Shakespeares Self
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Author | : James Kirsch |
Publisher | : Daimon |
Total Pages | : 0 |
Release | : 2008-03 |
Genre | : |
ISBN | : 9783856306113 |
The discovery of the unconscious has brought a new dimension to the criticism of great works of literature. Notable studies of Hamlet by depth psychologists are in existence.
Author | : William Teignmouth Shore |
Publisher | : London : P. Allan & Company |
Total Pages | : 200 |
Release | : 1920 |
Genre | : Dramatists, English |
ISBN | : |
Author | : Stephen Greenblatt |
Publisher | : |
Total Pages | : |
Release | : 2010 |
Genre | : |
ISBN | : |
Author | : Ivor Morris |
Publisher | : Routledge |
Total Pages | : 504 |
Release | : 2004-12-23 |
Genre | : Literary Criticism |
ISBN | : 1135032572 |
First published in 1972. Shakespeare's God investigates whether a religious interpretation of Shakespeare's tragedies is possible. The study places Christianity's commentary on the human condition side by side with what tragedy reveals about it. This pattern is identified using the writings of Christian thinkers from Augustine to the present day. The pattern in the chief phenomena of literary tragedy is also traced
Author | : |
Publisher | : |
Total Pages | : 972 |
Release | : 1899 |
Genre | : Self-culture |
ISBN | : |
Author | : P. Murray |
Publisher | : Springer |
Total Pages | : 265 |
Release | : 1996-05-10 |
Genre | : Literary Criticism |
ISBN | : 0230376754 |
Challenging our understanding of ideas about psychology in Shakespeare's time, Shakespeare's Imagined Persons proposes we should view his characters as imagined persons. A new reading of B.F. Skinner's radical behaviourism brings out how - contrary to the impression he created - Skinner ascribes an important role in human behaviour to cognitive activity. Using this analysis, Peter Murray demonstrates the consistency of radical behaviourism with the psychology of character formation and acting in writers from Plato to Shakespeare - an approach little explored in the current debates about subjectivity in Elizabethan culture. Murray also shows that radical behaviourism can explain the phenomena observed in modern studies of acting and social role-playing. Drawing on these analyses of earlier and modern psychology, Murray goes on to reveal the dynamics of Shakespeare's characterizations of Hamlet, Prince Hal, Rosalind, and Perdita in a fascinating new light.
Author | : John Lee |
Publisher | : Oxford University Press, USA |
Total Pages | : 294 |
Release | : 2000 |
Genre | : Drama |
ISBN | : |
This text offers a new approach to the discussion of English Renaissance literary subjectivity. Unhappy with new historicist and cultural materialistic criticism, it traces the history of the controversies of self.
Author | : Rolf Soellner |
Publisher | : Ohio State University Press |
Total Pages | : 488 |
Release | : 1972 |
Genre | : Drama |
ISBN | : 0814201717 |
Author | : William Shakespeare |
Publisher | : MacMillan |
Total Pages | : 212 |
Release | : 1985 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Richard van Oort |
Publisher | : University of Toronto Press |
Total Pages | : 272 |
Release | : 2016-01-01 |
Genre | : Drama |
ISBN | : 1442650079 |
Shakespeare's Big Men examines five Shakespearean tragedies - Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus - through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience.