Shakespeare Contemporary England
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Author | : John A. Wagner |
Publisher | : Greenwood |
Total Pages | : 0 |
Release | : 2010-02-09 |
Genre | : History |
ISBN | : 0313357404 |
A collection of excerpts from more than 40 primary documents written in William Shakespeare's lifetime, including letters, literature, speeches and polemics, official reports, and descriptive narratives.
Author | : W. Hamlin |
Publisher | : Springer |
Total Pages | : 317 |
Release | : 2005-06-01 |
Genre | : Literary Criticism |
ISBN | : 0230502768 |
Hamlin's study provides the first full-scale account of the reception and literary appropriation of ancient scepticism in Elizabethan and Jacobean England (c. 1570-1630). Offering abundant archival evidence as well as fresh treatments of Florio's Montaigne and Bacon's career-long struggle with the challenges of epistemological doubt, Hamlin's book explores the deep connections between scepticism and tragedy in plays ranging from Doctor Faustus and Troilus and Cressida to The Tragedy of Mariam , The Duchess of Malfi , and 'Tis Pity She's a Whore .
Author | : Jan Kott |
Publisher | : Doubleday |
Total Pages | : 312 |
Release | : 2015-01-21 |
Genre | : Drama |
ISBN | : 0804152195 |
Shakespeare, Our Contemporary is a provocative, original study of the major plays of Shakespeare. More than that, it is one of the few critical works to have strongly influenced theatrical productions. Peter Brook and Charles Marowitz are among the many directors who have acknowledged their debt to Jan Kott, finding in his analogies between Shakespearean situations and those in modern life and drama the seeds of vital new stage conceptions. Shakespeare, Our Contemporary has been translated into nineteen languages since it appeared in 1961, and readers all over the world have similarly found their responses to Shakespeare broadened and enriched.
Author | : R. E Pritchard |
Publisher | : The History Press |
Total Pages | : 202 |
Release | : 2003-04-24 |
Genre | : History |
ISBN | : 0750952822 |
A collection of some of the best, wittiest and most unusual excerpts from 16th- and 17th-century writing. "Shakespeare's England" brings to life the variety, the energy and the harsh reality of England at this time. Providing a portrait of the age, it includes extracts from a wide variety of writers, taken from books, plays, poems, letters, diaries and pamphlets by and about Shakespeare's contemporaries. These include William Harrison and Fynes Moryson (providing descriptions of England), Nicholas Breton (on country life), Isabella Whitney and Thomas Dekker (on London life), Nashe (on struggling writers), Stubbes (with a Puritan view of Elizabethan enjoyments), Harsnet and Burton (on witches and spirits), John Donne (meditations on prayer and death), King James I (on tobacco) and Shakespeare himself.
Author | : Translated by Hugh Macdonald |
Publisher | : Troubador Publishing Ltd |
Total Pages | : 240 |
Release | : 2016-12-05 |
Genre | : Literary Criticism |
ISBN | : 178589840X |
Shakespeare in Modern English breaks the taboo about Shakespeare’s texts, which have long been regarded as sacred and untouchable while being widely and freely translated into foreign languages. It is designed to make Shakespeare more easily understood in the theatre without dumbing down or simplifying the content. Shakespeare’s ‘As You Like It’, ‘Coriolanus’ and ‘The Tempest’ are presented in Macdonald’s book in modern English. They show that these great plays lose nothing by being acted or read in the language we all use today. Shakespeare’s language is poetic, elaborately rich and memorable, but much of it is very difficult to comprehend in the theatre when we have no notes to explain allusions, obsolete vocabulary and whimsical humour. Foreign translations of Shakespeare are normally into their modern language. So why not ours too? The purpose in rendering Shakespeare into modern English is to enhance the enjoyment and understanding of audiences in the theatre. The translations are not designed for children or dummies, but for those who want to understand Shakespeare better, especially in the theatre. Shakespeare in Modern English will appeal to those who want to understand the rich and poetical language of Shakespeare in a more comprehensible way. It is also a useful tool for older students studying Shakespeare.
Author | : John Elsom |
Publisher | : Routledge |
Total Pages | : 201 |
Release | : 2003-09-02 |
Genre | : Performing Arts |
ISBN | : 1134950365 |
This book is an account of a public seminar held in honour of Jan Kott's influential study, Shakespeare Our Contemporary. Attracting international contributors, the seminar focused on the relevance of her study for Shakespearian theatre today.
Author | : Bruce R. Smith |
Publisher | : University of Chicago Press |
Total Pages | : 400 |
Release | : 1999-04-15 |
Genre | : Literary Criticism |
ISBN | : 0226763773 |
Journeying into the sound-worlds of Shakespeare's contemporaries, this text explores the physical aspects of human speech and the surrounding environment, as well as social and political structures.
Author | : Dennis Taylor |
Publisher | : Studies in Religion and Litera |
Total Pages | : 468 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
The question of Shakespeare's Catholic contexts has occupied many scholars in recent years and this study brings together 16 original essays examining Shakespeare's work in the light of revisionist scholarship, from monastic life in 'Measure for Measure' to Puritanism in 'Hamlet'.
Author | : Simon Smith |
Publisher | : Cambridge University Press |
Total Pages | : 307 |
Release | : 2022-03-17 |
Genre | : Art |
ISBN | : 1108489052 |
Offers a new, interdisciplinary account of early modern drama through the lens of playing and playgoing.
Author | : Louis B. Wright |
Publisher | : New Word City |
Total Pages | : 95 |
Release | : 2016-10-06 |
Genre | : History |
ISBN | : 1612309917 |
When William Shakespeare was about twenty, his life changed forever. He left Stratford and walked to London, where he became the world's greatest playwright. Here is his little-told story of Shakespeare, presented against the colorful tapestry of his England, the kingdom under Elizabeth I and James I. In the reigns of those monarchs, the nation was emerging from centuries of medieval turmoil. The small island that had changed so little since the Norman Conquest of 1066 suddenly became a center of international adventure, political experimentation, and artistic development. Young Shakespeare was fortunate to be in England, and in London, when he was. The first professional theatre opened in the capital in 1576; he arrived, stage-struck and in search of a job, around 1587. He retired to Stratford as a wealthy gentleman in 1611, only a generation before the theatres of England were closed by the Puritans. During Shakespeare's London years, England seethed with plots and intrigue and throbbed with pageantry; everywhere a writer looked there was a scene to fire his imagination. Like Sir Walter Raleigh and other daring contemporaries, William Shakespeare was, indeed, an Elizabethan who took advantage of his time.