Shakespeare in Harlem
Author | : Langston Hughes |
Publisher | : |
Total Pages | : 152 |
Release | : 1942 |
Genre | : African American poetry |
ISBN | : |
A book of light verse.
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Author | : Langston Hughes |
Publisher | : |
Total Pages | : 152 |
Release | : 1942 |
Genre | : African American poetry |
ISBN | : |
A book of light verse.
Author | : Henry L. Gates |
Publisher | : Harper Perennial |
Total Pages | : 272 |
Release | : 2000-02-11 |
Genre | : Literary Criticism |
ISBN | : 9781567430295 |
James Langston Hughes (1902 -- 1967) With a career that spanned the Harlem Renaissance of the twenties and Black Arts movement of the sixties, Langston Hughes was the most prolific Black poet of his era. Between 1926, when he published his pioneering The Weary Blues, to 1967, the year of his death, when he published The Panther and the Lash, Hughes would write sixteen books of poems, two novels, seven collections of short stories, two autobiographies, five works of nonfiction, and nine children's books; he would edit nine anthologies of poetry, folklore, short fiction, and humor. He also translated Jaques Roumain, Nicolás Guillén, Gabriela Mistral, Federico Garcia Lorca, and write at least thirty plays. It is not surprising that Hughes was known, variously, as "Shakespeare in Harlem" and as the "poet laureate of the American Negro." -- from the Preface by Henry Louis Gates, Jr.
Author | : Steven Carl Tracy |
Publisher | : University of Illinois Press |
Total Pages | : 325 |
Release | : 2001 |
Genre | : AFRICAN AMERICANS--FOLKLORE. |
ISBN | : 9780252069857 |
"Drawing on a deep understanding of the shades and structures of the blues, Steven C. Tracy elucidates the vital relationship between this musical form and the art of Langston Hughes, preeminent poet of the Harlem Renaissance. Tracy provides a cultural context for the poet's work and shows how Hughes mined African-American oral and literary traditions to create his blues-inspired poetry. Through a detailed comparison of Hughes's poems to blues texts, Tracy demonstrates how the poetics, structures, rhythms, and musical techniques of the blues are reflected in Hughes's experimental forms. The volume also includes a discography of recordings by the blues artists--Bessie Smith, Ma Rainey, Blind Lemon Jefferson, and others-who most influenced Hughes, updated in a new introduction by the author."
Author | : Djanet Sears |
Publisher | : |
Total Pages | : 117 |
Release | : 1997 |
Genre | : African Americans |
ISBN | : 9781927922675 |
Set in Harlem in the 1860s, 1928 and the 1990s, this prelude to Shakespeare's Othello tells the story of Othello's relationship with his first wife.
Author | : Nekesa Afia |
Publisher | : Penguin |
Total Pages | : 305 |
Release | : 2022-06-28 |
Genre | : Fiction |
ISBN | : 059319912X |
Named a 2022 People Magazine best book of the summer! A riveting Harlem Renaissance Mystery featuring Louise Lloyd, a young Black woman working in a hot new speakeasy when she gets caught up in a murder that hits too close to home... Harlem, 1927. Twenty-seven-year-old Louise Lloyd has found the perfect job! She is the new manager of the Dove, a club owned by her close friend Rafael Moreno. There Louise meets Nora Davies, one of the girls she was kidnapped with a decade ago. The two women—along with Rafael and his sister, Louise’s girlfriend, Rosa Maria—spend the night at the Dove, drinking and talking. The next morning, Rosa Maria wakes up covered in blood, with no memory of the previous night. Nora is lying dead in the middle of the dance floor. Louise knows Rosa Maria couldn’t have killed Nora, but the police have a hard time believing that no one can remember anything at all about what happened. When Louise and Rosa Maria return to their apartment after being questioned by the police, they find the word GUILTY written across the living room wall in paint that looks a lot like blood. Someone has gone to great lengths to frame and terrify Rosa Maria, and Louise will stop at nothing to clear the woman she loves.
Author | : Langston Hughes |
Publisher | : Courier Corporation |
Total Pages | : 224 |
Release | : 2012-03-05 |
Genre | : Fiction |
ISBN | : 0486113906 |
Poet Langston Hughes' only novel, a coming-of-age tale that unfolds amid an African American family in rural Kansas, explores the dilemmas of life in a racially divided society.
Author | : Daniel R. Day |
Publisher | : Random House Trade Paperbacks |
Total Pages | : 322 |
Release | : 2020-07-07 |
Genre | : Biography & Autobiography |
ISBN | : 0525510532 |
NEW YORK TIMES BESTSELLER • “Dapper Dan is a legend, an icon, a beacon of inspiration to many in the Black community. His story isn’t just about fashion. It’s about tenacity, curiosity, artistry, hustle, love, and a singular determination to live our dreams out loud.”—Ava DuVernay, director of Selma, 13th, and A Wrinkle in Time NAMED ONE OF THE BEST BOOKS OF THE YEAR BY VANITY FAIR • DAPPER DAN NAMED ONE OF TIME’S 100 MOST INFLUENTIAL PEOPLE IN THE WORLD With his now-legendary store on 125th Street in Harlem, Dapper Dan pioneered high-end streetwear in the 1980s, remixing classic luxury-brand logos into his own innovative, glamorous designs. But before he reinvented haute couture, he was a hungry boy with holes in his shoes, a teen who daringly gambled drug dealers out of their money, and a young man in a prison cell who found nourishment in books. In this remarkable memoir, he tells his full story for the first time. Decade after decade, Dapper Dan discovered creative ways to flourish in a country designed to privilege certain Americans over others. He witnessed, profited from, and despised the rise of two drug epidemics. He invented stunningly bold credit card frauds that took him around the world. He paid neighborhood kids to jog with him in an effort to keep them out of the drug game. And when he turned his attention to fashion, he did so with the energy and curiosity with which he approaches all things: learning how to treat fur himself when no one would sell finished fur coats to a Black man; finding the best dressed hustler in the neighborhood and converting him into a customer; staying open twenty-four hours a day for nine years straight to meet demand; and, finally, emerging as a world-famous designer whose looks went on to define an era, dressing cultural icons including Eric B. and Rakim, Salt-N-Pepa, Big Daddy Kane, Mike Tyson, Alpo Martinez, LL Cool J, Jam Master Jay, Diddy, Naomi Campbell, and Jay-Z. By turns playful, poignant, thrilling, and inspiring, Dapper Dan: Made in Harlem is a high-stakes coming-of-age story spanning more than seventy years and set against the backdrop of an America where, as in the life of its narrator, the only constant is change. Praise for Dapper Dan: Made in Harlem “Dapper Dan is a true one of a kind, self-made, self-liberated, and the sharpest man you will ever see. He is couture himself.”—Marcus Samuelsson, New York Times bestselling author of Yes, Chef “What James Baldwin is to American literature, Dapper Dan is to American fashion. He is the ultimate success saga, an iconic fashion hero to multiple generations, fusing street with high sartorial elegance. He is pure American style.”—André Leon Talley, Vogue contributing editor and author
Author | : Claude McKay |
Publisher | : |
Total Pages | : 134 |
Release | : 1922 |
Genre | : African Americans |
ISBN | : |
Author | : Langston Hughes |
Publisher | : Knopf |
Total Pages | : 482 |
Release | : 2015-02-10 |
Genre | : Literary Collections |
ISBN | : 0385353561 |
This is the first comprehensive selection from the correspondence of the iconic and beloved Langston Hughes. It offers a life in letters that showcases his many struggles as well as his memorable achievements. Arranged by decade and linked by expert commentary, the volume guides us through Hughes’s journey in all its aspects: personal, political, practical, and—above all—literary. His letters range from those written to family members, notably his father (who opposed Langston’s literary ambitions), and to friends, fellow artists, critics, and readers who sought him out by mail. These figures include personalities such as Carl Van Vechten, Blanche Knopf, Zora Neale Hurston, Arna Bontemps, Vachel Lindsay, Ezra Pound, Richard Wright, Kurt Weill, Carl Sandburg, Gwendolyn Brooks, James Baldwin, Martin Luther King, Jr., Alice Walker, Amiri Baraka, and Muhammad Ali. The letters tell the story of a determined poet precociously finding his mature voice; struggling to realize his literary goals in an environment generally hostile to blacks; reaching out bravely to the young and challenging them to aspire beyond the bonds of segregation; using his artistic prestige to serve the disenfranchised and the cause of social justice; irrepressibly laughing at the world despite its quirks and humiliations. Venturing bravely on what he called the “big sea” of life, Hughes made his way forward always aware that his only hope of self-fulfillment and a sense of personal integrity lay in diligently pursuing his literary vocation. Hughes’s voice in these pages, enhanced by photographs and quotations from his poetry, allows us to know him intimately and gives us an unusually rich picture of this generous, visionary, gratifyingly good man who was also a genius of modern American letters.
Author | : Clifford Mason |
Publisher | : Rutgers University Press |
Total Pages | : 246 |
Release | : 2020-06-12 |
Genre | : Performing Arts |
ISBN | : 1978810008 |
2020 George Freedley Memorial Award Special Jury Prize from the Theatre Library Association 2021 PROSE Awards Finalist, Music & the Performing Arts In 1936 Orson Welles directed a celebrated all-black production of Macbeth that was hailed as a breakthrough for African Americans in the theater. For over a century, black performers had fought for the right to perform on the American stage, going all the way back to an 1820s Shakespearean troupe that performed Richard III, Othello, and Macbeth, without relying on white patronage. "Macbeth" in Harlem tells the story of these actors and their fellow black theatrical artists, from the early nineteenth century to the dawn of the civil rights era. For the first time we see how African American performers fought to carve out a space for authentic black voices onstage, at a time when blockbuster plays like Uncle Tom’s Cabin and The Octoroon trafficked in cheap stereotypes. Though the Harlem Renaissance brought an influx of talented black writers and directors to the forefront of the American stage, they still struggled to gain recognition from an indifferent critical press. Above all, "Macbeth" in Harlem is a testament to black artistry thriving in the face of adversity. It chronicles how even as the endemic racism in American society and its theatrical establishment forced black performers to abase themselves for white audiences’ amusement, African Americans overcame those obstacles to enrich the nation’s theater in countless ways.