Shakespeare Without Women
| Author | : Dympna Callaghan |
| Publisher | : Routledge |
| Total Pages | : 234 |
| Release | : 2002-09-11 |
| Genre | : Literary Collections |
| ISBN | : 1134633114 |
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Shakespeare Without Women
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Women in the Age of Shakespeare
| Author | : Theresa D. Kemp |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 429 |
| Release | : 2009-12-14 |
| Genre | : Literary Criticism |
| ISBN | : |
This book offers a look at the lives of Elizabethan era women in the context of the great female characters in the works of William Shakespeare. Like the other entries in this fascinating series, Women in the Age of Shakespeare shows the influence of the world William Shakespeare lived in on the worlds he created for the stage, this time by focusing on women in the Elizabethan and Jacobean eras in general and in Shakespeare's works in particular. Women in the Age of Shakespeare explores the ancient and medieval ideas that Shakespeare drew upon in creating his great comedic and tragic heroines. It then looks at how these ideas intersected with the lived experiences of women of Shakespeare's time, followed by a close look at the major female characters in Shakespeare's plays and poems. Later chapters consider how these characters have been enacted on stage and in film, interpreted by critics and scholars, and re-imagined by writers in our own time.
Women of Will
| Author | : Tina Packer |
| Publisher | : Vintage |
| Total Pages | : 354 |
| Release | : 2016-03-08 |
| Genre | : Literary Criticism |
| ISBN | : 0307745341 |
Women of Will is a fierce and funny exploration of Shakespeare’s understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare’s women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare’s characters demonstrate that when women and men are equal in status and passion, they can—and do—change the world.
A Feminist Companion to Shakespeare
| Author | : Dympna Callaghan |
| Publisher | : John Wiley & Sons |
| Total Pages | : 581 |
| Release | : 2016-05-23 |
| Genre | : Literary Criticism |
| ISBN | : 1118501268 |
The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
Women and Revenge in Shakespeare
| Author | : Marguerite A. Tassi |
| Publisher | : Susquehanna University Press |
| Total Pages | : 345 |
| Release | : 2011 |
| Genre | : Drama |
| ISBN | : 1575911310 |
Can there be a virtue in vengeance? Can revenge do ethical work? Can revenge be the obligation of women? This wide-ranging literary study looks at Shakespeare's women and finds bold answers to questions such as these. A surprising number of Shakespeare's female characters respond to moral outrages by expressing a strong desire for vengeance. This book's analysis of these characters and their circumstances offers incisive critical perceptions of feminine anger, ethics, and agency and challenges our assumptions about the role of gender in revenge. In this provocative book, Marguerite A. Tassi counters longstanding critical opinions on revenge: that it is the sole province of men in Western literature and culture, that it is a barbaric, morally depraved, irrational instinct, and that it is antithetical to justice. Countless examples have been mined from Shakespeare's dramas to reveal women's profound concerns with revenge and justice, honor and shame, crime and punishment. In placing the critical focus on avenging women, this book significantly redresses a gender imbalance in scholarly treatments of revenge, particularly in early modern literature.
Shakespeare's ‘Lady Editors'
| Author | : Molly G. Yarn |
| Publisher | : Cambridge University Press |
| Total Pages | : 353 |
| Release | : 2021-12-09 |
| Genre | : Drama |
| ISBN | : 1316518353 |
This bold and compelling revisionist history tells the remarkable story of the forgotten lives and labours of Shakespeare's women editors.
Shakespeare's Dark Lady
| Author | : John Hudson |
| Publisher | : Amberley Publishing Limited |
| Total Pages | : 481 |
| Release | : 2014-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 1445621665 |
Amelia Bassano Lanier is proved to be a strong candidate for authorship of Shakespeare's plays: Hudson looks at the fascinating life of this woman, believed by many to be the dark lady of the sonnets, and presents the case that she may have written Shakespeare's plays.
Shakespeare Studies
| Author | : Leeds Barroll |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 292 |
| Release | : 2001-10 |
| Genre | : Literary Criticism |
| ISBN | : 9780838639221 |
Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres.
Shakespeare and Feminist Performance
| Author | : Sarah Werner |
| Publisher | : Routledge |
| Total Pages | : 146 |
| Release | : 2005-07-08 |
| Genre | : Literary Criticism |
| ISBN | : 1134588038 |
How do performances of Shakespeare change the meanings of the plays? In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest. Werner concentrates particularly on: The influential training methods of Cicely Berry and Patsy Rodenburg The history of the RSC Women's Group Gale Edwards' production of The Taming of the Shrew She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions. By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.
Shakespeare Without Boundaries
| Author | : Dieter Mehl |
| Publisher | : Government Institutes |
| Total Pages | : 395 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 161149026X |
Shakespeare without Boundaries: Essays in Honor of Dieter Mehl offers a wide-ranging collection of essays written by an international team of distinguished scholars who attempt to define, to challenge, and to erode boundaries that currently inhibitunderstanding of Shakespeare, and to exemplify how approaches that defy traditional bounds of study and criticism may enhance understanding and enjoyment of a dramatist who acknowledged no boundaries in art. The Volume is published in tribute to Professor Dieter Mehl, whose critical and scholarly work on authors from Chaucer through Shakespeare to D. H. Lawrence has transcended temporal and national boundaries in its range and scope, and who, as Ann Jennalie Cook writes, has contributed significantly tothe erasure of political boundaries that have endangered the unity of German literary scholarship and, more broadly, through his work for the International Shakespeare Association, to the globalization of Shakespeare studies.
