Shakespeares Borrowed Feathers
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Author | : Darren Freebury-Jones |
Publisher | : Manchester University Press |
Total Pages | : 220 |
Release | : 2024-10-08 |
Genre | : Literary Criticism |
ISBN | : 1526177315 |
A fascinating book exploring the early modern authors who helped to shape Shakespeare’s beloved plays. Shakespeare’s plays have influenced generations of writers, but who were the early modern playwrights who influenced him? Using the latest techniques in textual analysis Shakespeare's borrowed feathers offers a fresh look at William Shakespeare and reveals the influence of a community of playwrights that shaped his work. This compelling book argues that we need to see early modern drama as a communal enterprise, with playwrights borrowing from and adapting one another's work. From John Lyly's wit to the collaborative genius of John Fletcher, to Christopher Marlowe and Ben Jonson, Shakespeare's borrowed feathers offers fresh insights into Shakespeare’s artistic development and shows us new ways of looking at the masterpieces that have enchanted audiences for centuries.
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Total Pages | : 412 |
Release | : 1899 |
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Total Pages | : 592 |
Release | : 1879 |
Genre | : American literature |
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Author | : Parker Woodward |
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Total Pages | : 368 |
Release | : 1909 |
Genre | : English literature |
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Author | : Giancarlo Frosio |
Publisher | : Edward Elgar Publishing |
Total Pages | : 480 |
Release | : |
Genre | : Copyright |
ISBN | : 1788114183 |
Reconciling Copyright with Cumulative Creativity: The Third Paradigm examines the long history of creativity, from cave art to digital remix, in order to demonstrate a consistent disparity between the traditional cumulative mechanics of creativity and modern copyright policies. Giancarlo Frosio calls for the return of creativity to an inclusive process, so that the first (pre-modern imitative and collaborative model) and second (post-Romantic copyright model) creative paradigms can be reconciled into an emerging third paradigm which would be seen as a networked peer and user-based collaborative model.
Author | : R. W. Dent |
Publisher | : Univ of California Press |
Total Pages | : 318 |
Release | : 2023-07-28 |
Genre | : Drama |
ISBN | : 0520320972 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.
Author | : John Dover Wilson |
Publisher | : CUP Archive |
Total Pages | : 292 |
Release | : 1960 |
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Author | : Nathaniel Holmes |
Publisher | : |
Total Pages | : 730 |
Release | : 1875 |
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Author | : Nathaniel HOLMES (of St. Louis.) |
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Total Pages | : 640 |
Release | : 1866 |
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Author | : Willy Maley |
Publisher | : Routledge |
Total Pages | : 288 |
Release | : 2016-04-01 |
Genre | : Literary Criticism |
ISBN | : 1317056280 |
Shakespeare and Wales offers a 'Welsh correction' to a long-standing deficiency. It explores the place of Wales in Shakespeare's drama and in Shakespeare criticism, covering ground from the absorption of Wales into the Tudor state in 1536 to Shakespeare on the Welsh stage in the twenty-first century. Shakespeare's major Welsh characters, Fluellen and Glendower, feature prominently, but the Welsh dimension of the histories as a whole, The Merry Wives of Windsor, and Cymbeline also come in for examination. The volume also explores the place of Welsh-identified contemporaries of Shakespeare such as Thomas Churchyard and John Dee, and English writers with pronounced Welsh interests such as Spenser, Drayton and Dekker. This volume brings together experts in the field from both sides of the Atlantic, including leading practitioners of British Studies, in order to establish a detailed historical context that illustrates the range and richness of Shakespeare's Welsh sources and resources, and confirms the degree to which Shakespeare continues to impact upon Welsh culture and identity even as the process of devolution in Wales serves to shake the foundations of Shakespeare's status as an unproblematic English or British dramatist.