Sergey Prokofiev Diaries 1924-1933
Author | : Sergei Prokofiev |
Publisher | : |
Total Pages | : 0 |
Release | : 2022-11-17 |
Genre | : Composers |
ISBN | : 9780571380909 |
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Author | : Sergei Prokofiev |
Publisher | : |
Total Pages | : 0 |
Release | : 2022-11-17 |
Genre | : Composers |
ISBN | : 9780571380909 |
Author | : Sergey Prokofiev |
Publisher | : |
Total Pages | : 1125 |
Release | : 2013 |
Genre | : Biography & Autobiography |
ISBN | : 9780801452109 |
The third and final volume of Prokofiev's Diaries covers the years 1924 to 1933, when he was living in Paris. Intimate accounts of the successes and disappointments of a great creative artist at the heart of the European arts world between the two world wars jostle with witty and trenchant commentaries on the personalities who made up this world. The Diaries document the complex emotional inner world of a Russian exile uncomfortably aware of the nature of life in Stalin’s Russia yet increasingly persuaded that his creative gifts would never achieve full maturity separated from the culture, people, and land of his birthplace. Since even Prokofiev knew that the USSR was hardly the place to commit inner reflections to paper, the Diaries come to an end after June 1933 although it would be another three years before he, together with his wife and children, finally exchanged the free if materially uncertain life of a cosmopolitan Parisian celebrity for Soviet citizenship and the credo of Socialist Realism within which the regime struggled to straitjacket its artists. Volume Three continues the kaleidoscopic impressions and the stylish language—Prokofiev was almost as gifted and idiosyncratic a writer as a composer—of its predecessors.
Author | : SERGEI. PROKOFIEV |
Publisher | : |
Total Pages | : 864 |
Release | : 2017-08-24 |
Genre | : |
ISBN | : 9780571342891 |
Author | : Sergey Prokofiev |
Publisher | : Gardners Books |
Total Pages | : 775 |
Release | : 2008 |
Genre | : Biography & Autobiography |
ISBN | : 9780571226306 |
The second volume of Sergey Prokofiev's recently uncovered Diaries extends from 1915 to 1922 - a momentous epoch in European history, in the personal story of Prokofiev's life, and in the development of his art.
Author | : Sergey Prokofiev |
Publisher | : |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Composers |
ISBN | : 9780571281763 |
Author | : Sergey Prokofiev |
Publisher | : |
Total Pages | : 800 |
Release | : 2006 |
Genre | : Composers |
ISBN | : 9780801445408 |
Sergey Prokofiev, a compulsive diarist and gifted and idiosyncratic writer, possessed an incorrigibly sardonic curiosity about individuals and events. When he left Russia after the 1917 Revolution, his diaries were recovered from the family flat in Petrograd and later hidden at considerable personal risk by the composer Nikolai Myaskovsky. Prokofiev himself smuggled them out of the country after his first return to the Soviet Union in 1927. The later diaries, written in the West, were brought back by legal decree after the composer's death in 1953, to be kept in an inaccessible section of the Soviet State Archive. Eventually Prokofiev's son Sviatoslav was allowed to transcribe the voluminous contents. When he and his son Sergei eventually emigrated to Paris, they undertook the gigantic task of reproducing the partially encoded manuscript in an intelligible form.Diaries, 1907-1914, the first of three volumes that extend to 1933, covers Prokofiev's years at the St. Petersburg Conservatoire. Simultaneously attached to and exasperated by the tradition exemplified by composers such as Rimsky-Korsakov, Glazunov, and Tcherepnin, the brash young genius relishes the power of his talent to irritate, challenge, and finally overcome the establishment. In candid and lively prose, he records the all-too-normal preoccupations of a young man making his way in the brilliant social and artistic circles of the prewar Russian capital. Virtually every artist and musician of note appears in these pages, in penetrating and not always flattering vignettes. Prokofiev's main subject, however, is music, its creation and its performance. He reveals his own developing aesthetic principles through his assessments of the works of others, even as he composes such early masterpieces as the First and Second Piano Concertos, The Ugly Duckling, the First Violin Concerto, and the Classical Symphony. An inexhaustibly rich portrait of a vibrant artistic culture on the edge of war and revolution, Prokofiev's Diaries are both a dramatic illumination of a great composer's creativity and an indispensable contribution to our understanding of musical modernism. They constitute an essential and entertaining reference for all lovers of Prokofiev's music. --Orlando Figes, New York Review of Books, May 10, 2007 "Choice"
Author | : Christina Guillaumier |
Publisher | : Reaktion Books |
Total Pages | : 220 |
Release | : 2024-10-13 |
Genre | : Biography & Autobiography |
ISBN | : 1789149894 |
A critical biography of the twentieth-century Russian composer and pianist. This wide-ranging and incisive biography unfolds the life and work of the much-loved twentieth-century composer Sergei Prokofiev. In it, Christina Guillaumier reveals Prokofiev’s surprisingly optimistic spirit amidst a tumultuous backdrop of geopolitical chaos and ever-shifting musical landscapes. Guillaumier breathes life into the people and worlds that shaped Prokofiev’s complicated life, capturing the unwavering passion of a musical genius whose love for his craft transcended all barriers. This new critical account is a vivid portrait of the artist’s indomitable drive.
Author | : Kevin Bartig |
Publisher | : Oxford Keynotes |
Total Pages | : 177 |
Release | : 2017 |
Genre | : Music |
ISBN | : 0190269561 |
Upon its premiere in July 1938 during a time of rising tension between the Soviet Union and Nazi Germany, Sergei Eisenstein's epic film Alexander Nevsky - with a score by preeminent composer Sergei Prokofiev - was widely lauded by Soviet critics and audiences. The score, which Prokofiev wouldarrange as a separate cantata the following year, approximates the film's narrative, depicting the Proto-Russian citizens of Novgorod's heroic victory over the invading Teutonic Knights. A transparent allegory of contemporary Soviet might in the fact of Nazi war-mongering, the film is regarded as aclassic exemplar of state intervention in the arts, commissioned by Stalin to bolster patriotism and national pride, and Prokofiev's cantata remains one of his most performed works.Drawing from a wide range of archival materials, musicologist Kevin Bartig reassesses the genesis of Prokofiev's Alexander Nevsky cantata, as well as the various historical projects that have given the music an enduring place in the international performance canon. Part of The Oxford KeynotesSeries, this volume considers the ways in which time, place, socio-political concerns, and critical traditions mediate the various meanings of an iconic work like Prokofiev's, and asks how musicians and listeners alike have encountered its music both historically and today.
Author | : Simon Morrison |
Publisher | : HMH |
Total Pages | : 349 |
Release | : 2013-03-19 |
Genre | : Biography & Autobiography |
ISBN | : 0547844131 |
This account of the renowned composer’s neglected wife—including her years in a Soviet prison—is “a story both riveting and wrenching” (Kirkus Reviews, starred review). Serge Prokofiev was one of the twentieth century’s most brilliant composers yet is an enigma to historians and his fans. Why did he leave the West and move to the Soviet Union despite Stalin’s crimes? Why did his astonishing creativity in the 1930s soon dissolve into a far less inspiring output in his later years? The answers can finally be revealed, thanks to Simon Morrison’s unique and unfettered access to the family’s voluminous papers and his ability to reconstruct the tragic, riveting life of the composer’s wife, Lina. Morrison’s portrait of the marriage of Lina and Serge Prokofiev is the story of a remarkable woman who fought for survival in the face of unbearable betrayal and despair and of the irresistibly talented but heartlessly self-absorbed musician she married. Born to a Spanish father and Russian mother in Madrid at the end of the nineteenth century and raised in Brooklyn, Lina fell in love with a rising-star composer—and defied convention to be with him, courting public censure. She devoted her life to Serge and art, training to be an operatic soprano and following her brilliant husband to Stalin’s Russia. Just as Serge found initial acclaim—before becoming constricted by the harsh doctrine of socialist-realist music—Lina was at first accepted and later scorned, ending her singing career. Serge abandoned her and took up with another woman. Finally, Lina was arrested and shipped off to the gulag in 1948. She would be held in captivity for eight awful years. Meanwhile, Serge found himself the tool of an evil regime to which he was forced to accommodate himself. The contrast between Lina and Serge is one of strength and perseverance versus utter self-absorption, a remarkable human drama that draws on the forces of art, sacrifice, and the struggle against oppression. Readers will never forget the tragic drama of Lina’s life, and never listen to Serge’s music in quite the same way again.