Shakespeares Speaking Properties
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| Author | : Frances N. Teague |
| Publisher | : Bucknell University Press |
| Total Pages | : 236 |
| Release | : 1991 |
| Genre | : Literary Criticism |
| ISBN | : 9780838752081 |
This book is the first attempt to discuss systematically the properties in Shakespeare's plays, and analyzes the properties that Shakespeare specifies either explicitly in stage directions or implicitly in speeches. Property lists for all of Shakespeare's plays and frequency tables for various categories of property are included.
| Author | : Lewis Walker |
| Publisher | : Routledge |
| Total Pages | : 920 |
| Release | : 2019-05-24 |
| Genre | : Literary Criticism |
| ISBN | : 1317943376 |
This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.
| Author | : Sandra Clark |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 457 |
| Release | : 2018-05-31 |
| Genre | : Literary Criticism |
| ISBN | : 1472581822 |
This dictionary explores the language of domestic life found in Shakespeare's work and seeks to demonstrate the meanings he attaches to it through his uses of it in particular contexts. "Domestic life" covers a range of topics: the language of the household, clothing, food, family relationships and duties; household practices, the architecture of the home, and all that conditions and governs the life of the home. The dictionary draws on recent cultural materialist research to provide in-depth definitions of the domestic language and life in Shakespeare's works, creating a richly rewarding and informative reference tool for upper level students and scholars.
| Author | : Geraldo U. de Sousa |
| Publisher | : Routledge |
| Total Pages | : 217 |
| Release | : 2016-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 1317177673 |
Bringing together methods, assumptions and approaches from a variety of disciplines, Geraldo U. de Sousa's innovative study explores the representation, perception, and function of the house, home, household, and family life in Shakespeare's great tragedies. Concentrating on King Lear, Hamlet, Othello, and Macbeth, de Sousa's examination of the home provides a fresh look at material that has been the topic of fierce debate. Through a combination of textual readings and a study of early modern housing conditions, accompanied by analyses that draw on anthropology, architecture, art history, the study of material culture, social history, theater history, phenomenology, and gender studies, this book demonstrates how Shakespeare explores the materiality of the early modern house and evokes domestic space to convey interiority, reflect on the habits of the mind, interrogate everyday life, and register elements of the tragic journey. Specific topics include the function of the disappearance of the castle in King Lear, the juxtaposition of home-centered life in Venice and nomadic, 'unhoused' wandering in Othello, and the use of special lighting effects to reflect this relationship, Hamlet's psyche in response to physical space, and the redistribution of domestic space in Macbeth. Images of the house, home, and household become visually and emotionally vibrant, and thus reflect, define, and support a powerful tragic narrative.
| Author | : Brett Gamboa |
| Publisher | : Routledge |
| Total Pages | : 262 |
| Release | : 2019-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 1000750922 |
Floating daggers, enchanted handkerchiefs, supernatural storms, and moving statues have tantalized Shakespeare’s readers and audiences for centuries. The essays in Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance renew attention to non-human influence and agency in the plays, exploring how Shakespeare anticipates new materialist thought, thing theory, and object studies while presenting accounts of intention, action, and expression that we have not yet noticed or named. By focusing on the things that populate the plays—from commodities to props, corpses to relics—they find that canonical Shakespeare, inventor of the human, gives way to a lesser-known figure, a chronicler of the ceaseless collaboration among persons, language, the stage, the object world, audiences, the weather, the earth, and the heavens.
| Author | : Susan Sachon |
| Publisher | : Springer Nature |
| Total Pages | : 248 |
| Release | : 2019-12-24 |
| Genre | : Literary Criticism |
| ISBN | : 3030052079 |
This book explores ways in which Shakespeare’s writing strategies shape our embodied perception of objects – both real and imaginary – in four of his plays. Taking the reader on a series of perceptual journeys, it engages in an exciting dialogue between the disciplines of phenomenology, cognitive studies, historicist research and modern acting techniques, in order to probe our sentient and intuitive responses to Shakespeare’s language. What happens when we encounter objects on page and stage; and how we can imagine that impact in performance? What influences might have shaped the language that created them; and what do they reveal about our response to what we see and hear? By placing objects under the phenomenological lens, and scrutinising them as vital conduits between lived experience and language, this book illuminates Shakespeare’s writing as a rich source for investigation into the way we think, feel and communicate as embodied beings.
| Author | : R. Burt |
| Publisher | : Springer |
| Total Pages | : 186 |
| Release | : 2013-07-17 |
| Genre | : Literary Criticism |
| ISBN | : 1137346094 |
What's the worst thing you can do to Shakespeare? The answer is simple: don't read him. To that end, Richard Burt and Julian Yates embark on a project of un/reading the Bard, turning the conventional challenges into a roadmap for textual analysis and a thorough reconsideration of the plays in light of their absorption into global culture.
| Author | : D. Bruster |
| Publisher | : Springer |
| Total Pages | : 293 |
| Release | : 2016-04-30 |
| Genre | : Literary Criticism |
| ISBN | : 1137051566 |
The last two decades have witnessed a profound change in the way we receive the literary texts of early modern England. One could call this a move from 'text' to 'culture'. Put briefly, earlier critics tended to focus on literary texts, strictly conceived: plays, poems, prose fictions, essays. Since the mid-1980s, however, it has been just as likely for critics to speak of the 'culture' of early modern England, even when they do so in conjunction with analysis of literary texts. This 'cultural turn' has clearly enriched the way in which we read the texts of early modern England, but the interdisciplinary practices involved have frequently led critics to make claims about materials - and about the 'culture' these materials appear to embody - that exceed those materials' representativeness. Shakespeare and the Question of Culture addresses the central issue of 'culture' in early modern studies through both literary history and disciplinary critique. Douglas Bruster argues that the 'culture' literary critiques investigate through the works of Shakespeare and other writers is largely a literary culture, and he examines what this necessary limitation of the scope of 'cultural studies' means for the discipline of early modern studies.
| Author | : Alan Stewart |
| Publisher | : Oxford University Press |
| Total Pages | : 422 |
| Release | : 2008-11-13 |
| Genre | : History |
| ISBN | : 0199549273 |
Shakespeare's Letters shows how and why Shakespeare put letters on stage in virtually all of his plays. Showing the very different uses to which letters were put in Shakespeare's time, this book throws new light on some of his most familiar dramas. Includes new readings of Hamlet, King Lear, and The Merchant of Venice.
| Author | : Thomas P. Anderson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 296 |
| Release | : 2016-08-16 |
| Genre | : Literary Criticism |
| ISBN | : 1474417434 |
Establishes Shakespeares plays as some of the periods most speculative political literature Shakespeares Fugitive Politics makes the case that Shakespeares plays reveal there is always something more terrifying to the king than rebellion. The book seeks to move beyond the presumption that political evolution leads ineluctably away from autocracy and aristocracy toward republicanism and popular sovereignty. Instead, it argues for affirmative politics in Shakespeare the process of transforming scenes of negative affect into political resistance. Shakespeares Fugitive Politics makes the case that Shakespeares affirmative politics appears not in his dialectical opposition to sovereignty, absolutism, or tyranny; nor is his affirmative politics an inchoate form of republicanism on its way to becoming politically viable. Instead, this study claims that it is in the place of dissensus that the expression of the eventful condition of affirmative politics takes place a fugitive expression that the sovereign order always wishes to shut down. Key FeaturesPromotes a new understanding of 'fugitive democracy'Establishes the presence of a form of alternative politics in early modern drama, articulated through the contours of theories of sovereigntyExplores how the parameters of contemporary radical politics take shape in major Shakespeare plays, including Coriolanus, King John, Henry V, Titus Andronicus, The Winters Tale and Julius Caesar
