The Struggle for Shakespeare's Text

The Struggle for Shakespeare's Text
Author: Gabriel Egan
Publisher: Cambridge University Press
Total Pages:
Release: 2010-10-21
Genre: Literary Criticism
ISBN: 1139493612

We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggle to remove errors. The New Bibliography of the early twentieth century, refined with technological enhancements in the 1950s and 1960s, taught generations of editors how to make sense of the early editions of Shakespeare and use them to make modern editions. This book is the first complete history of the ideas that gave this movement its intellectual authority, and of the challenges to that authority that emerged in the 1980s and 1990s. Working chronologically, Egan traces the struggle to wring from the early editions evidence of precisely what Shakespeare wrote. The story of another struggle, between competing interpretations of the evidence from early editions, is told in detail and the consequences for editorial practice are comprehensively surveyed, allowing readers to discover just what is at stake when scholars argue about how to edit Shakespeare.

Shakespeare's Library

Shakespeare's Library
Author: Stuart Kells
Publisher: Catapult
Total Pages: 337
Release: 2020-04-14
Genre: History
ISBN: 1640093826

A tantalizing true story of one of literature’s most enduring enigmas is at the heart of this “lively, even sprightly book” (Michael Dirda, The Washington Post)—the quest to find the personal library of the world’s greatest writer. Millions of words of scholarship have been expended on the world’s most famous author and his work. And yet a critical part of the puzzle, Shakespeare’s library, is a mystery. For four centuries people have searched for it: in mansions, palaces and libraries; in riverbeds, sheep pens and partridge coops; and in the corridors of the mind. Yet no trace of the bard’s manuscripts, books or letters has ever been found. The search for Shakespeare’s library is much more than a treasure hunt. Knowing what the Bard read informs our reading of his work, and it offers insight into the mythos of Shakespeare and the debate around authorship. The library’s fate has profound implications for literature, for national and cultural identity, and for the global Shakespeare industry. It bears on fundamental principles of art, identity, history, meaning and truth. Unfolding the search like the mystery story that it is, acclaimed author Stuart Kells follows the trail of the hunters, taking us through different conceptions of the library and of the man himself. Entertaining and enlightening, Shakespeare’s Library is a captivating exploration of one of literature’s most enduring enigmas. "An engaging and provocative contribution to the unending world of Shakespeariana . . . An enchanting work that bibliophiles will savor and Shakespeare fans adore." ―Kirkus Reviews

Annual Magazine Subject-index

Annual Magazine Subject-index
Author: Frederick Winthrop Faxon
Publisher:
Total Pages: 616
Release: 1922
Genre: Drama
ISBN:

The Dramatic index for 1912-16, 1919-49 accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly). This bibliography was incorporated in the main list in 1917-18.

The Magazine Subject-index

The Magazine Subject-index
Author:
Publisher:
Total Pages: 686
Release: 1925
Genre: American periodicals
ISBN:

Contains the cumulation of the subject index issued in the quarterly numbers of the Bulletin of bibliography and magazine subject-index.

English Studies

English Studies
Author: Reinard Willem Zandvoort
Publisher:
Total Pages: 204
Release: 1920
Genre: English literature
ISBN:

The First Two Quartos of Hamlet

The First Two Quartos of Hamlet
Author: Margrethe Jolly
Publisher: McFarland
Total Pages: 257
Release: 2014-08-08
Genre: Literary Criticism
ISBN: 078647887X

It is nearly two centuries since the first quarto of Hamlet was rediscovered, yet there is still no consensus about its relationship to the second quarto. Indeed, the first quarto, the least frequently read Hamlet, has been dismissed as "corrupt," "inferior" or like "a mutilated corpse," even though in performance it has been described as "the absolute dynamo behind the play." Currently one hypothesis dominates explanations about the quartos' interrelationship, supposing that the first quarto (published 1603) was reconstructed from memory by one or more actors who had performed minor roles in a version of the second quarto (published 1604-5). The present study reports on a detailed linguistic reassessment of the principal arguments for memorial reconstruction. The evidence--including a three way comparison between the underlying French source in Les Histoires Tragiques and the two quartos, and the informal features and specific grammatical aspects, and a documented memorial reconstruction in 1779--does not support the dominant hypothesis. The cumulative evidence suggests that the earliest scholars to examine the first quarto were right: the 1603 Hamlet came first, and the second quarto is a substantial, later revision.