Shakespeares Comedy Of Love
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Author | : Alexander Leggatt |
Publisher | : Psychology Press |
Total Pages | : 296 |
Release | : 2005 |
Genre | : Drama |
ISBN | : 9780415352680 |
This study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety.
Author | : Richard Paul Knowles |
Publisher | : University of Toronto Press |
Total Pages | : 345 |
Release | : 2008-01-01 |
Genre | : Literary Criticism |
ISBN | : 0802039537 |
Shakespeare's Comedies of Love is a tribute to Alexander Leggatt, a critic who has shaped the way the world understands Shakespeare and his comedies.
Author | : Alexander Leggatt |
Publisher | : Cambridge University Press |
Total Pages | : 260 |
Release | : 2002 |
Genre | : Drama |
ISBN | : 9780521779425 |
An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 86 |
Release | : 1898 |
Genre | : |
ISBN | : |
Author | : Alexander Leggatt |
Publisher | : Routledge |
Total Pages | : 289 |
Release | : 2013-10-11 |
Genre | : Literary Criticism |
ISBN | : 1136556494 |
First published in 1987. This study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety - the way in which each play is a new combination of essentially similar ingredients, so that, for example, the boy/girl changes in The Merchant of Venice are seen to have a quite different significance from those in As You Like It.
Author | : Northrop Frye |
Publisher | : Columbia University Press |
Total Pages | : 190 |
Release | : 1965 |
Genre | : Drama |
ISBN | : 9780231082716 |
Describes the geography, plants and animals, history, economy, language, religions, culture, and people of the People's Republic of China, home of one of the world's oldest continuous civilizations.
Author | : Anthony J. Lewis |
Publisher | : University Press of Kentucky |
Total Pages | : 252 |
Release | : 2014-10-17 |
Genre | : Drama |
ISBN | : 0813156432 |
In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.
Author | : Ruth Nevo |
Publisher | : Psychology Press |
Total Pages | : 264 |
Release | : 2005 |
Genre | : Drama |
ISBN | : 9780415352703 |
In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed.
Author | : Penny Gay |
Publisher | : Cambridge University Press |
Total Pages | : 197 |
Release | : 2008-04-07 |
Genre | : Literary Criticism |
ISBN | : 1139469770 |
Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.
Author | : William Shakespeare |
Publisher | : Bantam Classics |
Total Pages | : 736 |
Release | : 2009-08-26 |
Genre | : Drama |
ISBN | : 0307420590 |
The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography