Shaun Gladwell
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| Author | : Shaun Gladwell |
| Publisher | : Black Incorporated |
| Total Pages | : 6 |
| Release | : 2011 |
| Genre | : Installations (Art) |
| ISBN | : 9780646530017 |
Shaun Gladwell- Stereo Sequences has been conceived and created for ACMI's unique subterranean gallery and features a series of multi-screen video works that explore concepts of duality, parallels and mirroring.Using filmic devices such as long pans and slow-motion, Gladwell captures tightly choreographed, repetitive performances by classical ballerinas, helicopters, motorcycles, muscle cars, trials bike-riders and skateboarders. Gladwell's latest offerings radiate a distinct Australian sensibility, inspired by the unique landscape and local film culture, including Ozploitation era films.Many of the works are set in distinct Australian locations such as the Wollemi National Park, the open plains of Broken Hill and even Sydney's M5 underpass, each landscape a central character in the resulting work.ACMI Director, Mr Tony Sweeney, said today the centres largest single commission by an Australian artist, reflected Gladwell's growing international reputation.'Shaun Gladwell has an enviable international reputation as one of Australia's leading video artists and we are thrilled to be working with him on the creation of what is a stunning series of works,' he said. 'This significant new commission reflects our strong commitment to supporting Australian artists, both established and emerging, and the ongoing development of contemporary moving image art practice in this country.'
| Author | : Shaun Gladwell |
| Publisher | : Schwartz |
| Total Pages | : 154 |
| Release | : 2009 |
| Genre | : Installations (Art) |
| ISBN | : 9781863954419 |
Published on the occasion of the 2009 Venice Biennale, MADDESTMAXIMVS - PLANET & STARS SEQUENCE is a project book a and catalogue, documenting a new major body of work by Shaun Gladwell. The publication maps the project in its entirety. Commencing in 2007, MADDESTMAXIMVS has continued with a series of recorded performances and sculptures that investigate representations of landscape and the mythological figures that are projected into these spaces. The installation in the Australian Pavilion in Venice will consist of several projects that intersect each other through various locations and performances. Rather than picturing landscapes, Gladwell's project questions the very history and representation of these locations. Introduced with local references, the project offers international identification and relevance. Through performance, Gladwell re-imagines the Australian hinterland, negotiating the conventions of art history and traditional landscape painting. This meditative investigation articulates Gladwell's discursive approach to contemporary art and structures the project as a free, contemplative space. Roadkill kangaroos are found on the side of highways by a black leather clad motorcyclist and given a ritualistic burial, a figure surfs a vehicle as it moves through desert roads, a masked individual rapidly paints and subsequently erases images of the/a universe in open arid settings, and a group of figures spin against natural rock formations. With over one hundred colour plates and two in-depth texts - by Carolyn Christov-Bakargiev and Dr Blair French - MADDESTMAXIMVS - PLANET & STARS SEQUENCE is the first comprehensive publication of Shaun Gladwell's multi-dimensional practice.
| Author | : Cristina Albu |
| Publisher | : Routledge |
| Total Pages | : 306 |
| Release | : 2017-12-15 |
| Genre | : Art |
| ISBN | : 1315437112 |
This book examines the interconnections between art, phenomenology, and cognitive studies. Contributors question the binary oppositions generally drawn between visuality and agency, sensing and thinking, phenomenal art and politics, phenomenology and structuralism, and subjective involvement and social belonging. Instead, they foreground the many ways that artists ask us to consider how we sense, think, and act in relation to a work of art.
| Author | : Richard Grayson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Installations (Art) |
| ISBN | : 9780956286635 |
Born in Sydney, Shaun Gladwell is now based in London. This solo exhibition catalogue explores creative aspects of urban sports, such as beatboxing and BMX riding, and their ability to re-author environments.
| Author | : Shaun Walker |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2018 |
| Genre | : Biography & Autobiography |
| ISBN | : 0190659246 |
In The Long Hangover, Shaun Walker provides a deeply reported, bottom-up explanation of Putin's aggressive foreign policy and his support among Russians.
| Author | : Jennifer A McMahon |
| Publisher | : Routledge |
| Total Pages | : 280 |
| Release | : 2013-11-26 |
| Genre | : Philosophy |
| ISBN | : 1134110537 |
In this book, McMahon argues that a reading of Kant’s body of work in the light of a pragmatist theory of meaning and language (which arguably is a Kantian legacy) leads one to put community reception ahead of individual reception in the order of aesthetic relations. A core premise of the book is that neo-pragmatism draws attention to an otherwise overlooked aspect of Kant’s "Critique of Aesthetic Judgment," and this is the conception of community which it sets forth. While offering an interpretation of Kant’s aesthetic theory, the book focuses on the implications of Kant’s third critique for contemporary art. McMahon draws upon Kant and his legacy in pragmatist theories of meaning and language to argue that aesthetic judgment is a version of moral judgment: a way to cultivate attitudes conducive to community, which plays a pivotal role in the evolution of language, meaning, and knowledge.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 147 |
| Release | : 2020-04-14 |
| Genre | : Social Science |
| ISBN | : 1848880227 |
This volume was first published by Inter-Disciplinary Press in 2010.
| Author | : John Potts |
| Publisher | : Springer |
| Total Pages | : 250 |
| Release | : 2015-09-15 |
| Genre | : Social Science |
| ISBN | : 1137494387 |
In the networked age, we are living with changed parameters of time and space. Mobile networked communication fosters a form of virtual time and space, which is super-imposed onto territorial space. Time is increasingly composed of interruptions and distractions, as smartphone users are overwhelmed by messages.
| Author | : Martin Kerby |
| Publisher | : Springer |
| Total Pages | : 586 |
| Release | : 2018-12-05 |
| Genre | : History |
| ISBN | : 3319969862 |
This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part explores how conflict exerts a powerful influence on the expression and formation of both individual, group, racial, cultural and national identities and the role played by art, literature, and education in this process. The third part moves beyond the actual experience of conflict and its connection with issues of identity to explore how individuals and society have made use of art and culture to commemorate the war. In this way, it offers a unique breadth of vision and perspective, to explore how conflicts have been both represented and remembered since the early twentieth century.
| Author | : Kit Messham-Muir |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 273 |
| Release | : 2023-12-14 |
| Genre | : Art |
| ISBN | : 1350385980 |
What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.
