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| Author | : Scott Messing |
| Publisher | : Boydell & Brewer |
| Total Pages | : 335 |
| Release | : 2020 |
| Genre | : Music |
| ISBN | : 1580469655 |
Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
| Author | : Brian Newbould |
| Publisher | : Routledge |
| Total Pages | : 183 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351549901 |
The eleven essays that comprise this volume represent some of the most significant strands of current Schubert research. Arising from an international conference organized by the Schubert Institute (UK) and the University of Leeds in 2000, the emphasis of the papers is on issues of performance practice, analysis and hermeneutics. In the opening essay of the book, Charles Rosen illuminates some of Schubert's compositional practices and their implications for performers. Further performance problems are explored by Walther D?rr who highlights the paradox between Schubert's precise notation of pitches and rhythm and his imprecision in relation to dynamics and articulation. As Roy Howat makes clear in his essay, the performer needs to read between the lines of even the best Schubert editions.Aspects of Schubert's style are explored in other essays. Clive McClelland discusses the composer's use of ombra style, while Brian Newbould examines Schubert's techniques of compression and expansion as illustrated in his dances and in sonata movements. Robert Hatten explores the G major Piano Sonata as pastoral, and James Sobaskie and Nicholas Rast provide complementary analyses of the A minor Quartet.The organization of musical time in Schubert and his relationship in this regard to later composers is the subject of Susanne Kogler's essay, while Walburga Litschauer discusses Schubert's early piano sonatas and previously unknown versions of them. Various enigmas surrounding Schubert's life and music are discussed by Roger Neighbour.With contributions from both internationally acclaimed and younger scholars, this volume represents a further step in the multifaceted direction that Schubert research is taking.
| Author | : |
| Publisher | : Cambridge University Press |
| Total Pages | : 375 |
| Release | : |
| Genre | : |
| ISBN | : 0521650879 |
| Author | : Brian Newbould |
| Publisher | : Taylor & Francis |
| Total Pages | : 200 |
| Release | : 2022-10-25 |
| Genre | : Music |
| ISBN | : 1000640981 |
Schubert’s Workshop offers a fresh study of the composer’s compositional technique and its development, rooted in the author’s experience of realising performing versions of Franz Schubert’s unfinished works. Through close examination of Schubert’s use of technical and structural devices, Brian Newbould demonstrates that Schubert was much more technically innovative than has been supposed, and argues that the composer’s technical discoveries constitute a rich legacy of specific influences on later composers. Providing rich new insights into the creative practice of one of the major figures of classical music, this two-volume study reframes our understanding of Schubert as an innovator who constantly pushed at the frontiers of style and expression.
| Author | : Christopher H. Gibbs |
| Publisher | : Cambridge University Press |
| Total Pages | : 364 |
| Release | : 1997-04-17 |
| Genre | : Music |
| ISBN | : 1139825321 |
This Companion to Schubert examines the career, music, and reception of one of the most popular yet misunderstood and elusive composers. Sixteen chapters by leading Schubert scholars make up three parts. The first seeks to situate the social, cultural, and musical climate in which Schubert lived and worked, the second surveys the scope of his musical achievement, and the third charts the course of his reception from the perceptions of his contemporaries to the assessments of posterity. Myths and legends about Schubert the man are explored critically and the full range of his musical accomplishment is examined.
| Author | : John M. Gingerich |
| Publisher | : Cambridge University Press |
| Total Pages | : 446 |
| Release | : 2014-05-22 |
| Genre | : Music |
| ISBN | : 1139952080 |
Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.
| Author | : John Reed |
| Publisher | : Manchester University Press |
| Total Pages | : 528 |
| Release | : 1997-08-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781901341003 |
Provides background information on the text and translation for all of Schubert's songs. "A bible for the serious Schubertian."--Back cover.
| Author | : Christopher John Murray |
| Publisher | : Routledge |
| Total Pages | : 1303 |
| Release | : 2013-05-13 |
| Genre | : History |
| ISBN | : 1135455791 |
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
| Author | : Jim Samson |
| Publisher | : Cambridge University Press |
| Total Pages | : 796 |
| Release | : 2001-12-03 |
| Genre | : Music |
| ISBN | : 9780521590174 |
The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.
| Author | : Mark A. Radice |
| Publisher | : University of Michigan Press |
| Total Pages | : 384 |
| Release | : 2012-01-19 |
| Genre | : Music |
| ISBN | : 0472028111 |
Intended for the music student, the professional musician, and the music lover, Chamber Music: An Essential History covers repertoire from the Renaissance to the present, crossing genres to include string quartets, piano trios, clarinet quintets, and other groupings. Mark A. Radice gives a thorough overview and history of this long-established and beloved genre, typically performed by groups of a size to fit into spaces such as homes or churches and tending originally toward the string and wind instruments rather than percussion. Radice begins with chamber music's earliest expressions in the seventeenth century, discusses its most common elements in terms of instruments and compositional style, and then investigates how those elements play out across several centuries of composers- among them Mozart, Bach, Haydn, and Brahms- and national interpretations of chamber music. While Chamber Music: An Essential History is intended largely as a textbook, it will also find an audience as a companion volume for musicologists and fans of classical music, who may be interested in the background to a familiar and important genre.
