Shakespeares Entrails
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Author | : D. Hillman |
Publisher | : Springer |
Total Pages | : 276 |
Release | : 2006-12-14 |
Genre | : Literary Criticism |
ISBN | : 0230285929 |
Shakespeare's Entrails explores the connections between embodiment, knowledge and acknowledgement in Shakespeare's plays. Hillman sets out a theory of the emergence of modern subjectivity in the context of a world that was increasingly coming to see the human body as a closed system.
Author | : L. Starks-Estes |
Publisher | : Springer |
Total Pages | : 242 |
Release | : 2014-07-08 |
Genre | : Literary Criticism |
ISBN | : 1137349921 |
Employing psychoanalysis, trauma theory, and materialist perspectives, this book examines Shakespeare's appropriations of Ovid's poetry in his Roman poems and plays. It argues that Shakespeare uses Ovid to explore violence, trauma, and virtus - the traumatic effects of aggression, sadomasochism, and the shifting notions of selfhood and masculinity.
Author | : Susan Zimmerman |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 321 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 0838642535 |
Shakespeare Studies is an international volume published every year in hard cover that contains essays and studies by scholars and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its sociopolitical history, and its place in the emerging globalism of the period. The journal also includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern culture. This issue features another Forum, entitled "The Universities and the Theater." Organized and introduced by John H. Astington, the Forum includes commentary considering the relationship between theater in the universities and the Renaissance public stage. Volume XXXVII also features articles on the Fortune contract, and Titus Andronicus and the New World, as well as a review article on women and the early modern stage. There are nineteen reviews in this volume on such varying topics as angels in the early modern world, Shakespeare and the nature of love, and Shakespeare in French theory. Susan Zimmerman is Professor of English at Queens College, City University of New York. Garrett Sullivan is Professor of English at Pennsylvania State University.
Author | : David B. Goldstein |
Publisher | : Cambridge University Press |
Total Pages | : 295 |
Release | : 2013-11-07 |
Genre | : Literary Criticism |
ISBN | : 1107039061 |
Goldstein presents a lively analysis of Shakespeare, Milton, religious writers and recipe book authors from the perspective of communal eating.
Author | : Henry Halford Vaughan |
Publisher | : |
Total Pages | : 650 |
Release | : 1878 |
Genre | : English drama(Tragedy) |
ISBN | : |
Author | : Peter Holland |
Publisher | : Cambridge University Press |
Total Pages | : 1300 |
Release | : 2009-10-22 |
Genre | : Literary Criticism |
ISBN | : 131613900X |
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies, and of the year's major British performances. The theme for volume 62 is 'Close Encounters with Shakespeare's Text'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully-searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.
Author | : Kevin J. Wetmore Jr. |
Publisher | : Springer |
Total Pages | : 214 |
Release | : 2015-05-07 |
Genre | : Literary Criticism |
ISBN | : 1137380020 |
Shakespearean Echoes assembles a global cast of established and emerging scholars to explore new connections between Shakespeare and contemporary culture, reflecting the complexities and conflicts of Shakespeare's current international afterlife.
Author | : Catherine Loomis |
Publisher | : Rowman & Littlefield |
Total Pages | : 323 |
Release | : 2015-10-29 |
Genre | : Literary Criticism |
ISBN | : 1611477859 |
Shaping Shakespeare for Performance: The Bear Stage collects significant work from the 2013 Blackfriars Conference. The conference, sponsored by the American Shakespeare Center, brings together scholars, actors, directors, dramaturges, and students to share important new work on the staging practices used by William Shakespeare and his contemporaries. The volume’s contributors range from renowned scholars and editors to acclaimed directors, highly-trained actors, and budding researchers. The topics cover a similarly wide range: a close reading of an often-cut scene from Henry V meets an account of staging pregnancy; a meticulous review of early modern contract law collides with an analysis of an actor in a bear costume; an account of printed punctuation from the 1600s encounters a study of audience interaction and empowerment in King Lear; the identification of candid doubling in A Comedy of Errors meets the troubling of gender categories in The Roaring Girl. The essays focus on the practical applications of theory, scholarship, and editing to performance of early modern plays.
Author | : Tzachi Zamir |
Publisher | : Oxford University Press |
Total Pages | : 297 |
Release | : 2018 |
Genre | : Drama |
ISBN | : 0190698519 |
Does philosophy gain or lose when it is embedded within literature or embodied by drama? Does literary criticism gain or lose when it turns to literary works as occasions for abstract reflection? Leading literary scholars and philosophers interrogate philosophical dimensions of Shakespeare's Hamlet with these urgent questions in view. Scholars probe Hamlet's own insights, assess the significance of philosophy's literary-dramatic framing by this play, and trace the philosophically-relevant underpinnings revealed by historical transformations in Hamlet's reception. They focus on the play's thematizations of subjectivity, knowledge, sex, grief, self-theatricalization. Examining Shakespeare's play from a philosophical standpoint sharpens the questions the play itself so famously poses: What counts as a proper response to injustice upon realizing that whatever one does, there can be no undoing of the initial wrong? What do our commitments to the dead amount to? How to persist in infusing significance into action while grasping the degradation of death and our own replaceability? Scholars at the forefront of their fields tackle these and other questions from a wide range of viewpoints, illuminating the central concerns of one of Shakespeare's masterpieces.
Author | : Vivian Thomas |
Publisher | : Bloomsbury Publishing |
Total Pages | : 416 |
Release | : 2015-03-26 |
Genre | : Literary Criticism |
ISBN | : 1474216080 |
Shakespeare's plays are pervaded by political and economic words and concepts, not only in the histories and tragedies but also in the comedies and romances. The lexicon of political and economic language in Shakespeare does not consist merely of arcane terms whose shifting meanings require exposition, but includes an enormous number of relatively simple words which possess a structural significance in the configuration of meanings. Often operating by such means as puns, they open up a surprising number of possibilities. The dictionary reveals the conceptual nucleus of each term and explores the contexts in which it is embedded. The overlap between the political and economic dimensions of a word in Shakespeare's drama is particularly exciting as he is highly attuned to the interactions of these two spheres of human activity and their centrality in human affairs.