maxwell also encouraged her that all experiences, particularly the tough ones, are opportunities to transition and transform herself and learn the art of shedding cocoons. With Dr. Maxwell's advice and great friendships, Ashley masterfully, exhibited the resilience through her darkest days, some loaded with much pain and real tragedies. She not only tackles all those moments in her life, especially the ones which once threatened to invade her moral compass and derail her permanently, but triumphantly and successfully transcends them fully. Ashley's journey in Shedding Cocoons is a culmination of her determination to beat the odds and her willingness to use conventional wisdom to make honest and necessary adjustments in her life despite the emotions and the cultural pressures that surrounded her and dared her to defy reason. Ashley slowly unsubscribes to the cultural ideologies and conformed to them no further, as she is forced to acknowledge the steady and powerful moral voice of her mother. This act allowed her to finally reflect on her mother's life positively by drowning out the culture and instead reflecting on more conventional values which helped her to refocus on the true images and sounds of her mother's moral voice. Finally, she comes to fully embrace, appreciate, and value her mother's journey. Ashely willingly resubmits to her mother's Judeo-Christian values, and this helps her to illuminate her path and saves her from perpetually subscribing to those harmful cultural ideologies that had once clouded her worldview and endangered her soul. Shedding Cocoons is an exhilarating journey through Ashley Chambers' life Her eventual sober maturation, deciding how to masterfully handle crucial decisions which mattered most. Ashley Chambers' journey in Shedding Cocoons is thrilling, uplifting, and life changing.
Author | : Henryk Sienkiewicz |
Publisher | : e-artnow |
Total Pages | : 2704 |
Release | : 2019-06-03 |
Genre | : Fiction |
ISBN | : |
These classics follow a dramatized versions of famous events in Polish history, weaving fact and fiction. The first novel, titled With Fire and Sword, chronicles the mid-17th century Ukrainian Cossacks revolt in Polish-Lithuanian Commonwealth known as the Khmelnytsky Uprising. The second book, The Deluge, describes the Swedish invasion of Poland in the mid 17th century known as The Deluge, which followed the Khmelnytsky Uprising. The final novel, Pan Michael, follows wars between Poland and the Ottoman Empire in the late 17th century.
Author | : Henryk Sienkiewicz |
Publisher | : |
Total Pages | : 812 |
Release | : 1898 |
Genre | : Poland |
ISBN | : |
Author | : Jessica Lang |
Publisher | : Rutgers University Press |
Total Pages | : 362 |
Release | : 2017-08-24 |
Genre | : Literary Criticism |
ISBN | : 0813589924 |
There are thousands of books that represent the Holocaust, but can, and should, the act of reading these works convey the events of genocide to those who did not experience it? In Textual Silence, literary scholar Jessica Lang asserts that language itself is a barrier between the author and the reader in Holocaust texts—and that this barrier is not a lack of substance, but a defining characteristic of the genre. Holocaust texts, which encompass works as diverse as memoirs, novels, poems, and diaries, are traditionally characterized by silences the authors place throughout the text, both deliberately and unconsciously. While a reader may have the desire and will to comprehend the Holocaust, the presence of “textual silence” is a force that removes the experience of genocide from the reader’s analysis and imaginative recourse. Lang defines silences as omissions that take many forms, including the use of italics and quotation marks, ellipses and blank pages in poetry, and the presence of unreliable narrators in fiction. While this limits the reader’s ability to read in any conventional sense, these silences are not flaws. They are instead a critical presence that forces readers to acknowledge how words and meaning can diverge in the face of events as unimaginable as those of the Holocaust.