Sentimental Murder Love And Madness In The C18th
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Author | : John Brewer |
Publisher | : Macmillan |
Total Pages | : 358 |
Release | : 2005-06-08 |
Genre | : History |
ISBN | : 0374529779 |
"One April evening in 1779, Martha Ray, the pretty mistress of a famous aristocrat, was shot dead at point-blank range by a young clergyman who then attempted to take his own life. Instead he was arrested, tried and hanged. In this fascinating new book, John Brewer, a leading historian of eighteenth-century England, asks what this peculiar little story was all about... Brewer, in tracing Ray's fate through these protean changes in journalism, memoir, and melodrama, offers an unforgettable account of the relationships among the three protagonists and their different places in English society--and assesses the shifting balance between storytelling and fact, past and present that inheres in all history." -- Amazon.com viewed December 7, 2020.
Author | : JOHN. BREWER |
Publisher | : |
Total Pages | : |
Release | : 2004 |
Genre | : |
ISBN | : |
Author | : Martin Levy |
Publisher | : Harper Collins |
Total Pages | : 258 |
Release | : 2004-12-28 |
Genre | : History |
ISBN | : 0060559756 |
On a spring evening in 1779, as she emerged from London's Covent Garden Theatre, a beautiful young woman was shot in the head at point-blank range by a man in a black suit. The brutal murder was even more shocking because of the victim's identity -- she was Martha Ray, live-in mistress to the Earl of Sandwich and devotee of the arts. The man accused of her murder was none other than James Hackman, a respected Anglican minister and Ray's former lover. The aftermath of the crime created an uproar in London high society, as aristocrats debated Hackman's motives. Had he intended to commit suicide, as he later claimed, but, in a moment of weakness, turned his gun on Ray instead? This riveting tale of a crime of passion re-creates the slaying and the clergyman's trial, which was the unrivaled media sensation of its time.
Author | : Christine Leigh Heyrman |
Publisher | : Knopf |
Total Pages | : 305 |
Release | : 2021 |
Genre | : Biography & Autobiography |
ISBN | : 0525655573 |
"This is a Borzoi Book published by Alfred A. Knopf."
Author | : Rebecca Probert |
Publisher | : Bloomsbury Publishing |
Total Pages | : 216 |
Release | : 2021-03-11 |
Genre | : History |
ISBN | : 135007926X |
The period of the Enlightenment was marked by innovation in political, cultural, religious, and educational ideas with the aim of improving the experience of human beings in society. Key to intellectual debates and day-to-day life were ideas about the law. Many looked to Britain, and to the British, as exemplars of a state governed by moderate laws under a moderate constitution. Britain's laws and constitution were portrayed and satirized in almost every artistic medium. A Cultural History of Law in the Age of Enlightenment presents essays spanning the “long 18th century” (1680 to 1820) which explore the place of law in a range of creative and artistic media, all of which flourished in a commercial society with law at its center and enlightenment as its aim. Drawing upon a wealth of visual and textual sources, A Cultural History of Law in the Age of Enlightenment presents essays that examine key cultural case studies of the period on the themes of justice, constitution, codes, agreements, arguments, property and possession, wrongs, and the legal profession.
Author | : Krista J. Kesselring |
Publisher | : Oxford University Press |
Total Pages | : 196 |
Release | : 2019 |
Genre | : History |
ISBN | : 0198835620 |
Homicide has a history. In early modern England, that history saw two especially notable developments: one, the emergence in the sixteenth century of a formal distinction between murder and manslaughter, made meaningful through a lighter punishment than death for the latter, and two, a significant reduction in the rates of homicides individuals perpetrated on each other. Making Murder Public explores connections between these two changes. It demonstrates the value in distinguishing between murder and manslaughter, or at least in seeing how that distinction came to matter in a period which also witnessed dramatic drops in the occurrence of homicidal violence. Focused on the 'politics of murder', Making Murder Public examines how homicide became more effectively criminalized between 1480 and 1680, with chapters devoted to coroners' inquests, appeals and private compensation, duels and private vengeance, and print and public punishment. The English had begun moving away from treating homicide as an offence subject to private settlements or vengeance long before other Europeans, at least from the twelfth century. What happened in the early modern period was, in some ways, a continuation of processes long underway, but intensified and refocused by developments from 1480 to 1680. Making Murder Public argues that homicide became fully 'public' in these years, with killings seen to violate a 'king's peace' that people increasingly conflated with or subordinated to the 'public peace' or 'public justice.'
Author | : Robert W. Thurston |
Publisher | : Routledge |
Total Pages | : 442 |
Release | : 2016-05-06 |
Genre | : History |
ISBN | : 1317102975 |
Addressing one of the most controversial and emotive issues of American history, this book presents a thorough reexamination of the background, dynamics, and decline of American lynching. It argues that collective homicide in the US can only be partly understood through a discussion of the unsettled southern political situation after 1865, but must also be seen in the context of a global conversation about changing cultural meanings of 'race'. A deeper comprehension of the course of mob murder and the dynamics that drove it emerges through comparing the situation in the US with violence that was and still is happening around the world. Drawing on a variety of approaches - historical, anthropological and literary - the study shows how concepts of imperialism, gender, sexuality, and civilization profoundly affected the course of mob murder in the US. Lynching provides thought-provoking analyses of cases where race was - and was not - a factor. The book is constructed as a series of case studies grouped into three thematic sections. Part I, Understanding Lynching, starts with accounts of mob murder around the world. Part II, Lynching and Cultural Change, examines shifting concepts of race, gender, and sexuality by drawing first on the romantic travel and adventure fiction of the era 1880-1920, from authors such as H. Rider Haggard and Edgar Rice Burroughs. Changing images of black and white bodies form another major focus of this section. Part III, Blood, Debate, and Redemption in Georgia, follows the story of American collective murder and growing opposition to it in Georgia, a key site of lynching, in the early twentieth century. By situating American mob murder in a wide international context, and viewing the phenomenon as more than simply a tool of racial control, this book presents a reappraisal of one of the most unpleasant, yet important periods of America's history, one that remains crucial for understanding race relations and collective violence around the world.
Author | : John Brewer |
Publisher | : Routledge |
Total Pages | : 566 |
Release | : 2013-03-12 |
Genre | : History |
ISBN | : 113591236X |
The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation. John Brewer's enthralling book explains how this happened and recreates the world in which the great works of English eighteenth-century art were made. Its purpose is to show how literature, painting, music and the theatre were communicated to a public increasingly avid for them. It explores the alleys and garrets of Grub Street, rummages the shelves of bookshops and libraries, peers through printsellers' shop windows and into artists' studios, and slips behind the scenes at Drury Lane and Covent Garden. It takes us out of Gay and Boswell's London to visit the debating clubs, poetry circles, ballrooms, concert halls, music festivals, theatres and assemblies that made the culture of English provincial towns, and shows us how the national landscape became one of Britain's greatest cultural treasures. It reveals to us a picture of English artistic and literary life in the eighteenth century less familiar, but more suprising, more various and more convincing than any we have seen before.
Author | : Amy Absher |
Publisher | : University of Oklahoma Press |
Total Pages | : 273 |
Release | : 2023-09-19 |
Genre | : History |
ISBN | : 080619328X |
One January day in 1923, a young boy came across the dead body of a twenty-year-old woman on a San Diego beach. When the police arrived on the scene, they found the woman’s calling card, which read simply, “I am Fritzie Mann.” Yet Fritzie’s identity, as revealed in this compelling history, was anything but simple, and her death—eventually ruled a homicide—captured public attention for months. In Fritzie, historian Amy Absher reveals how broader cultural forces, including gendered violence, sexual liberation, and evolving urban conditions in the American West, shaped the course of Mann’s life and contributed to her tragic death. Frieda “Fritizie” Mann had several identities during her brief life, and the mysterious circumstances of her death raise as many questions as they do answers. She was born in 1903 near the present border between Poland and Ukraine. She and her family were Jewish immigrants who traveled to San Diego to find security and prosperity. In the last year of her life, Mann became locally famous. She had reinvented herself as a flapper and “Oriental” dancer. She claimed to have friends in Hollywood and a movie contract. On the night of her murder, she said she was going to a party to meet her Hollywood friends; instead she traveled to an isolated roadside hotel where she met her death. An autopsy revealed that she was four and a half months pregnant. Absher guides the reader through the intricacies of this true crime story as it unfolded, from the initial flawed investigation to the sensationalized press coverage and the ultimate failure of the legal system to ensure justice on Mann’s behalf. Like other “new women” of her era, Fritzie Mann adopted roles that promised liberation from the control of men. In the end, her life and early death suggest the opposite: she became the victim of a culture that consumed women even as it purported to celebrate them.
Author | : Mary Terrall |
Publisher | : University of Toronto Press |
Total Pages | : 345 |
Release | : 2012-01-01 |
Genre | : Philosophy |
ISBN | : 1442642580 |
Published in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library.