Making Shakespeare

Making Shakespeare
Author: Tiffany Stern
Publisher: Psychology Press
Total Pages: 203
Release: 2004
Genre: Drama
ISBN: 041531965X

This volume offers a lively introduction to the major issues of the stage and print history of the plays, and discusses what a Shakespeare play actually is.

The Translatability of the Religious Dimension in Shakespeare from Page to Stage, from West to East

The Translatability of the Religious Dimension in Shakespeare from Page to Stage, from West to East
Author: Jenny Wong
Publisher: Wipf and Stock Publishers
Total Pages: 306
Release: 2018-05-29
Genre: Language Arts & Disciplines
ISBN: 1532638175

This interdisciplinary study traverses the disciplines of translation studies, hermeneutics, theater studies, and sociology. Under the "power turn" or "political turn" in translation studies, the omission and untranslatability of religious material are often seen as the product of censorship or self-censorship. But the theology of each individual translating agent is often neglected as a contributing factor to such untranslatability. This book comprehensively traces the hermeneutical process of the translators as readers, and the situational process and semiotics of theater translation. Together these factors contribute to an image of translated literature that in turn influences the literature's reception. While translation theorists influenced by the current "sociological turn" view social factors as determining translation activities and strategies, this volume argues that the translator's or the dramatist's theology and religious values interact with the socio-cultural milieu to carve out a unique drama production. Often it is the religious values of the translating agents that determine the product, rather than social factors. Further, the translatability of religious discourse should be understood in a broader sense according to the seven dimensions proposed by Ninian Smart, rather than merely focusing on untranslatability as a result of semantic and linguistic differences.

Shakespeare on Stage

Shakespeare on Stage
Author: Julian Curry
Publisher: Nick Hern Books
Total Pages: 0
Release: 2010
Genre: Drama
ISBN: 9781848420779

Thirteen leading actors take us behind the scenes, each recreating in detail a memorable performance in one of Shakespeare's major roles. * Brian Cox on Titus Andronicus in Deborah Warner's visceral RSC production * Judi Dench on being directed by Franco Zeffirelli as a twenty-three-year-old Juliet * Ralph Fiennes on Shakespeare's least sympathetic hero Coriolanus * Rebecca Hall on Rosalind in As You Like It, directed by her father, Sir Peter * Derek Jacobi on his hilariously poker-backed Malvolio for Michael Grandage * Jude Law on his Hamlet, a palpable hit in the West End and on Broadway * Adrian Lester on a modern-dress Henry V at the National, during the invasion of Iraq * Ian McKellen on his Macbeth, opposite Judi Dench in Trevor Nunn's RSC production * Helen Mirren on a role she was born for, and has played three times: Cleopatra * Tim Pigott-Smith on Leontes in Peter Hall's Restoration Winter's Tale at the National * Kevin Spacey on his high-tech, modern-dress Richard II * Patrick Stewart on Prospero in Rupert Goold's arctic Tempest for the RSC * Penelope Wilton on Isabella in Jonathan Miller's 'chamber' Measure for Measure The actors discuss their characters, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing each role, invaluable for other actors and directors, as well as students of Shakespeare - and fascinating for audiences of the plays. Together, the interviews give one of the most comprehensive pictures yet of these characters in performance, and of the choices that these great actors have made in bringing them thrillingly to life. 'These passages of times remembered contribute vividly to the sense of a teemingly creative period when Shakespeare seemed to have been rediscovered.' Trevor Nunn, from his Foreword

This Wide and Universal Theater

This Wide and Universal Theater
Author: David Bevington
Publisher: University of Chicago Press
Total Pages: 256
Release: 2009-05
Genre: Drama
ISBN: 0226044793

This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.

The Book of Will

The Book of Will
Author: Lauren Gunderson
Publisher: Dramatists Play Service, Inc.
Total Pages: 95
Release: 2018-06-18
Genre: Drama
ISBN: 0822237725

Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.

The Cambridge Companion to Shakespeare on Stage

The Cambridge Companion to Shakespeare on Stage
Author: Stanley Wells
Publisher: Cambridge University Press
Total Pages: 342
Release: 2002-05-30
Genre: Drama
ISBN: 9780521797115

This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.

Shakespeare and the Power of Performance

Shakespeare and the Power of Performance
Author: Robert Weimann
Publisher: Cambridge University Press
Total Pages: 0
Release: 2008-08-07
Genre: Literary Criticism
ISBN: 0521895324

This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era.

Imaginary Audition

Imaginary Audition
Author: Harry Berger
Publisher: Univ of California Press
Total Pages: 204
Release: 1989
Genre: Literary Criticism
ISBN: 9780520073067

"Will generate lively argument as both an interpretation and the instance of a method. . . . A work of first importance."--Edward Snow, author of A Study of Vermeer "This is the most searching analysis of the differences between reading and playgoing I have yet encountered, and it constitutes a decisive step forward in what is already an engrossing public debate on the subject."--Jonas Barish, author of The Antitheatrical Prejudice

Secrets of Acting Shakespeare

Secrets of Acting Shakespeare
Author: Patrick Tucker
Publisher: Routledge
Total Pages: 308
Release: 2013-11-05
Genre: Performing Arts
ISBN: 1135862265

Secrets of Acting Shakespeare isn't a book that gently instructs. It's a passionate, yes-you-can designed to prove that anybody can act Shakespeare. By explaining how Elizabethan actors had only their own lines and not entire playscripts, Patrick Tucker shows how much these plays work by ear. Secrets of Acting Shakespeare is a book for actors trained and amateur, as well as for anyone curious about how the Elizabethan theater worked.

Staging in Shakespeare's Theatres

Staging in Shakespeare's Theatres
Author: Andrew Gurr
Publisher: Oxford Shakespeare Topics
Total Pages: 192
Release: 2000
Genre: Drama
ISBN: 9780198711582

By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.