Shakespeare And The French Poet
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Author | : Yves Bonnefoy |
Publisher | : University of Chicago Press |
Total Pages | : 304 |
Release | : 2004-06-15 |
Genre | : Literary Criticism |
ISBN | : 0226064433 |
A meditation on the major plays of Shakespeare and the thorny art of literary translation, Shakespeare and the French Poet contains twelve essays from France's most esteemed critic and preeminent living poet, Yves Bonnefoy. Offering observations on Shakespeare's response to the spiritual crisis of his era as well as compelling insights on the practical and theoretical challenges of verse in translation, Bonnefoy delivers thoughtful, evocative essays penned in his characteristically powerful prose. Translated specifically for an American readership, Shakespeare and the French Poet also features a new interview with Bonnefoy. For Shakespeare scholars, Bonnefoy enthusiasts, and students of literary translation, Shakespeare and the French Poet is a celebration of the global language of poetry and the art of "making someone else's voice live again in one's own."
Author | : Yves Bonnefoy |
Publisher | : University of Chicago Press |
Total Pages | : 312 |
Release | : 2004-07-12 |
Genre | : Drama |
ISBN | : 9780226064420 |
A meditation on the major plays of Shakespeare and the thorny art of literary translation, Shakespeare and the French Poet contains twelve essays from France's most esteemed critic and preeminent living poet, Yves Bonnefoy. Offering observations on Shakespeare's response to the spiritual crisis of his era as well as compelling insights on the practical and theoretical challenges of verse in translation, Bonnefoy delivers thoughtful, evocative essays penned in his characteristically powerful prose. Translated specifically for an American readership, Shakespeare and the French Poet also features a new interview with Bonnefoy. For Shakespeare scholars, Bonnefoy enthusiasts, and students of literary translation, Shakespeare and the French Poet is a celebration of the global language of poetry and the art of "making someone else's voice live again in one's own."
Author | : Jonathan F. S. Post |
Publisher | : |
Total Pages | : 775 |
Release | : 2013-07-18 |
Genre | : Literary Criticism |
ISBN | : 0199607745 |
The Oxford Handbook of Shakespeare's Poetry provides the widest coverage yet of Shakespeare's poetry and its afterlife in English and other languages.
Author | : Victor Hugo |
Publisher | : |
Total Pages | : 472 |
Release | : 1886 |
Genre | : Dramatists, English |
ISBN | : |
Author | : Peter Broome |
Publisher | : Cambridge University Press |
Total Pages | : 221 |
Release | : 1976-07-15 |
Genre | : Literary Criticism |
ISBN | : 9780521207935 |
This anthology is the companion volume to The Appreciation of Modern French Poetry, the aim of which was to give detailed preliminary help with the problems of poetic appreciation. The fourteen poets represented here provide a varied and exciting introduction to what is probably the richest century of French poetry, from 1850 to 1950. Hugo, the colossus of the nineteenth century, whose work gives new resonance and vitality to imaginative vision, opens the anthology, and Michaux, the most individual and 'modern' of twentieth-century poets in that he bridges the gap between poetry and contemporary science, closes it. Almost all the major poets of the period are included: Nerval, Baudelaire, Mallarmé, Verlaine, Rimbaud and Laforgue from the second half of the nineteenth century; Valéry, Apollinaire, Supervielle and Eluard in the twentieth. The lesser known Cros and Desnos, fresh and spontaneous poets with an immediate appeal, invite a new look at the lyric traditions of french verse and offer an attractive new avenue for study. The choice of poems, dictated above all by their individual poetic value, reflects also the trends of recent criticism and the tastes of present-day readers. The texts are all accompanied by full notes, which not only explain local difficulties of vocabulary, syntax and expression, but lead the reader directly into the heart of the richness of theme, style and interpretation. These will prove of value not only to the student who is grappling with the basics of french verse, or is anxious to give depth to his familiarity, but to the general reader seeking to rekindle his enjoyment of French poetry. In addition, there are introductions to each poet summarizing the essence of his art, useful suggestions for further reading, and groups of dicussion topics to stimulate comparative insights and a wider responsiveness.
Author | : Alexandre Dumas |
Publisher | : Lulu.com |
Total Pages | : 196 |
Release | : 2007 |
Genre | : Fiction |
ISBN | : 1430310839 |
French adaptations of William Shakespeare by classic French authors, translated back into English and introduced by Frank Morlock: Hamlet by Alexander Dumas, pre; Ophelia by Arthur Rimbaud; and As You Like It by George Sand.
Author | : Stephen Greenblatt |
Publisher | : W. W. Norton & Company |
Total Pages | : 441 |
Release | : 2010-05-03 |
Genre | : Biography & Autobiography |
ISBN | : 0393079848 |
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 254 |
Release | : 1870 |
Genre | : English poetry |
ISBN | : |
Author | : Henry de Montherlant |
Publisher | : New York Review of Books |
Total Pages | : 259 |
Release | : 2009-02-17 |
Genre | : Fiction |
ISBN | : 159017304X |
Don Celestino is old and bitter and afraid, an impossible man. An anarchist who has been in exile from his native Spain for more than twenty years, he lives with his daughter in Paris, but in his mind he is still fighting the Spanish Civil War. He fulminates against the daily papers; he brags about his past exploits. He has become bigoted, self-important, and obsessed; a bully to his fellow exiles and a tyrant to his daughter, Pascualita. Then a family member dies in Madrid and there is an inheritance to sort out. Pascualita wants to go to Spain, which is supposedly opening up in response to the 1960s, and Don Celestino feels he has no choice but to follow. He is full of dread and desire, foreseeing a heroic last confrontation with his enemies, but what he encounters instead is a new commercialized Spain that has no time for the past, much less for him. Or so it seems. Because the last act of Don Celestino’s dizzying personal drama will prove that though “there is nothing serious . . . , there is tragedy.” An astonishing modern take on Don Quixote, Chaos and Night untangles the ties between politics and paranoia, self-loathing and self-pity, rage and remorse. It is the darkly funny final flowering of the art of Henry de Montherlant, a solitary and scarifying modern master whose work, admired by Graham Greene and Albert Camus, is sure to appeal to contemporary readers of Thomas Bernhard and Roberto Bolaño.
Author | : Yves Bonnefoy |
Publisher | : Carcanet Press |
Total Pages | : 0 |
Release | : 2017 |
Genre | : |
ISBN | : 9781784100759 |
The selection for this volume ... was made in close collaboration with the poet. The lengthy introduction by John Naughton is a significant assessment of Bonnefoy’s importance in French literature. Bonnefoy started out as a young surrealist poet at the end of the Second World War and, for seven decades, he produced poetry and prose of great, and changing, depth and richness. In his lines we encounter ‘the horizon of a voice where stars are falling, / Moon merging with the chaos of the dead’. Fellow poet Philippe Jaccottet spoke of his abiding gravité enflammée. Bonnefoy knew what translation demands, having himself translated Shakespeare, Donne, Yeats, and Keats; Petrarch and Leopardi from Italian; and, from Greek, George Seferis. This volume is edited and translated by three of Bonnefoy’s long-time translators –Anthony Rudolf, John Naughton, and Stephen Romer – with contributions from Galway Kinnell, Richard Pevear, Beverley Bie Brahic, Emily Grosholz, Susanna Lang, and Hoyt Rogers. Publisher's website viewed 08 Dec, 2017.