Sense Of Occasion
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| Author | : Harold Prince |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 335 |
| Release | : 2017-08-01 |
| Genre | : Music |
| ISBN | : 1540004848 |
In this fast-moving, candid, conversational, and entertaining memoir, Harold Prince, the most honored director in the history of the American theater (22 Tony Awards and counting), looks back over his 70-year (and counting!) career. Featuring original material from Contradictions: Notes on Twenty-Six Years in the Theatre, Prince provides a fresh, new perspective on his writing from the vantage point of today. Sense of Occasion gives an insider's recollection of the making of such landmark musicals as West Side Story, Fiddler on the Roof, Cabaret, Company, Follies, Sweeney Todd, Evita, and Phantom of the Opera, with Prince's perceptive comments about his mentor George Abbott and his many celebrated collaborators, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, John Kander, Boris Aronson, Andrew Lloyd Webber, Angela Lansbury, Elizabeth Taylor, Zero Mostel, Carol Burnett, and Joel Grey. As well as detailing his titanic successes that changed the form and content of the American musical theater, Prince even-handedly reflects on the shows that didn't work, most memorably and painfully Merrily We Roll Along. Throughout, he offers insights into the way business is conducted on Broadway, drawing sharp contrasts between past and present. This thoughtful, complete account of one of the most legendary and long-lived careers in theater history, written by the man who lived it, is an essential work of personal and professional recollection.
| Author | : Søren Kierkegaard |
| Publisher | : Princeton University Press |
| Total Pages | : 725 |
| Release | : 2013-04-21 |
| Genre | : Philosophy |
| ISBN | : 1400846935 |
Søren Kierkegaard, the nineteenth-century Danish philosopher rediscovered in the twentieth century, is a major influence in contemporary philosophy, religion, and literature. He regarded Either/Or as the beginning of his authorship, although he had published two earlier works on Hans Christian Andersen and irony. The pseudonymous volumes of Either/Or are the writings of a young man (I) and of Judge William (II). The ironical young man's papers include a collection of sardonic aphorisms; essays on Mozart, modern drama, and boredom; and "The Seducer's Diary." The seeming miscellany is a reflective presentation of aspects of the "either," the esthetic view of life. Part II is an older friend's "or," the ethical life of integrated, authentic personhood, elaborated in discussions of personal becoming and of marriage. The resolution of the "either/or" is left to the reader, for there is no Part III until the appearance of Stages on Life's Way. The poetic-reflective creations of a master stylist and imaginative impersonator, the two men write in distinctive ways appropriate to their respective positions.
| Author | : Charles Travis |
| Publisher | : Oxford University Press |
| Total Pages | : 328 |
| Release | : 2008-02-28 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199230331 |
Charles Travis presents a series of essays in which he has developed his distinctive view of the relation of thought to language. He argues that there are varying conditions of correctness which determine whether words express a given concept, and thus that meaning does not determine truth conditions. The implications of this view are intriguing.
| Author | : Søren Kierkegaard |
| Publisher | : Princeton University Press |
| Total Pages | : 724 |
| Release | : 1987 |
| Genre | : Literary Collections |
| ISBN | : 0691020418 |
Søren Kierkegaard, the nineteenth-century Danish philosopher rediscovered in the twentieth century, is a major influence in contemporary philosophy, religion, and literature. He regarded Either/Or as the beginning of his authorship, although he had published two earlier works on Hans Christian Andersen and irony. The pseudonymous volumes of Either/Or are the writings of a young man (I) and of Judge William (II). The ironical young man's papers include a collection of sardonic aphorisms; essays on Mozart, modern drama, and boredom; and "The Seducer's Diary." The seeming miscellany is a reflective presentation of aspects of the "either," the esthetic view of life. Part II is an older friend's "or," the ethical life of integrated, authentic personhood, elaborated in discussions of personal becoming and of marriage. The resolution of the "either/or" is left to the reader, for there is no Part III until the appearance of Stages on Life's Way. The poetic-reflective creations of a master stylist and imaginative impersonator, the two men write in distinctive ways appropriate to their respective positions.
| Author | : Anna Wierzbicka |
| Publisher | : Oxford University Press |
| Total Pages | : |
| Release | : 2010-06-24 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199709807 |
This book is based on two ideas: first, that any language--English no less than any other-represents a universe of meaning, shaped by the history and experience of the men and women who have created it, and second, that in any language certain culture--specific words act as linchpins for whole networks of meanings, and that penetrating the meanings of those key words can therefore open our eyes to an entire cultural universe. In this book Anna Wierzbicka demonstrates that three uniquely English words--evidence, experience, and sense--are exactly such linchpins. Using a rigorous plain language approach to meaning analysis, she unpacks the dense cultural meanings of these key words, disentangles their multiple meanings, and traces their origins back to the tradition of British empiricism. In so doing she reveals much about cultural attitudes embedded not only in British and American English, but also English as a global language. An interdisciplinary work, Experience, Evidence, and Sense will be of interest to both scholars and students in linguistics and English, as well as historians of ideas, sociologists, anthropologists, literary scholars, and scholars of communication.
| Author | : Charles Travis |
| Publisher | : Clarendon Press |
| Total Pages | : 417 |
| Release | : 1989-03-09 |
| Genre | : Philosophy |
| ISBN | : 0191520128 |
The Uses of Sense provides a novel account of Wittgenstein's view of language as expressed in the Philosophical Investigations. On the account, Wittgenstein's view is a radical break with a still-dominant Fregean tradition. Travis applies this account to show the significance of private language and of other major themes in the Investigations, such as family resemblance and language games. Wittgenstein uses the idea of private language for a thought experiment. What is the experiment meant to test? Travis suggests that it is two pictures of the having of semantic properties, by whatever items might do so, that are at stake. One picture is Fregean. The other is opposed to it in denying a certain fixity in the semantic properties of an item which, for example, might permit simply defining some items as the bearers of such-and-such semantics. On Wittgenstein's picture, the semantics of any item is variable across occasions for viewing it or using it. This variability arises through the dependence of any item's semantics on its users and their uses of it. This dependence requires publicity of a sort excluded by private language. If items may still have semantics privately, Travis argues, then Wittgenstein's picture may not be compulsory. But if semantics collapses under such unnatural conditions, then, in ways Wittgenstein indicates, that shows something fundamentally mistaken in the Fregean approach.
| Author | : Alan Shapiro |
| Publisher | : University of Chicago Press |
| Total Pages | : 252 |
| Release | : 1996-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780226750323 |
Series of six essays that move back and forth between poetry and the author's personal experience, examining how certain poems taught him to read his own and other people's lives, and how those lives, in turn, shaped his understanding of certain poems.
| Author | : Julian Barnes |
| Publisher | : Vintage |
| Total Pages | : 158 |
| Release | : 2011-10-05 |
| Genre | : Fiction |
| ISBN | : 0307957330 |
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
| Author | : Vered Vinitzky-Seroussi |
| Publisher | : University of Chicago Press |
| Total Pages | : 224 |
| Release | : 1998-06-22 |
| Genre | : Education |
| ISBN | : 9780226856681 |
This book explores the desire to resolve the tension between public conception and internal understandings, to maintain a sense of continuity between past and present lives, and to lay claim to both as an integrated self and a unified life history. Copyright © Libri GmbH. All rights reserved.
| Author | : John L. Pollock |
| Publisher | : Princeton University Press |
| Total Pages | : 313 |
| Release | : 2014-07-14 |
| Genre | : Foreign Language Study |
| ISBN | : 1400856485 |
Most philosophical theories of language have assumed that statements (products of assertion) and propositions (objects of belief) are the same things. John L. Pollock denies this, maintaining that even when the speaker is perfectly sincere, what he is thinking need not be the same thing as what he is saying. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
