Shakespeares Biblical Knowledge And Use Of The Book Of Common Prayer As Exemplified In The Plays Of The First Folio
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Author | : Hannibal Hamlin |
Publisher | : |
Total Pages | : 397 |
Release | : 2013-08-29 |
Genre | : Drama |
ISBN | : 0199677611 |
The Bible in Shakespeare is a critical study of the links between the two great pillars of English culture, the Bible and the works of Shakespeare.
Author | : M. Fike |
Publisher | : Springer |
Total Pages | : 206 |
Release | : 2009-02-02 |
Genre | : Literary Criticism |
ISBN | : 0230618553 |
Employing the analytical psychology of Carl Jung, Matthew A. Fike provides a fresh understanding of individuation in Shakespeare. This study of "the visionary mode" - Jung s term for literature that comes through the artist from the collective unconscious - combines a strong grounding in Jungian terminology and theory with myth criticism, biblical literary criticism, and postcolonial theory. Fike draws extensively on the rich discussions in the Collected Works of C. G. Jung to illuminate selected plays such as A Midsummer Night s Dream, The Merchant of Venice, The Henriad, Othello, and Hamlet in new and surprising ways. Fike s clear and thorough approach to Shakespeare offers exciting, original scholarship that will appeal to students and scholars alike.
Author | : William Shakespeare |
Publisher | : OUP Oxford |
Total Pages | : 1423 |
Release | : 2005-04-21 |
Genre | : Drama |
ISBN | : 0191608394 |
The second Oxford edition of Shakespeare's Complete Works reconsiders every detail of their text and presentation in the light of modern scholarship. The nature and authority of the early documents are re-examined, and the canon and chronological order of composition freshly established. Spelling and punctuation are modernized, and there is a brief introduction to each work, as well as an illuminating and informative General Introduction. Included here for the first time is the play The Reign of King Edward the Third as well as the full text of Sir Thomas More. This new edition also features an essay on Shakespeare's language by David Crystal, and a bibliography of foundational works.
Author | : Stuart Gillespie |
Publisher | : Bloomsbury Publishing |
Total Pages | : 433 |
Release | : 2016-02-25 |
Genre | : Literary Criticism |
ISBN | : 1474216064 |
Shakespeare's Books contains nearly 200 entries covering the full range of literature Shakespeare was acquainted with, including classical, historical, religious and contemporary works. The dictionary covers works whose importance to Shakespeare has emerged more clearly in recent years due to new research, as well as explaining current thinking on long-recognized sources such as Plutarch, Ovid, Holinshed, Ariosto and Montaigne. Entries for all major sources include surveys of the writer's place in Shakespeare's time, detailed discussion of their relation to his work, and full bibliography. These are enhanced by sample passages from early modern England writers, together with reproductions of pages from the original texts. Now available in paperback with a new preface bringing the book up to date, this is an invaluable reference tool.
Author | : Stephen T. Sohmer |
Publisher | : Manchester University Press |
Total Pages | : 308 |
Release | : 1999 |
Genre | : Drama |
ISBN | : 9780719055669 |
Through considerable detective work, this work sets out to show that Julius Caeser was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on Julius Caeser but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caeser; why the Elizabethan authorities retained the Julian calender; and why the orthodox dates of the first composition of both Twelfth Night and Hamlet can be called into question.
Author | : Edward Evans |
Publisher | : Taylor & Francis |
Total Pages | : 172 |
Release | : 2024-09-26 |
Genre | : Literary Criticism |
ISBN | : 104012822X |
Clear mirrors and The Geneva Bible, revolutionary innovations of the Elizabethan age, inspired Shakespeare’s drive towards a new purpose for drama. Shakespeare reversed the conventional mirror metaphor for drama, implying drama cannot reflect the substance of human nature, and developed a method of characterization, through metadrama, self-awareness and soliloquy, to project St. Paul’s idea of conscience onto the Elizabethan stage. This revolutionary method of characterization, aesthetic existence beyond performance, has long been sensed but remains frustratingly uncategorized. Shakespeare’s Mirrors charts the invention of a drama that staged the unstageable: St. Paul’s metaphysical conception of human nature glimpsed through a looking glass darkly.
Author | : J.R. Mulryne |
Publisher | : Routledge |
Total Pages | : 332 |
Release | : 2016-04-01 |
Genre | : Literary Criticism |
ISBN | : 131705623X |
A remarkable resurgence of interest has taken place over recent years in a biographical approach to the work of early modern poets and dramatists, in particular to the plays and poems of Shakespeare, Marlowe and Jonson. The contributors to this volume approach the topic in a manner that is at once critically and historically alert. They acknowledge that the biographical evidence for all three authors is limited, thus throwing the emphasis acutely on interpretation. In addition to new scholarship, the essays are valuable for their awareness of the challenges posed by recent redirections of critical methodology. Scepticism and self-criticism are marked features of the writing gathered here.
Author | : David V. Urban |
Publisher | : MDPI |
Total Pages | : 234 |
Release | : 2020-12-10 |
Genre | : Social Science |
ISBN | : 3039281941 |
Offering a wide range of scholarly perspectives, Religions in Shakespeare’s Writings explores Shakespeare’s depictions, throughout his canon, of various religions and matters related to them. This collection’s fifteen essays explore matters pertaining to Catholic, Anglican, and Puritan Christianity, the Albigensian heresy of the high middle ages, Islam, Judaism, Roman religion, different manifestations of religious paganism, and even the “religion of Shakespeare” practiced by Shakespeare’s nineteenth-century admirers. These essays analyze how Shakespeare depicts both tensions between religions and the syntheses of different religious expressions on topics as diverse as Shakespeare’s varied portrayals of the afterlife, religious experience in Measure for Measure, and Black natural law and The Tempest. This collection also explores the political ramifications of religion within Shakespeare’s works, as well as Shakespeare’s multifaceted uses of the Bible. Additionally, while this collection does not present a Shakespeare whose particular religious beliefs can definitely be known or are displayed uniformly throughout his canon, various essays consider to what extent Shakespeare’s individual works demonstrate a Christian foundation. Contributors include John D. Cox, Cyndia Susan Clegg, Grace Tiffany, Matthew J. Smith, Bethany C. Besteman, Sarah Skwire, Feisal Mohamed, Benedict J. Whalen, Benjamin Lockerd, Bryan Adams Hampton, Debra Johanyak, John E. Curran, Emily E. Stelzer, David V. Urban, and Julia Reinhard Lupton.
Author | : James G. McManaway |
Publisher | : Associated University Presses |
Total Pages | : 340 |
Release | : 1978-07 |
Genre | : Literary Criticism |
ISBN | : 9780918016034 |
This bibliography provides easy access to the most important Shakespeare studies in the past four decades. Brief annotations, a detailed table of contents, cross-references, and a complete index make this bibliography especially useful.
Author | : Victoria Brownlee |
Publisher | : Oxford University Press |
Total Pages | : 334 |
Release | : 2018-03-30 |
Genre | : Literary Criticism |
ISBN | : 0192540572 |
The Bible had a profound impact on early modern culture, and bible-reading shaped the period's drama, poetry, and life-writings, as well as sermons and biblical commentaries. This volume provides an account of the how the Bible was read and applied in early modern England. It maps the connection between these readings and various forms of writing and argues that literary writings bear the hallmarks of the period's dominant exegetical practices, and do interpretative work. Tracing the impact of biblical reading across a range of genres and writers, the discussion demonstrates that literary reimaginings of, and allusions to, the Bible were common, varied, and ideologically evocative. The book explores how a series of popularly interpreted biblical narratives were recapitulated in the work of a diverse selection of writers, some of whom remain relatively unknown. In early modern England, the figures of Solomon, Job, and Christ's mother, Mary, and the books of Song of Songs and Revelation, are enmeshed in different ways with contemporary concerns, and their usage illustrates how the Bible's narratives could be turned to a fascinating array of debates. In showing the multifarious contexts in which biblical narratives were deployed, this book argues that Protestant interpretative practices contribute to, and problematize, literary constructions of a range of theological, political, and social debates.