Severed Heads And Martyred Souls
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Author | : Laura Poulosky |
Publisher | : Peter Lang Incorporated, International Academic Publishers |
Total Pages | : 248 |
Release | : 2003 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Since capital punishment was such a hotly debated issue in Europe during the early nineteenth century, and since crime, trials, and executions provided ideal material for the melodrama that characterizes French Romanticism, several authors of the period naturally exploited the death penalty in their works. Severed Heads and Martyred Souls examines the Romantics' obsession with capital punishment, analyzing its literary treatment in texts by Hugo, Lamartine, Eugene Sue, Dumas the elder, Vigny, Balzac, Stendhal, and Nodier. The book explores the effects of death sentences on character and plot development, the language of the texts, and the overt or implicit moral and political messages of each author, and successfully demonstrates that reflecting upon the French Romantics' treatment of capital punishment is both important to understanding the Romantic movement, and instructive for current debate on the issue of capital punishment.
Author | : James Gregory |
Publisher | : Bloomsbury Publishing |
Total Pages | : 388 |
Release | : 2011-11-30 |
Genre | : History |
ISBN | : 0857721062 |
By the time that Queen Victoria ascended the throne in 1837, the list of crimes liable to attract the death penalty had effectively been reduced to murder. Yet, despite this, the gallows remained a source of controversy in Victorian Britain and there was a growing unease in liberal quarters surrounding the question of capital punishment. Unease was expressed in various forms, including efforts at outright abolition. Focusing in part on the activities of the Society for the Abolition of Capital Punishment, James Gregory here examines abolitionist strategies, leaders and personnel. He locates the 'gallows question' in an imperial context and explores the ways in which debates about the gallows and abolition featured in literature, from poetry to 'novels of purpose' and popular romances of the underworld. He places the abolitionist movement within the wider Victorian worlds of philanthropy, religious orthodoxy and social morality in a study which will be essential reading for students and researchers of Victorian history.
Author | : Kate Griffiths |
Publisher | : University of Wales Press |
Total Pages | : 301 |
Release | : 2015-05-15 |
Genre | : Literary Criticism |
ISBN | : 178316557X |
Adapting Nineteenth-Century France uses the output of six canonical novelists and their recreations in a variety of media to push for a re-conceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses re-workings of key nineteenth-century texts across time and media in order to underline the way in which such re-workings cast new light on many of their source texts and reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Moreover, Adapting Nineteeth-Century France traces their subsequent recreations in a comparable range of genres, encompassing key modern media of the twentieth- and twenty-first-centuries: radio, silent film, fiction, musical theatre, sound film and television.
Author | : Owen Heathcote |
Publisher | : Peter Lang |
Total Pages | : 298 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 9783039105519 |
Violence is one of the main themes in the novels of Hanore de Balza. Executions, muders, savagery and death accompany the conspiracies and the turbulence that characterise his post-Revolutionary times, from the terror to Napoleonic campaigns and then to the upheavals of 1830 and 1848. Despite the importance of violence in Balzac, this is the first book-length study of the topic. The book begins by tracing the links between violence and Balzac's approach to the novel, not merely in terms of violent content, but, equally importantly, in terms of the form associated with that content. From and content combine to perpetuate and naturalise violence and suffering. After charting examples of this combination in one of Balzac's earliest fictions, the books moves on to the links between violence and place violence and history (Catherine de Medicis; the Terror), between violence and place(from his native Touraine to sickness in Paris), and between violence and gender/sexuality. It alos examines the representiation of violence in the form of spoken or written death. Throughout the analysis, the bokk asks the following question: do Balzac's novels reinforce or counteract the literary text's apparent love-affair with violence?
Author | : Terry Goodkind |
Publisher | : Tor Books |
Total Pages | : 563 |
Release | : 2014-08-05 |
Genre | : Fiction |
ISBN | : 1429948442 |
From Terry Goodkind, author of the Sword of Truth series, comes Severed Souls, a New York Times best selling novel of Richard Rahl, Kahlan Amnell, and their world. From the far reaches of the D'Haran Empire, Bishop Hannis Arc and the ancient Emperor Sulachan lead a vast horde of Shun-Tuk and other depraved "half-people" into the Empire's heart, raising an army of the dead in order to threaten the world of the living. Meanwhile, far from home, Richard Rahl and Kahlan Amnell must defend themselves and their followers from a series of terrifying threats, despite a magical sickness that depletes their strength and which, if not cured, will take their lives...sooner rather than later. "Richard saw the point of a sword blade sticking out from between the man's shoulder blades. He spun back toward Richard after throwing the woman out of the opening, ready to attack. It seemed impossible, but the man looked unaffected by the blade that had impaled him through the chest. It was then, in the weak light from the fire pit off to the side, that Richard got his first good look at the killer. Three knives were buried up to their brass cross-guards in the man's chest. Only the handles were showing. Richard saw, too, the broken end of a sword blade jutting out from the center of the man's chest. The point of that same blade stuck out from the man's back. Richard recognized the knife handles. All three were the style carried by the men of the First File. He looked from those blades that should have killed the big man, up into his face. That was when he realized the true horror of the situation, and the reason for the unbearable stench of death." At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author | : Ève Morisi |
Publisher | : Northwestern University Press |
Total Pages | : 362 |
Release | : 2020-03-15 |
Genre | : Literary Criticism |
ISBN | : 0810141531 |
Capital Letters sheds new light on how literature has dealt with society’s most violent legal institution, the death penalty. It investigates this question through the works of three major French authors with markedly distinct political convictions and literary styles: Victor Hugo, Charles Baudelaire, and Albert Camus. Working at the intersection of poetics, ethics, and law, Ève Morisi uncovers an unexpected transhistorical dialogue on both the modern death penalty and the ends and means of literature after the French Revolution. Through close textual analysis, careful contextualization, and the critique of violence forged by Giorgio Agamben, Michel Foucault, and René Girard, Morisi reveals that, despite their differences, Hugo, Baudelaire, and Camus converged in questioning France’s humanitarian redefinition of capital punishment dating from the late eighteenth century. Conversely, capital justice led all three writers to interrogate the functions, tools, and limits of their art. Capital Letters shows that the key modern debate on the political and moral responsibility, or autonomy, of literature crystallizes around the death penalty in works whose form disturbs the commonly accepted divide between aestheticism and engagement.
Author | : Katherine Ebury |
Publisher | : Springer Nature |
Total Pages | : 285 |
Release | : 2021-02-10 |
Genre | : Literary Criticism |
ISBN | : 3030527506 |
This book examines how the cultural and ethical power of literature allowed writers and readers to reflect on the practice of capital punishment in the UK, Ireland and the US between 1890 and 1950. It explores how connections between ‘high’ and ‘popular’ culture seem particularly inextricable where the death penalty is at stake, analysing a range of forms including major works of canonical literature, detective fiction, plays, polemics, criminological and psychoanalytic tracts and letters and memoirs. The book addresses conceptual understandings of the modern death penalty, including themes such as confession, the gothic, life-writing and the human-animal binary. It also discusses the role of conflict in shaping the representation of capital punishment, including chapters on the Easter Rising, on World War I, on colonial and quasi-colonial conflict and on World War II. Ebury’s overall approach aims to improve our understanding of the centrality of the death penalty and the role it played in major twentieth century literary movements and historical events.
Author | : Jerrilynn Denise Dodds |
Publisher | : Penn State University Press |
Total Pages | : 272 |
Release | : 1990 |
Genre | : Architecture |
ISBN | : 9780271006710 |
In analyzing the early medieval architecture of Christian and Islamic Spain, Jerrilynn Dodds explores the principles of artistic response to social and cultural tension, offering an account of that unique artistic experience that set Spain apart from the rest of Europe and established a visual identity born of the confrontation of cultures that perceived one another as alien. Architecture and Ideology in Early Medieval Spain covers the Spanish medieval experience from the Visigothic oligarchy to the year 1000, addressing a variety of cases of cultural interchange. It examines the embattled reactive stance of Hispano-Romans to their Visigothic rulers and the Asturian search for a new language of forms to support a political position dissociated from the struggles of a peninsula caught in the grip of a foreign and infidel rule. Dodds then examines the symbolic meaning of the Mozarabic churches of the tenth century and their reflection of the Mozarabs' threatened cultural identity. The final chapter focuses on two cases of artistic interchange between Islamic and Christian builders with a view toward understanding the dynamics of such interchange between conflicting cultures. Dodds concludes with a short account of the beginning of Romanesque architecture in Spain and an analysis of some of the ways in which artistic expression can reveal the subconscious of a culture.
Author | : Meredith Parsons Lillich |
Publisher | : Univ of California Press |
Total Pages | : 755 |
Release | : 2023-12-22 |
Genre | : Art |
ISBN | : 0520328795 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Author | : Paul Johnston |
Publisher | : MIRA |
Total Pages | : 443 |
Release | : 2009-05-01 |
Genre | : Fiction |
ISBN | : 1426832141 |
Brutally targeted by the "White Devil" serial killer, crime writer Matt Wells knows what it's like to look evil in the face and survive. He's rebuilt his life—but with a disciple of his tormentor still at large, he has never stopped looking over his shoulder. When mystery writers start dying and his friend is found murdered, Matt's paranoia appears well-founded. Now he must use all his resources to orchestrate the psychopath's end. But as cryptic clues to the next victims mock him, it is chillingly clear that his dance with the devil has only just begun.…