Shakespeare Adaptations From The Early Eighteenth Century
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Author | : Kristine Johanson |
Publisher | : Rowman & Littlefield |
Total Pages | : 475 |
Release | : 2013-12-11 |
Genre | : Literary Criticism |
ISBN | : 1611474604 |
This book presents a scholarly edition of five of the first adaptations of Shakespeare from the eighteenth century, the period when Shakespeare became “Shakespeare.” Written by men influential in early Augustan cultural spheres, these adaptations demonstrate how contemporary literary principles and contemporary politics were applied to Shakespeare’s texts. In these adaptations of Henry V, Richard II, Coriolanus, 2 Henry VI and 3 Henry VI, we see the various ways that eighteenth-century authors “righted” Shakespeare’s “wrongs”: through the addition and alteration of female characters and romantic sub-plots, the introduction of new scenes, the use of the unities of time and place, and the inclusion of overt moral and political arguments. The critical introduction contextualizes the five adaptations through its discussion of early eighteenth-century theatre and politics. First providing an overview of the state of the theatre at the beginning of the Augustan age, the introduction then examines the multiple political conspiracies that rocked the first years of George I’s reign and that provide the backdrop to these adaptations. Furthermore, the introduction draws particular attention to the importance of the actress in the early eighteenth century, highlighting how Shakespeare’s adaptors drew on actresses’ cultural capital to alter Shakespeare’s texts. Finally, the edition provides a critical introduction to each of the plays. Extensive explanatory notes are provided, which situate further these plays in their contemporary context. In its introduction and explanatory notes, Shakespeare Adaptations supplies an important critical apparatus to five plays which are often noted in the annals of Shakespearean theatrical history with derision. However, this edition reveals how these plays documented their own time and helped shape Shakespeare into the most recognizable literary icon in the Western canon.
Author | : Kristine Johanson |
Publisher | : |
Total Pages | : |
Release | : 2005 |
Genre | : |
ISBN | : 9781611474596 |
Author | : Jean I. Marsden |
Publisher | : University Press of Kentucky |
Total Pages | : 283 |
Release | : 2021-10-21 |
Genre | : Drama |
ISBN | : 0813185556 |
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.
Author | : Fiona Ritchie |
Publisher | : Cambridge University Press |
Total Pages | : 469 |
Release | : 2012-04-19 |
Genre | : Drama |
ISBN | : 0521898609 |
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Author | : Katherine West Scheil |
Publisher | : The Rosen Publishing Group |
Total Pages | : 342 |
Release | : 2003 |
Genre | : Performing Arts |
ISBN | : 9780838755372 |
This book is a comprehensive study of the reception history of Shakespeare's comedies within the context of Restoration and early eighteenth-century theater, from 1660 until the Licensing Act of 1737. In the absence of an overarching methodology or ideology about how to adapt Shaekspeare, eighteenth-century playwright were motivated by popular taste and shaped Shakespeare accordingly. Shakespeare's comedies provided ideal raw material to adjust to current theatrical and cultural trends such as the popularity of music and dance, changing forms of comedy, political controversies, the fluidity of acting companies, the development of dramatic forms, and the influence of print culture. A recently edited play, a popular comic actor, a new musical composer, or a novel of constructing a dramatic piece affected the ways Shakespeare's comedies were reshaped according to local theatrical condtitions.
Author | : Barbara A. Murray |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 658 |
Release | : 2005 |
Genre | : Drama |
ISBN | : 9780838640562 |
Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition.
Author | : Allardyce Nicoll |
Publisher | : |
Total Pages | : 454 |
Release | : 1925 |
Genre | : English drama |
ISBN | : |
Author | : Michael Dobson |
Publisher | : Clarendon Press |
Total Pages | : 282 |
Release | : 1992-10-22 |
Genre | : Literary Criticism |
ISBN | : 0191591718 |
The first full-length study since the 1920s of the Restoration and eighteenth-century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptions in the context of the profound cultural changes of their times. Drawing on a wide range of evidence, Dobson examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. The book provides thorough analysis, both engaging and informative, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet. - ;The century between the Restoration and David Garrick's Stratford Jubilee saw William Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timeless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare, and what different interests did this process serve? The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club) - it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with, and even demanded, the drastic and sometimes bizarre rewriting of his plays for which the period is notorious. The book provides thorough analysis, both engaging and informative, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet. -
Author | : Jean I. Marsden |
Publisher | : University Press of Kentucky |
Total Pages | : 208 |
Release | : 2014-07-15 |
Genre | : Drama |
ISBN | : 0813161436 |
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history -- the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused -- a clear step toward our modern concern for the word and its varying levels of signification.
Author | : Allardyce Nicoll |
Publisher | : |
Total Pages | : 498 |
Release | : 1925 |
Genre | : English drama |
ISBN | : |