Shakespeare An Homage To
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Author | : Jean Elizabeth Ward |
Publisher | : Lulu.com |
Total Pages | : 382 |
Release | : 2008-09-04 |
Genre | : Poetry |
ISBN | : 143573288X |
Shakespeare For The Student: the 1690 Sonnets as they originally were, from one love to another, and the Notes as Concrete Poems, and below each one, the Homage’s being paid to himby American Poetess, Jean Elizabeth Ward. Index of Shakespeare’s words at the back of the book to complete this book, which is wonderful for a beginner who wants to study Shakespeare, but in the past has found it too difficult and demanding.The son of John Shakespeare and Mary Arden, he was probably educated at the King Edward IV Grammar School in Stratford, where he learned Latin and a little Greek and read the Roman dramatists. At eighteen, he married Anne Hathaway, a woman seven or eight years his senior. Together they raised two daughters: Susanna, who was born in 1583, and Judith (whose twin brother died in boyhood), born in 1585.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 956 |
Release | : 1879 |
Genre | : |
ISBN | : |
Author | : Komitet neofilologiczny (Pologne) |
Publisher | : |
Total Pages | : 256 |
Release | : 1965 |
Genre | : |
ISBN | : |
Author | : Margaret Tudeau-Clayton |
Publisher | : Routledge |
Total Pages | : 320 |
Release | : 2016-02-17 |
Genre | : Literary Criticism |
ISBN | : 1317010566 |
Is Shakespeare English, British, neither or both? Addressing from various angles the relation of the figure of the national poet/dramatist to constructions of England and Englishness this collection of essays probes the complex issues raised by this question, first through explorations of his plays, principally though not exclusively the histories (Part One), then through discussion of a range of subsequent appropriations and reorientations of Shakespeare and 'his' England (Part Two). If Shakespeare has been taken to stand for Britain as well as England, as if the two were interchangeable, this double identity has come under increasing strain with the break-up - or shake-up - of Britain through devolution and the end of Empire. Essays in Part One examine how the fissure between English and British identities is probed in Shakespeare's own work, which straddles a vital juncture when an England newly independent from Rome was negotiating its place as part of an emerging British state and empire. Essays in Part Two then explore the vexed relations of 'Shakespeare' to constructions of authorial identity as well as national, class, gender and ethnic identities. At this crucial historical moment, between the restless interrogations of the tercentenary celebrations of the Union of Scotland and England in 2007 and the quatercentenary celebrations of the death of the bard in 2016, amid an increasing clamour for a separate English parliament, when the end of Britain is being foretold and when flags and feelings are running high, this collection has a topicality that makes it of interest not only to students and scholars of Shakespeare studies and Renaissance literature, but to readers inside and outside the academy interested in the drama of national identities in a time of transition.
Author | : Lauren Gunderson |
Publisher | : Dramatists Play Service, Inc. |
Total Pages | : 95 |
Release | : 2018-06-18 |
Genre | : Drama |
ISBN | : 0822237725 |
Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.
Author | : Christopher Moore |
Publisher | : HarperCollins |
Total Pages | : 248 |
Release | : 2020-05-12 |
Genre | : Fiction |
ISBN | : 0062434063 |
New York Times Bestseller! Shakespeare meets Dashiell Hammett in this wildly entertaining murder mystery from New York Times bestselling author Christopher Moore—an uproarious, hardboiled take on the Bard’s most performed play, A Midsummer Night’s Dream, featuring Pocket, the hero of Fool and The Serpent of Venice, along with his sidekick, Drool, and pet monkey, Jeff. Set adrift by his pirate crew, Pocket of Dog Snogging—last seen in The Serpent of Venice—washes up on the sun-bleached shores of Greece, where he hopes to dazzle the Duke with his comedic brilliance and become his trusted fool. But the island is in turmoil. Egeus, the Duke’s minister, is furious that his daughter Hermia is determined to marry Demetrius, instead of Lysander, the man he has chosen for her. The Duke decrees that if, by the time of the wedding, Hermia still refuses to marry Lysander, she shall be executed . . . or consigned to a nunnery. Pocket, being Pocket, cannot help but point out that this decree is complete bollocks, and that the Duke is an egregious weasel for having even suggested it. Irritated by the fool’s impudence, the Duke orders his death. With the Duke’s guards in pursuit, Pocket makes a daring escape. He soon stumbles into the wooded realm of the fairy king Oberon, who, as luck would have it, IS short a fool. His jester Robin Goodfellow—the mischievous sprite better known as Puck—was found dead. Murdered. Oberon makes Pocket an offer he can’t refuse: he will make Pocket his fool and have his death sentence lifted if Pocket finds out who killed Robin Goodfellow. But as anyone who is even vaguely aware of the Bard’s most performed play ever will know, nearly every character has a motive for wanting the mischievous sprite dead. With too many suspects and too little time, Pocket must work his own kind of magic to find the truth, save his neck, and ensure that all ends well. A rollicking tale of love, magic, madness, and murder, Shakespeare for Squirrels is a Midsummer Night’s noir—a wicked and brilliantly funny good time conjured by the singular imagination of Christopher Moore.
Author | : Christopher Simmons |
Publisher | : Writers Republic LLC |
Total Pages | : 110 |
Release | : |
Genre | : Fiction |
ISBN | : 1646202821 |
“When the Knight Fell” is a literary version of the modern musical. Follow characters Clear, Ego, Cash and Diamond on a theatrical odyssey inspired by the fictional tragedies of the Shakespeare cast Othello, Iago, Michael Cassio and Desdemona. Perceptions of race, class and societal norms are all challenged here. Imagine Othello reincarnated as a white minority navigating through the predominantly African American hip-hop community and culture of today. This book pays homage to a classic piece of literature by sparking our imagination and expanding our perspective. Author Christopher Gary Simmons elevates his unique style of spoken-word poetics by combining the story telling of William Shakespeare with the broken English of Langston Hughes. The rhythmic production used throughout the audiobook enhances the reading experience, creating a profound tribute to lyricists everywhere and our memory of the character Othello. This innovative project will move readers to connect with Shakespeare’s dramatic tale while being transported blissfully to a new level of melodic expression.
Author | : Monika Smialkowska |
Publisher | : Cambridge University Press |
Total Pages | : 331 |
Release | : 2023-12-31 |
Genre | : Literary Criticism |
ISBN | : 1009280872 |
Uncovers how global Shakespeare Tercentenary commemorations addressed crises of imperial and national identities during the First World War.
Author | : Charlotte Scott |
Publisher | : Bloomsbury Publishing |
Total Pages | : 313 |
Release | : 2024-01-11 |
Genre | : Literary Criticism |
ISBN | : 1350259845 |
Shakespeare / Nature sets new agendas for the study of nature in Shakespeare's work. Offering a rich exploration of the intersections between the human and non-human worlds, the chapters focus on the contested and persuasive language of nature, both as organic matter and cultural conditioning. Rooted in close textual analysis and historical acuity, this collection addresses Shakespeare's works through the many ways in which 'nature' performs, as a cultural category, a moral marker and a set of essential conditions through which the human may pass, as well as affect. Addressing the complex conditions of the play worlds, the chapters explore the assorted forms through which Shakespeare's nature makes sense of its narratives and supports, upholds or contests its story-telling. Over the course of the collection, the contributors examine plays including Macbeth, Julius Caesar, The Tempest, The Taming of the Shrew, Othello, Love's Labour's Lost, Hamlet, Timon of Athens and many more. They discuss them through the various lenses of philosophy, historicism, psychoanalysis, gender studies, cosmography, geography, sexuality, linguistics, environmentalism, feminism and robotics, to provide new and nuanced readings of the intersectional terms of both meaning and matter. Approaching 'nature' in all its multiplicity, this collection sets out to examine the divergent and complex ways in which the human and non-human worlds intersect and the development of a language of symbiosis that attempts to both control and create the terms of human authority. It offers an entirely new approach to the subject of nature, bringing together disparate methods that have previously been pursued independently to offer a shared investment in the intersections between the human and non-human worlds and how these discourses shape and condition the emotional, organic, cultural and psychological landscapes of Shakespeare's play worlds.
Author | : Sir Sidney Lee |
Publisher | : |
Total Pages | : 32 |
Release | : 1925 |
Genre | : |
ISBN | : |