Shakespeare Reproduced
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| Author | : Jean E Howard |
| Publisher | : Routledge |
| Total Pages | : 312 |
| Release | : 2013-09-13 |
| Genre | : Literary Criticism |
| ISBN | : 1136566643 |
First published in 1987. The essays in Shakespeare Reproduced offer a political critique of Shakespeare's writings and the uses to which those writings are put Some of the essays focus on Shakespeare in his own time and consider how his plays can be seen to reproduce or subvert the cultural orthodoxies and the power relations of the late Renaissance. Others examine the forces which have produced an overtly political criticism of Shakespeare and of his use in culture. Contributors include: Jean E Howard and Marion O'Connor, Walter Cohen, Don E Wayne, Thomas Cartelli, Peter Erickson, Karen Newman, Thomas Moisan, Michael D Bristol, Thomas Sorge, Jonathan Goldberg, Robert Weimann, Margaret Ferguson.
| Author | : Jean E Howard |
| Publisher | : Routledge |
| Total Pages | : 301 |
| Release | : 2013-09-13 |
| Genre | : Literary Criticism |
| ISBN | : 1136566570 |
First published in 1987. The essays in Shakespeare Reproduced offer a political critique of Shakespeare's writings and the uses to which those writings are put Some of the essays focus on Shakespeare in his own time and consider how his plays can be seen to reproduce or subvert the cultural orthodoxies and the power relations of the late Renaissance. Others examine the forces which have produced an overtly political criticism of Shakespeare and of his use in culture. Contributors include: Jean E Howard and Marion O'Connor, Walter Cohen, Don E Wayne, Thomas Cartelli, Peter Erickson, Karen Newman, Thomas Moisan, Michael D Bristol, Thomas Sorge, Jonathan Goldberg, Robert Weimann, Margaret Ferguson.
| Author | : Margreta De Grazia |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1991 |
| Genre | : Literary Criticism |
| ISBN | : 9780198117780 |
Shakespeare Verbatim challenges traditional Shakespeare scholarship through a study of its textual primacy in the late eighteenth century. The book's examination of earlier treatments demonstrates that concepts now basic to Shakespeare studies were once largely irrelevant. Only with EdmondMalone's 1790 Shakespeare edition do such criteria as authenticity, historical periodization, factual biography, chronological development, and in-depth readings become dominant. However, their emergence then must not be seen as the overdue installation of proper scholarly and literary procedures,but rather as a specific historical response to the problem the Shakespeare corpus has posed since its definition by the 1623 Folio. The remarkable efficacy of Malone's apparatus over the past two hundred years testifies not to its `truth', but rather to its endorsement of a continuing Enlightenmentepistemology irreconcilable with the past linguistic and mechanical practices it purports accurately to reproduce. This challenging book has both practical and theoretical implications for Shakespeare studies in the 1990s and beyond.
| Author | : William Shakespeare |
| Publisher | : Oxford University Press |
| Total Pages | : |
| Release | : 2016-10-27 |
| Genre | : Literary Criticism |
| ISBN | : 0192517589 |
The Complete Works: Modern Critical Edition is part of the landmark New Oxford Shakespeare—an entirely new consideration of all of Shakespeare's works, edited afresh from all the surviving original versions of his work, and drawing on the latest literary, textual, and theatrical scholarship. In one attractive volume, the Modern Critical Edition gives today's students and playgoers the very best resources they need to understand and enjoy all Shakespeare's works. The authoritative text is accompanied by extensive explanatory and performance notes, and innovative introductory materials which lead the reader into exploring questions about interpretation, textual variants, literary criticism, and performance, for themselves. The Modern Critical Edition presents the plays and poetry in the order in which Shakespeare wrote them, so that readers can follow the development of his imagination, his engagement with a rapidly evolving culture and theatre, and his relationship to his literary contemporaries. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
| Author | : William Shakespeare |
| Publisher | : Oxford University Press |
| Total Pages | : 3393 |
| Release | : 2016 |
| Genre | : English drama |
| ISBN | : 0199591156 |
The Complete Works: Modern Critical Edition is part of the landmark New Oxford Shakespeare--an entirely new consideration of all of Shakespeare's works, edited afresh from all the surviving original versions of his work, and drawing on the latest literary, textual, and theatrical scholarship.This single illustrated volume is expertly edited to frame the surviving original versions of Shakespeare's plays, poems, and early musical scores around the latest literary, textual, and theatrical scholarship to date.
| Author | : David M. Bergeron |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 1995 |
| Genre | : Reference |
| ISBN | : |
Confronted with the formidable and at times daunting mass of materials on Shakespeare, where does the beginning student - or even a seasoned one - turn for guidance? Answering that question remains the central aim of this guide.
| Author | : James R. Siemon |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 317 |
| Release | : 2012-10-31 |
| Genre | : Literary Criticism |
| ISBN | : 0838643981 |
| Author | : Matthew Zarnowiecki |
| Publisher | : University of Toronto Press |
| Total Pages | : 248 |
| Release | : 2014-01-01 |
| Genre | : History |
| ISBN | : 1442647183 |
In the latter half of the sixteenth century, English poets and printers experimented widely with a new literary format, the printed collection of lyric poetry. They not only investigated the possibilities of working with a new medium, but also wrote metaphors of human reproduction directly into their works. In Fair Copies, Matthew Zarnowiecki argues that poetic production was re-envisioned during this period, which was rife with models of copying and imitation, to include reproduction as one of its inherent attributes. Tracing the development of the English lyric during this crucial period, Fair Copies incorporates a diverse range of cultural productions and reproductions from key poetic texts by Shakespeare, Sidney, Spenser, Gascoigne, and Tottel to legal breviaries, visual representations of song, midwives' manuals, and commonplace books. Also included are fifteen facsimile reproductions of poems in early printed books, with explanations and discussions of their importance. Calling upon these diverse sources, and examining lyric poems in their earliest manuscript and printed contexts, Zarnowiecki develops a new, reproductively centred method of reading early modern English lyric poetry.
| Author | : William Shakespeare |
| Publisher | : |
| Total Pages | : 926 |
| Release | : 1910 |
| Genre | : |
| ISBN | : |
| Author | : P. Holland |
| Publisher | : Springer |
| Total Pages | : 278 |
| Release | : 2006-01-26 |
| Genre | : Performing Arts |
| ISBN | : 0230584543 |
What can the printed texts of plays from Shakespeare's time say about performance? How have printed plays been read and interpreted? This collection of essays considers the evidence of early modern printed plays and their histories of production and reception, examining a wide variety of cases, from early performance to the psychology of Hamlet.
