Serenade und Allegro Giojoso, Op. 43
Author | : Felix Mendelssohn-Bartholdy |
Publisher | : |
Total Pages | : 36 |
Release | : 1898 |
Genre | : Piano with orchestra |
ISBN | : |
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Author | : Felix Mendelssohn-Bartholdy |
Publisher | : |
Total Pages | : 36 |
Release | : 1898 |
Genre | : Piano with orchestra |
ISBN | : |
Author | : Felix Mendelssohn-Bartholdy |
Publisher | : |
Total Pages | : 48 |
Release | : 1900 |
Genre | : Instrumental music |
ISBN | : |
Author | : Felix Mendelssohn-Bartholdy |
Publisher | : |
Total Pages | : 40 |
Release | : 1930 |
Genre | : Piano music (Pianos (2)), Arranged |
ISBN | : |
Author | : Peter Mercer-Taylor |
Publisher | : Cambridge University Press |
Total Pages | : 336 |
Release | : 2004-10-21 |
Genre | : Biography & Autobiography |
ISBN | : 9780521533423 |
This book surveys the life, work, and posthumous reception of nineteenth-century German-Jewish composer Felix Mendelssohn.
Author | : Claudia Macdonald |
Publisher | : Taylor & Francis |
Total Pages | : 382 |
Release | : 2023-05-09 |
Genre | : Music |
ISBN | : 1000938824 |
Robert Schumann was a unique personality in 19th century music: a celebrated music critic and champion of new composers as well as a talented performer and composer himself, he did much to modernize the literature and performance style for the piano. This book covers the key period of c. 1815-55, exploring how the generation that came after Beethoven was central in reshaping and refining the conception of the concerto style, and particularly the piano concerto. It relates Schumann's own compositional development to his musical environment, recreating the exciting milieu in which Schumann and his contemporaries lived and worked. Written in scholarly, but non-technical language, Robert Schumann and the Development of the Piano Concerto will appeal to college and conservatory teachers and students, as well as music connoisseurs. Also includes 60 musical examples.
Author | : Felix Mendelssohn-Bartholdy |
Publisher | : Courier Corporation |
Total Pages | : 232 |
Release | : 1996-01-01 |
Genre | : Music |
ISBN | : 9780486290324 |
Includes Concerto No. 1 in G Minor, Op. 25; Concerto No. 2 in D Minor, Op. 40; Capriccio Brillant, Op. 22; Rondo Brillant, Op. 29; Serenade and Allegro giocoso, Op. 43. Breitkopf & Härtel edition.
Author | : Stephan D. Lindeman |
Publisher | : Taylor & Francis |
Total Pages | : 666 |
Release | : 2006 |
Genre | : Music |
ISBN | : 0415976197 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author | : R. Larry Todd |
Publisher | : OUP USA |
Total Pages | : 455 |
Release | : 2010 |
Genre | : Biography & Autobiography |
ISBN | : 0195180801 |
Fanny Hensel (1805-1847) was an extraordinary musician and astute observer of European culture. Previously she was known mainly as the granddaughter of philosopher Moses Mendelssohn and the sister of composer Felix Mendelssohn Bartholdy, yet Hensel is now recognized as the leading woman composer of the nineteenth century. She produced well over four hundred compositions and excelled in short, lyrical piano pieces and songs of epigrammatic intensity, but the expressive range of her art also accommodated challenging virtuoso piano and chamber works, orchestral music, and cantatas written in imitation of J.S. Bach. Her gender and position in society restricted her from opportunities afforded her brother, however, who himself quickly rose to an international career of the first rank. Hensel's own sphere of influence revolved around her Berlin residence, where she directed concerts that attracted such celebrities as Franz Liszt, Clara Schumann, Clara Novello, and her brother Felix. In this semi-public space, shared with exclusive audiences drawn from the elite of Berlin society, Hensel found her own voice as pianist, conductor and composer. For much of her life, she composed for her own pleasure, and her brother ranked her songs among the very best examples of the genre. Felix silently incorporated several of the songs into his own early publications, while a few other songs were published anonymously. Hensel began releasing her works under her own name in 1847, only to die of a stroke as the first reviews of her music began to appear. Tragically, the vast majority of her music was forgotten for a century and a half before its recent rediscovery. Renowned Mendelssohn scholar R. Larry Todd now offers a compelling, full account of Hensel's life and music, her extraordinary relationship with her brother, her position in one of Berlin's most eminent families, and her courageous struggle to define her own public voice as a composer [Publisher description].