Shakespeares Roman Trilogy
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| Author | : Paul A. Cantor |
| Publisher | : University of Chicago Press |
| Total Pages | : 309 |
| Release | : 2017-06-28 |
| Genre | : History |
| ISBN | : 022646265X |
Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community. Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds. More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare’s Roman Trilogy reveals the true profundity of the Roman Plays.
| Author | : Paul A. Cantor |
| Publisher | : University of Chicago Press |
| Total Pages | : 309 |
| Release | : 2017-06-28 |
| Genre | : History |
| ISBN | : 022646251X |
Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community. Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds. More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare’s Roman Trilogy reveals the true profundity of the Roman Plays.
| Author | : Paul A. Cantor |
| Publisher | : University of Chicago Press |
| Total Pages | : 233 |
| Release | : 2017-07-05 |
| Genre | : Drama |
| ISBN | : 022646895X |
For more than forty years, Paul Cantor’s Shakespeare’s Rome has been a foundational work in the field of politics and literature. While many critics assumed that the Roman plays do not reflect any special knowledge of Rome, Cantor was one of the first to argue that they are grounded in a profound understanding of the Roman regime and its changes over time. Taking Shakespeare seriously as a political thinker, Cantor suggests that his Roman plays can be profitably studied in the context of the classical republican tradition in political philosophy. In Shakespeare’s Rome, Cantor examines the political settings of Shakespeare’s Roman plays, Coriolanus and Antony and Cleopatra, with references as well to Julius Caesar. Cantor shows that Shakespeare presents a convincing portrait of Rome in different eras of its history, contrasting the austere republic of Coriolanus, with its narrow horizons and martial virtues, and the cosmopolitan empire of Antony and Cleopatra, with its “immortal longings” and sophistication bordering on decadence.
| Author | : Patrick Gray |
| Publisher | : Edinburgh University Press |
| Total Pages | : 321 |
| Release | : 2018-09-17 |
| Genre | : Literary Criticism |
| ISBN | : 1474427472 |
Explores Shakespeare's representation of the failure of democracy in ancient Rome This book introduces Shakespeare as a historian of ancient Rome alongside figures such as Sallust, Cicero, St Augustine, Machiavelli, Gibbon, Hegel and Nietzsche. It considers Shakespeare's place in the history of concepts of selfhood and reflects on his sympathy for Christianity, in light of his reception of medieval Biblical drama, as well as his allusions to the New Testament. Shakespeare's critique of Romanitas anticipates concerns about secularisation, individualism and liberalism shared by philosophers such as Hannah Arendt, Alasdair MacIntyre, Charles Taylor, Michael Sandel and Patrick Deneen.
| Author | : William Shakespeare |
| Publisher | : BoD - Books on Demand |
| Total Pages | : 127 |
| Release | : 2024-04-01 |
| Genre | : Poetry |
| ISBN | : |
"The Tragedy of Titus Andronicus" by William Shakespeare is a gripping and intense drama that explores themes of revenge, betrayal, and the destructive consequences of violence. Set in ancient Rome, the play follows the tragic downfall of the noble general Titus Andronicus and his family as they become embroiled in a cycle of vengeance and bloodshed. At the heart of the story is the brutal conflict between Titus Andronicus and Tamora, Queen of the Goths, whose sons are executed by Titus as retribution for their crimes. In retaliation, Tamora and her lover, Aaron the Moor, orchestrate a series of heinous acts of revenge against Titus and his family, plunging them into a spiral of madness and despair. As the body count rises and the atrocities escalate, Titus is consumed by grief and rage, leading to a climactic showdown that culminates in a shocking and tragic conclusion. Along the way, Shakespeare explores themes of honor, justice, and the nature of humanity, offering a searing indictment of the cycle of violence and the capacity for cruelty that lies within us all.
| Author | : Robert S. Miola |
| Publisher | : Cambridge University Press |
| Total Pages | : 264 |
| Release | : 2004-06-10 |
| Genre | : Drama |
| ISBN | : 9780521607018 |
This book studies Shakespeare's changing vision of Rome in the six works where the city serves as a setting. Unlike other scholars treatment, the subject Dr Miola offers a coherent analysis of all the major appearances of Rome in the Shakespeare canon. Shakespeare's recurrent and varied treatment of Rome suggests that a close examination of the city's transformations can teach us much about his development as a playwright and the development of his dramatic vision. The book focuses on Shakespeare's changing conception of the Roman city, its people, and its ideals. Dr Miola examines the symbolic and topographical features that help define the city.
| Author | : Domenico Lovascio |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 271 |
| Release | : 2020-04-06 |
| Genre | : History |
| ISBN | : 1501514059 |
Roman Women in Shakespeare and His Contemporaries explores the crucial role of Roman female characters in the plays of Shakespeare and his contemporaries. While much has been written on male characters in the Roman plays as well as on non-Roman women in early modern English drama, very little attention has been paid to the issues of what makes Roman women ‘Roman’ and what their role in those plays is beyond their supposed function as supporting characters for the male protagonists. Through the exploration of a broad array of works produced by such diverse playwrights as Samuel Brandon, William Shakespeare, Matthew Gwynne, Ben Jonson, John Fletcher, Philip Massinger, Thomas May, and Nathaniel Richards under three such different monarchs as Elizabeth I, James I, and Charles I, Roman Women in Shakespeare and His Contemporaries contributes to a more precise assessment of the practices through which female identities were discussed in literature in the specific context of Roman drama and a more nuanced understanding of the ways in which accounts of Roman women were appropriated, manipulated and recreated in early modern England.
| Author | : Thomas P. Harmon |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 241 |
| Release | : 2024-06-27 |
| Genre | : Religion |
| ISBN | : 0567712168 |
This work examines Augustine's critique of his Roman predecessors to reveal key aspects of Christ's mediation of the universal way of salvation. Porphyry of Tyre had noticed that Christianity can make a claim that pagan religion and pagan philosophy cannot: that all types of human being can be saved through the one salvific action of Christ mediated sacramentally through the one Catholic Church. Augustine's response to Porphyry is grounded firmly on Christology, especially on what Augustine sees to be the unique act of Christ as mediator, based in turn on Christ's unique position as true God and true man, which in turn is capable of healing the whole man and, by healing the whole man, also healing each of the parts of the soul. Christ himself, as concretely universal, is capable of saving each and any type of human being, no matter which part of the soul rules within him, Augustine counters, which is not a claim his pagan interlocutors can replicate. In addition to careful considerations of ancient authors like Plato, Cicero, Varro, and Porphyry, this book also ranges through Plutarch, Shakespeare, and contemporary political thinkers like Pierre Manent and Leo Strauss; scholars of religion such as Michael Bland Simmons, theologians such as Erik Peterson and Ernest L. Fortin, as well as well-known Augustine scholars such as James Wetzel, G.R. Evans, John Cavadini, Robert Dodaro, Mary Keys, Michael Foley, Rowan Williams, Oliver O'Donovan, John Rist, and many others.
| Author | : Hugh Macrae Richmond |
| Publisher | : A&C Black |
| Total Pages | : 590 |
| Release | : 2004-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780826477767 |
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
| Author | : Peter J. Leithart |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 218 |
| Release | : 2021-07-01 |
| Genre | : Literary Criticism |
| ISBN | : 1532638523 |
This book gives close attention to the poetry and plotting of six Shakespeare plays, three tragedies (Coriolanus, Richard III, and King Lear) and three comedies (Midsummer Night’s Dream, Twelfth Night, The Merchant of Venice), paying particular attention to biblical imagery and theological themes of the plays.
